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Chhaava director Laxman Utekar on Monday said he would delete a dance sequence from the film, following protests and objections from several Maharashtra ministers. He mentioned in a detailed official statement that he imagined the Maratha warrior and king Smabhaji Maharaj as a 20-year-old boy in his film, and therefore, included a sequence showing him celebrating with the ‘Lezim dance’ after winning a battle. However, something about the same dance sequence didn’t go down well with many politicians.
On Sunday, Maharashtra Chief Minister, Devendra Fadnavis talked to the media in Mumbai and mentioned that the film shouldn’t hamper with the legacy of the reverred Maratha king, Sambhaji Maharaj. He talked about the ‘distorted history’ and said a film made on Chhatrapati should be both ‘creative and sensitive’.
“Chhatrapati Sambhaji Maharaj’s history should be shown correctly. It is not right to distort history. Everyone has a lot of love and respect for Sambhaji Maharaj. This respect and honour should not be hurt. There should be creativity (in filmmaking) but we believe that there should be sensitivity along with it,” he said.
His statement came after several ministers, including former Rajya Sabha MP Sambhjiraje Chhatrapati, who’s also a descendant of Chhatrapati Shivaji Maharaj, suggested that the makers consult historians to avoid ‘inaccuracies’ in the film. His argument followed the release of the trailer, which featured a glimpse of Vicky and Rashmika Mandanna (who plays the role of Maharani Yesubai) performing the Lezmi dance.
The glimpse was from a song which was shot to capture the celebratory mood in the kingdom of Chhatrapati Sambhaji Maharaj following his successful attack on Burhanpur, a wealthy Mughal city in Madhya Pradesh, in 1681.
What the descendant of Chhatrapati Shivaji Maharaj said about the song:
In his statement to the media, the former MP revealed that he had expressed his wish to watch the entire film when the makers went to show him the trailer. Sambhajiraje said, “I told them I would like to watch the entire movie before its release. I also offered to connect them with historians to address inaccuracies to ensure this significant story is presented authentically to audiences worldwide.”
He was one of the first people who talked about the media, objecting to the dance sequence in Chhaava. He mentioned the Lezim dance in his statement and said, “While the Lezim is an important part of our cultural heritage, it is necessary to discuss whether taking such cinematic liberties aligns with the dignity and historical portrayal of Sambhaji Maharaj,” adding that the makers should consult historians to get their green signal before the release of the film.
A few hours before Sambhajiraje’s interview, a few Maratha outfits protested in Pune against the same dance sequence in the film. The protestors demanded what the former MP said: show the film to the historians or face consequences.
What minister Uday Samant said against the song in Chhava:
On Sunday, before director Laxman Utekar met MNS chief Raj Thackeray and announced his decision to cut the dance scene, Maharashtra minister Uday Samant also objected to the sequence and shared a note on X against the release of Chhaava.
He wrote, “It is a matter of joy that a Hindi film based on the life of Chhatrapati Sambhaji Maharaj, the protector of religion and protector of freedom, is being made. Such efforts are necessary to make the world understand the history of Chhatrapati. However, many have expressed their opinions that there are some objectionable scenes in this film. Our position is that this film should not be released without first showing it to experts and knowledgeable people. Anything that will harm the honour of the Maharaj will not be tolerated (sic).”
Director Laxman Utekar’s stand on the song in Chhaava:
While Utekar agreed on deleting the dance number, he mentioned that the Lezim dance in the film was envisioned to feature Marathi culture. He said in his statement to the media that the song, which has now been removed, only glorified the culture and helped the audience to understand it better. Laxman said the song was featured as a part of Holi celebration in the film, and asked if there was any harm in showing Chhatrapati participating in the festivities with a traditional dance.
“When Sambhaji Maharaj launched an attack in Burhanpur, he was just 20 years old. We have taken the rights of Shivaji Sawant’s book titled Chhava where he wrote about Sambhaji Maharaj taking part in the Holi festival. He would remove a coconut from the holy fire. We thought of Maharaj as a 20-year-old. It was obvious that he had played the Lezim dance. And why not? Lezim is a part of Maratha culture. It is just our traditional dance. But, if anyone is hurt by those dance moves or Lezim dance, we will remove them. Lezim dance is not bigger than Chhatrapati Sambhaji Maharaj,” he explained.
Former Vice President Kamala Harris dined at West Hollywood celeb magnet Craig’s on Saturday night with husband Doug Emhoff and what appeared to be a crowd of power producers.
Though another insider said Harris was just dining with some pals.
One source told Page Six the couple was “with some Hollywood people,” adding, “It was a table full of producer and director types; definitely entertainment development.”
Another witness who saw Harris, 60, at the showbiz watering hole told us: “She was sitting in the booth that faces the wall, and it was about six people in the booth.”
The source added: “No paparazzi in front. Her husband was there. It looked like they were there with couples.”
The source said that Harris and Emhoff, also 60, were at the meal for over two hours, and “it didn’t look like a lot of security was there. No one was swarming her or anything. It was a lot of people in her booth. She looked happy.”
A different source familiar with the veep told us she was just having a night out with friends, and that the meeting was not about any new projects.
There has been speculation over Harris’ next move after her loss to Donald Trump. She has returned to her home state of California, though we reported that Emhoff recently toured a $20,000-a-month luxury condo on the Upper West Side.
Harris previously said, “It is not my nature to go quietly into the night. So, don’t worry about that.” She could run for California governor in next year’s election.
Then again, political and public figures have had a recent history of inking deals in Hollywood after leaving their posts.
Super-slim waists, thin arms, hollow cheeks and visible collar bones were in the spotlight on the Golden Globes red carpet earlier this month, with A-listers looking thinner than they have in decades.
Insiders say the popularity of GLP-1 medications such as Ozempic, Wegovy and Mounjaro have made curves on the red carpet passe, marking the return of the ultra-skinny bobblehead body of the 1990s and early-aughts.
Dr. Michael Hakimi, a plastic surgeon in Beverly Hills, estimated that in recent years, most stars ranged in size from a 2 to an 8. Fans typically saw slim-but-somewhat womanly bodies on red carpets.
“Now,” he said, “we’re seeing between a 0 and Size 2 — even from the people we’re used to seeing with fuller figures.”
The new class of weight-loss meds has become so popular in Hollywood, Hakimi told Page Six that celebrity and high profile clients are having GLP-1 “parties” of sorts where deep-pocketed hosts hire nurse prescribers to introduce guests to the weight loss medications, and get them prescribed.
“I hear it’s becoming as prevalent as Botox parties,” he said.
While A-Listers such as Oprah, Kathy Bates, Rebel Wilson and Elon Musk have been open about experimenting with the trendy meds, insiders say many more celebs — even those who have never seemed to struggle with their weight — are using them.
“Even really skinny people like to be on Ozempic, especially these people in Hollywood because they don’t get hungry. It makes them less hungry,” Dr. Jennifer Levine, a plastic surgeon based on the Upper East Side, told Page Six. “Even people that are super, super thin might be on micro doses because they’re able to maintain their weight and don’t feel like they’re starving themselves.”
And, once stars get to a goal weight, doctors say many are likely to stay on a GLP-1 to curb hunger and maintain the weight loss.
“They can’t get off it — they want to maintain their weight which they can’t do without the drug so they have to be on a smaller dose,” Levine said.
She also suspects some are taking too much of the medications, which were initially used to treat diabetes and work by lowering blood sugar, increasing insulin secretion and making you feel full longer.
“Not everybody needs to be on such high doses — there’s a way to safely use the drug without making people look scary thin,” Levine said.
Off the red carpet, Hakimi noted that political powerhouses are also looking slimmer as of late.
“Hillary Clinton looked like she was on it. The people in the cabinet — Mike Pompeo looks like he’s getting skinny,” Hakimi said.
The dramatic, often rapid weight loss from GLP-1s can result in a host of cosmetic complications that, for the Hollywood set, require surgical intervention.
“You can lose too much too fast and you end up with sinking skin,” said Hakimi, who’s been doing more and more liposuction — to contour the body after weight loss — with 20- and 30-something patients who have used the drugs.
Skin sagging can become such an issue for GLP-1 users that many are opting for facelifts at a youngish age.
“With weight-loss patients, they have that laxity and jowling that can’t be effectively addressed with fillers,” Dr. Daniel Barrett, a plastic surgeon in Beverly Hills, told Page Six. “If you try to fix laxity with fillers, you’d have to overfill the face, which would create an unnatural look that appears really strange — an example of this might be what Madonna currently looks like.”
What’s more, Barrett said, wealthy celebrity patients in their 40s and early 50s — whether they’ve used GLP-1 medication or not — are eschewing filler in favor of facelifts to better correct drooping skin and to avoid the distorted, puffed-up look of injectables gone wrong.
If you can afford a facelift — the average costs range from $10,000 for a minimally invasive one to upwards of $100,000 — Barrett said they “offer a better long-term result.”
“Getting filler when you need a facelift is really just wasting your money,” the plastic surgeon emphasized. “You’re not really addressing the fundamental problems and you’re making it more challenging to later do what’s actually needed.”
Hakimi says his facelift patients are skewing younger. He recently performed one on a star who was just 38 years old.
“It was to treat the hanging skin and laxity under the chin,” he said of the musician who had lost a significant amount of weight with GLP-1 meds.
Power players are also wanting to add volume back to their butts and boobs after dropping significant pounds.
“I’m seeing a lot of high profile individuals ask for breast and butt lifts. They lose the weight then they come to my office asking for a Brazilian butt lift and breast augmentation,” said Hakimi, who has seen an uptick in requests for subtle silicone breast implants.
Dramatic weight-loss and the cosmetic procedures that follow are having an effect on the logistics of shooting film and TV shows. Facelifts require far more scheduling considerations than simple fillers for stars given the recovery time.
Barrett notes that the immediate downtime is 10 days, but it takes at least two months to be camera-ready. Even that can be far too soon. A star doesn’t want to start shooting and look drastically different.
“[You see] optimal results at six months,” he said.
For those not looking to go under the knife, savvy makeup artists can help.
“What I will advise [for clients with extreme weight-loss in their face] is ‘let’s lift the look of the brows so people don’t focus on your cheekbones,’ ” said Rachael Weingarten, a celebrity makeup artist who has worked on film and TV shows. “I’ll build up the cheeks with a bit of bronzer underneath and then fill them in with blush.”
Rapper DJ Unk, who is best known for his 2006 hit song “Walk It Out,” has died at 43 years old, his wife Sherkita Long-Platt announced on Friday.
“Please respect me and my family. I just lost my husband and my kids just lost their father. Our life will never be the same,” Platt shared on Facebook. “I LOVE YOU ANTHONY FOREVER”
The Atlanta based rapper’s cause of death has not yet been revealed.
In a statement given to the NY Post, Korey “Big Oomp” Roberson — who founded the record label that signed Unk (real name Anthony Leonard Platt) in 2000 — reflected on the rapper’s death, calling him “a true ATL legend.”
“We extend our deepest condolences to his family, friends, and the countless fans who were touched by his artistry and spirit,” the message reads. “DJ Unk was not just a legendary DJ, rapper and producer, but a true cornerstone of our label and the imprint that he left globally will be cherished forever.”
“Hit songs such as ‘Walk It Out’ and ‘2 Step’ have left an indelible mark on the industry, and his legacy will continue to inspire artists, DJs, and fans alike for years to come. His energy, creativity, and commitment to the craft will never be forgotten.”
“We ask that you keep his family in your thoughts and prayers during this difficult time. We also want to thank everyone who has supported DJ Unk and the Oomp Camp over the years,” the statement continued.
Roberson added, “Rest in peace, Unk. You will forever be missed.”
Triptii Dimri has cemented herself as a reigning queen of the box office, going beyond 1,510 crores worth of collection with the past four films including ‘Animal’, ‘Bhool Bhulaiyaa 3’, ‘Bad Newz’ and ‘Vicky Vidya Ka Woh Wala Video’. With back-to-back hits, Triptii Dimri has emerged as a force to be reckoned with. Her consecutive hits not only shed light on her global box office prowess, star power, and enduring appeal, but her achievements make for an unprecedented feat for an Indian actress. Triptii’s box office feats are not just the achievement of numbers but they bring the spotlight on her global mass appeal, her ability to make careful choices of films, and the audience’s trust in her projects.
Each of Triptii Dimri’s films has earned critical acclaim and has also received positive reviews from the audience, emphasising that the actress not only picks roles that connect with the masses but also wins over the critics. In today’s fierce competition in Bollywood, crossing the mark of a whopping 1,510 crore is a remarkable milestone that very few actresses can achieve. This phenomenal achievement highlights Triptii Dimri’s ability to generate excitement among the masses, ensuring that every project is eagerly anticipated among her established fanbase.
Throughout the years, Triptii Dimri has crafted an illustrious career in Bollywood and has explored various genres including thriller, romance, comedy, and horror. Her unwavering commitment to her craft and her ability to pull off complex roles with utmost ease has earned her the moniker of one of the biggest actresses of Indian cinema. With past successes, Triptii Dimri has broken the conventionality of filmmaking and has shattered box office records. But, that’s not it for the ‘Bulbbul’ actress!
Saif Ali Khan was discharged from the hospital on Tuesday, January 21, 2025, days after he was attacked at his Bandra residence. In a number of videos shared by the paparazzi, the actor showcased a heroic spirit by ditching his wheelchair and walking by himself. Most recently, Pooja Bhatt gave a savage reply to trolls passing judgment on the actor for walking on his own and also lauded his ‘grit.’
While speaking with ETimes, Pooja Bhatt addressed social media trolling that Saif Ali Khan has been subjected to after his hospital discharge. Addressing the speculation on the internet, the actress emphasized the strength that it takes for one to seek help in a vulnerable state and praised his determination to recover.
She noted that the graphic details of the stabbing that surfaced in the media created an image in the people’s minds about Saif’s physical state. According to her, that image perhaps didn’t align with the visuals of seeing the actor walking out of the hospital by himself. She further addressed the notorious trolls with her savage response.
She said, “But don’t these very people forget that they lauded him for walking himself into the hospital as well? A man who checks himself into hospital in a wounded, traumatized condition surely has the grit to walk out of the hospital on his own. We should be applauding this instead of resorting to being conspiracy theorists.”
Following his discharge, dressed in a white shirt, denim pants, and black eyeshades, the actor ditched his wheelchair or any other help. He presented a fighter spirit and walked by himself with a cast in his hand and bandages on his neck that were clearly visible in the pap videos.
The 54-year-old was accompanied by a heavy security force during his return and was received with a warm welcome by his fans and paps stationed outside his home. The actor acknowledged them with a smile, flashed a thumbs-up, and waved at them.
Comedian-actor Kapil Sharma, actor Rajpal Yadav, choreographer-director Remo D’Souza and singer-comedian Sugandha Mishra received threat emails, police said.
“We have been monitoring your recent activities, and we believe it is imperative that we bring a sensitive matter to your attention. This is not a publicity stunt or an attempt to harass you,” the email stated.
It further stated that they should “treat this message with the utmost seriousness and confidentiality”.
“Failure to do so may result in severe consequences that could impact your professional and personal life,” it stated.
The email, which was signed by one Bishnu, further stated that if they don’t respond to it within the next eight hours, “we will take necessary actions”.
Based on complaints from the celebrities, a case was registered at Amboli and Oshiwara police stations.
Since 2021, the Badshah of Bollywood, Shah Rukh Khan, has been playing a game of hide-and-seek with the media. Whether it’s hiding under umbrellas or avoiding the cameras at events, the actor has kept a low profile. But what’s the reason behind it?
Yusuf Ibrahim on SRK hiding face from paps
In an exclusive chat with Zoom, former security head in charge of King Khan, Yusuf Ibrahim reacted to this and said that it’s not about shying away from the limelight. In fact, Yusuf admitted he doesn’t really know the “personal reasons” behind Khan’s avoidance.
He told us, “Main toh nahi jaanta because I’m not working for him anymore. So, unka internally kya wajah hai, kyu kar rahe hain, that’s his call. I have no idea. (I don’t know because I am not working for him anymore. So, there must be some internal reason why he is doing so.)”
Yusuf’s connection with SRK goes way back. Not only did he manage Shah Rukh’s security for years, but he also played matchmaker for SRK’s current bodyguard, Ravi Singh. So when Yusuf speaks about SRK, you know it’s from a place of trust and long-time association. But even Yusuf is in the dark about the full reasons behind SRK’s media absence.
One big reason floating around, according to paparazzo Varinder Chawla, is Shah Rukh’s anger toward the media’s handling of his son Aryan Khan’s arrest. In October 2021, Aryan Khan was arrested in a drug case and he reportedly spent 22 days in police custody, and his father’s emotional support during that time was undeniable.
Varinder once explained, “After speaking to him, I realised his love for his children, his son Aryan Khan. I too have children, if people went around talking ill and negative things about my children, I too would feel sad. He was so sad and upset back then, we didn’t care about that. We just kept complaining that SRK doesn’t give us photos and always hides his face. He is mad at the media for what they did to his son.”
Yusuf, ever the protector, also empathises with SRK. He has been in charge of Alia Bhatt and Varun Dhawan’s security since their Student Of The Year days. He has also worked with stars, including Shah Rukh Khan and Ranbir Kapoor.
Dsena said he is not disheartened by losing the trophy to Mehra as he won many hearts during his stint on the show that requires contestants to be holed up in a special house for three months without much contact from the world outside.
Mumbai: Popular television actor Karan Veer Mehra beat rival Vivian Dsena to lift the “Big Boss 18” trophy here at a ceremony, hosted by Bollywood superstar Salman Khan.
Show host Salman presented the trophy and the prize money of Rs 50 lakh to Mehra on late Sunday night.
Mehra, known for his roles in shows such as “Shanno Ki Shaadi”, “Virrudh”, “Amrit Manthan”, “TV Biwi Aur Main” and “Fear Factor: Khatron Ke Khiladi 14”, credited his family and fans for supporting him.
“I would like to give credit to a lot of people starting from my family — my mom, my sister, her children, my-brother-in-law and my dad. It is my dad’s birthday today. And the Big Boss audience who watched the show and supported me,” Mehra told PTI after his win.
Asked how he plans to spend the winning amount, the actor said, “I will support the education of the kids of my staff.”
The accused had roamed the actor’s residence area with friends. His friends informed him that wealthy people, including industrialists, lived there. He needed money and was willing to do anything to get it, the officer said.
Since the very first day of the incident, everyone has been pondering the question: How did the accused enter the actor’s building, Sat Guru Sharan, in Bandra West? The police have revealed some details after arresting the accused.
A police officer involved in the investigation from day one stated, “The accused scaled the building’s compound wall from the nearby road and jumped inside. The guard in the compound was fast asleep. The accused then climbed part of the building wall using a drainpipe, took the stairs, and used the duct to reach Saif’s bathroom. He most likely carried tools to open the bathroom window. When he jumped into the bathroom, the noise woke up the nurse, who was asleep in Saif’s son Jehangir’s bedroom. She raised an alarm, which brought Saif to the scene. He was then stabbed, after which the assailant took the same route to escape.”
The officer added that the building’s security was inadequate. The CCTV system was outdated, and the police needed to access the footage, but no one knew the password. Almost two to three hours were wasted trying to recover it.
From asking what ‘Jai Shri Ram’ means to giving a tongue-in-cheek shout-out to cricketer Jasprit Bumrah, Coldplay’s first concert in India in nine years was nothing short of a cultural celebration where the band’s frontman Chris Martin captivated the audience with his humour and curiosity.
There were plenty of unforgettable moments that resonated deeply with fans at Navi Mumbai’s DY Patil Stadium where Coldplay kick-started their ‘Music of the Spheres World Tour’ in India.
For two hours at the packed stadium, Martin belted out chartbuster tracks like Paradise, Viva La Vida, Adventure of a Lifetime, Yellow, Fix You, and A Sky Full of Stars, among others.
One of the evening’s most stand moments came when Martin noticed a fan holding a placard that read “Jai Shri Ram.” Curious, he uttered the phrase, igniting thunderous cheers from the crowd.
He then said, “What does Jai Shri Ram mean? Must be something good.” Martin’s innocent inquiry about the meaning of the phrase only heightened the audience’s excitement.
Throughout the evening, Martin made a concerted effort to connect with the audience in their native tongues. His attempts to speak Hindi and Marathi were met with overwhelming warmth.
At the beginning of the concert, he interacted with the crowd in Marathi, Hindi, and English.
He began by saying in Marathi, “Tumhee saghre aaj chaan distat’ (You all look beautiful today).
He then said in Hindi, “Aap sab ka bahut swagat hai humare show pe. Mumbai mein aakar hume bahut khushi ho rahi hai. (You’re all very welcome to our show. We feel happy after coming to Mumbai.) “Sorry, my Hindi and Marathi are bad but I tried my best,” he said, before switching to English.
The British musician thanked Indian fans for giving him the chance to play in one of “our favourite places in the whole world”.
“This is our fourth visit to India, the second time playing, and the first time played our show, and we couldn’t have asked for a better audience. It’s amazing you welcome us,” Martin said.
The singer-songwriter frequently checked on the crowd and made a point to ensure that they were well taken care of, asking about their well-being and hydration.
Looking at the various placards held by fans, he said, now is the good time to read some of the signs.
While reading placards by fans, such as ‘Happy Birthday to you’, ‘Love to mom she is fighting cancer’, ‘I love Coldplay’, ‘Welcome from Calcutta’, and ‘I remember you from the Temple’, Martin responded, ‘Yes, I think so. I remember you. I went to some amazing places.’ He later invited a 15-year-old boy whose message read: ‘Aum, I manifested this moment. I am ready for it. Can I sing Everglow with you?’ Martin fulfilled the boy’s wish as the two sang the track together. A few minutes later, while performing the song Alien, Martin even invited a male security guard on stage, who danced his heart out.
The D Y Patil sports stadium, which is primarily a cricket stadium, though it is sometimes used for football, music concerts and other events, was glowing amidst the colourful lights courtesy of the recyclable light wristbands that all the attendees were wearing and the great firework displayed at the end of the concert.
At one point the fireworks didn’t light up at the opportune time, and Martin said, ‘It’s taking a bit of time for it to get lit up. Can we all make firework sounds?’. The crowd followed him in unison till the skies were lit.
Towards the end of the concert, Martin stopped crooning and teased fans saying he needed to wrap it soon since it was time for Indian bowler Jasprit Bumrah to play cricket at the stadium.
“We got to finish the show because Jasprit Bumrah wants to come and play cricket backstage. Thank you very much, everybody, good night. He says he needs to ball at me,” he said leaving the crowd craving for some more songs.
“We love you Jasprit. So, we are going to ask him to wait for 15 minutes. So, we would like to play the song one more time, this time with four of us and the 60,000 of you all in the same breath,” Martin added.
As part of their ‘Music of the Spheres World Tour’, the British band has two more shows at the DY Patil Stadium on Sunday and Monday. A fourth show will be held at Ahmedabad’s Narendra Modi Stadium on January 25.
As the big day approached, fans started flocking from noon to attend the Coldplay concert, for which the gates opened at 3:30 pm and the band began at 8:00 pm.
One of the lady security guards said, “We have been here since 10:00 am. We’ve been told to make sure everything goes smoothly since it’s the biggest concert of the century.” Indore-based Shivani Agarwal, who was seen wearing a sash with ‘Bride To Be’ printed on it, was thrilled to bits attending the concert.
“I’ve my bridesmaid here, I wanted it to be a concert theme. This concert seemed like the perfect treat for me and my friends,” Agarwal told PTI.
Coldplay had earlier performed in the country in 2016 at the Global Citizen Festival in Mumbai.
As Bigg Boss 18 speeds toward its grand finale, the suspense is finally ending. The reality show, which is renowned for its ferocious disputes, intense confrontations, and unrestrained drama, has effectively reduced the number of contestants to the top 6.
These 6 talented people are now on the verge of finishing, and only one of them will soon claim the prestigious Bigg Boss 18 winner as the competition gets more intense and emotions reach a fever pitch.
Fans are surely curious to find out how they can help their favourite contestant win as the excitement increases. Voting is the solution, and here is a thorough explanation of how to do it to have your voice heard and possibly help your favourite contestant win the prestigious BB 18 trophy.
Bigg Boss 18: Top 6 Finalists
Vivian Desena
Rajat Dalal
Karanveer Mehra
Chum Darang
Avinash Mishra
Eisha Singh.
Bigg Boss 18 Latest Voting Trends Result:
Rajat Dalal- 41% (62,419 Votes)
Vivian Dsena- 29% (43,833 Votes)
Karanveer Mehra- 15% (23,041 Votes)
Avinash Mishra- 6% (9,552 Votes)
Chum Darang-5% (7,815 Votes)
Eisha Singh– 2% (3,299 Votes)
Bigg Boss 18: How to vote (step-by-step guide)
1. Get the JioCinema app and download it on your iOS or Android smartphone.
2. Enter your personal information, including your name, phone number, email address, age, birthdate, and more.
3. Go to the Bigg Boss 18 section in the downloaded app.
4. Select a Nominated Contestant or your favourite contestant you wish to keep from being eliminated.
5. Click Submit to confirm your vote.
Bigg Boss 18: Important Voting Details
1. Voting lines will remain open until noon on Sunday, January 19, 2025.
2. Permission of Multiple Votes: To have the most influence, cast your vote more than once.
Bigg Boss 18 Grand Finale
To be hosted by the Bollywood actor, Salman Khan, on January 19, 2025, at 9 p.m., Colors TV and JioCinema will broadcast the Bigg Boss 18 Grand Finale. Viewers must have a JioCinema Premium subscription to enjoy the live show.
Mumbai Police sources are now saying that the intruder who attacked Saif Ali Khan in his Bandra home late Wednesday night may have conducted a recce of Mannat, the residence of Bollywood star Shah Rukh Khan, just days earlier. According to the sources, on January 14, a person of the same height and build as the person caught on CCTV in the Saif stabbing case, reportedly tried to look into Shah Rukh Khan’s residence using a 6-8 feet long iron ladder. The ladder was found placed behind a retreat house next to Mannat, the sources claim.
Police suspect that the individual conducting the recce could be the same person captured on CCTV footage at Saif’s apartment. “The person’s height and build closely resemble the suspect seen in footage obtained from Saif’s flat,” a police official said, according to an India Today report.
Investigators also have reason to suspect that more than one person could be behind this. “The iron ladder placed at Shah Rukh Khan’s residence is believed to be too heavy for a single person to handle, suggesting the involvement of at least two to three people,” sources stated.
While Shah Rukh Khan has not filed a complaint, police are treating the matter with urgency. They are also investigating whether the ladder was stolen.
Actor Kartik Aaryan congratulated paralympic Gold medalist Murlikant Petkar as he received the Arjuna Award on Friday. Kartik shared a video on Instagram featuring a scene from the film Chandu Champion and Murlikant Petkar receiving the award in real.
He wrote a long note that read, “From living your incredible life on the big screen to witnessing you receive, Arjuna Lifetime Achievement Award, at Rashtrapati Bhawan today, It felt surreal.”
“Every moment was like a dream. Now our film #ChanduChampion, seems to have found its perfect ending (it started with you fighting for The Arjuna award) but knowing you, an unstoppable champion, this can’t be the climax… Keep inspiring Sir,” he added.
He also felt proud and wrote, “Feeling so proud to be present in this moment framed in history with you and the honourable president of India…. Salute to you and congratulations to all the Arjuna awardees…”
As soon as the actor dropped the post, fans reacted in the comment section with congratulatory messages. A user wrote, “Congratulations sir god bless u…” Another fan commented, “More power to Murli Sir and to you too Kartik..”
Murlikant Petkar has received his award from President Droupadi Murmu at a special function at Rashtrapati Bhavan on Friday. Kartik was present at the event with filmmaker Kabir Khan.
Earlier, Murlikant Petkar on Thursday expressed his feelings about getting recognition after the release of the film Chandu Champion.
As he is all set to receive the Arjuna Award, the legendary sportsperson gave full credit to producer Sajid Nadiadwala
“These awards are declared due to Sajid Nadiadwala because no one gives such a big honour to handicaps. I am getting recognised in the world because of Sajid Nadiadwala,” Murlikant Petkar told ANI.
He also shared that it’s recognition that he “longed for throughout his journey as an Olympic gold medalist and a proud member of the Indian Army.”
“This award is a testament to the support I received from the Government of India, Maharashtra State, Rotary Clubs and many others who believed in me and helped me elevate the recognition of athletes with disabilities. The film about my journey, directed by Kabir Khan and starring Kartik Aaryan, is the first of its kind to highlight the life of a handicapped athlete, and I am deeply grateful for their efforts. This movie has brought recognition to the struggles and achievements of athletes with disabilities, making it a milestone in raising awareness,” Murlikant Petkar told ANI.
Earlier, filmmaker Kabir Khan, who directed Chandu Champion, expressed happiness over the Ministry of Youth Affairs & Sports’ decision to award the Arjuna Award (Lifetime) to para-swimmer Murlikant Rajaram Petkar.
Speaking to ANI, Kabir Khan, who brought Murlikant Petkar’s story to the big screen with the film Chandu Champion, said he is glad for the recognition of the athlete.
“I am just really, really happy that this is happening with Murlikant Petkar because the one thing that I did feel which in a certain way I also represented at the beginning of the film is that he kinda felt let down by the country. You know, when I met him, he was not the kind of person who would complain. But you could make out that there’s a man who’s feeling why didn’t I get the recognition that was due to me? And I’m so glad that after over 50 years he’s getting that recognition which he deserved,” Kabir Khan said
During the 1965 war with Pakistan, Murlikant Petkar suffered nine bullet wounds. However, he opted not to give up once his injuries healed and began participating in swimming and other sports again. Despite setbacks, he never quit and always remained focused on achieving his goals and making India proud. In 1972, he created history by becoming India’s first Paralympic gold medalist.
The ‘never give up’ attitude of Murlikant Petkar, which resonated with the viewers of Chandu Champion, has added to the popularity of the para-swimmer.
Kartik Aaryan, who played the role of Murlikant Petkar in the film Chandu Champion, also expressed his happiness about the para-swimmer being conferred the Arjuna Award.
“So, so, so happy to hear this news! While working on his biopic, I came to know about his life in such great detail and up close and personal that his win feels deeply personal. He has remained unbreakable and solid throughout his life, despite all the challenges destiny threw at him,” the actor said.
Kareena Kapoor leaves home to visit Saif Ali Khan with police escort
Kareena Kapoor, the wife of Saif Ali Khan, was spotted leaving their residence to visit her husband at the hospital after his recent attack.
Soha Ali Khan and Kunal Kemmu arrive at Lilavati hospital to meet Saif
Soha Ali Khan, the sister of Saif Ali Khan, and her husband, Kunal Kemmu, were seen arriving at Lilavati Hospital to be with Saif following his recent attack.
CCTV footage of suspect from from Versova found
CCTV footage of the suspect in the Saif Ali Khan attack case, taken on January 12 in Versova, has been discovered. However, no footage has been found from the actor’s residence, leaving investigators with limited leads.
The footage from Versova could provide valuable information regarding the suspect’s movements leading up to the attack, but authorities are still working to connect the dots and piece together the suspect’s timeline.
Mumbai, Maharashtra: A CCTV footage of a suspect in the Actor Saif Ali Khan case from January 12 in Versova has been found, but no footage is available from his house pic.twitter.com/aSWSNNO3Sz
After the attack on Saif Ali Khan, as per IANS, the suspect was seen heading to a mobile shop in Dadar, where he reportedly purchased a pair of headphones.
This unusual action has raised further questions in the investigation, as authorities are trying to trace his movements and gather more evidence about his whereabouts after the attack. The purchase of headphones could potentially provide more clues about his identity or intentions.
52 hours after incident, attacker still on run
Over 52 hours have passed since the attack on Saif Ali Khan, but the Mumbai Police are still in pursuit of the suspect. Despite several efforts and searches, the culprit remains at large.
The police are continuing their investigation, with multiple teams deployed to gather leads and evidence. The police are hopeful of making progress soon in the investigation.
Crime Branch on Bandra police’s slow response
The incident occurred around 2 a.m. on Thursday, yet the crime branch was only informed at 6 a.m., over three hours later. A report by Hindustan Times suggests that the Bandra police could have apprehended the suspect if they had acted quickly by alerting nearby stations and patrolling units.
Hours after the attack, police arrived at Lilavati Hospital, where Saif Ali Khan was treated, and visited the crime scene in Bandra. However, key details like the FIR and CCTV footage were not shared promptly with the crime branch. A retired officer pointed out that in previous high-profile cases, alerts were sent immediately to all police units, including railway stations.
Rakhi Sawant opens up on Saif Ali Khan’s attack
Rakhi Sawant, deeply shaken by the incident, voiced her concern over the lack of security in high-profile buildings. She expressed disbelief that such a tragedy could happen to him. She questioned the building authorities for charging high maintenance fees while failing to install basic security measures like CCTV cameras. “What is happening in 2025? How can such incidents occur with renowned personalities?” she asked, highlighting the alarming state of safety.
The Skims founder, 44, teased a secret relationship with a mystery man in the Season 6 trailer for “The Kardashians” that dropped Friday.
“I had the intention of staying single. I was fully lying to you guys,” she admitted in a confessional with the camera.
“Me not dating and not wanting love and attention?” she playfully added. “I don’t think you know me.”
The trailer hinted that Kardashian’s relationship is serious as she discussed adding an addition to her house to make a “his closet.”
“He’ll be happy,” she replied after her mom, Kris Jenner noted, “You must really like him.”
The reality star told Jimmy Fallon in August 2024 that dating was “not what I want right now.”
Her last public relationship was with Pete Davidson, whom she dated between the fall of 2021 and the summer of 2022 following her divorce from Kanye West.
She was then linked to NFL star Odell Beckham Jr. in early 2024, though they never went public with their relationship.
Page Six exclusively reported in December 2024 that Kardashian — who shares kids North, 11, Saint, 9, Chicago, 7, and Psalm, 5, with West — was seeing a real estate investor who “isn’t in the public eye.”
However, we were informed the relationship wasn’t serious because she was “dating a few people” at the time.
She was not photographed with a date at her family’s Christmas party in December and it’s unclear if she is currently seeing anyone.
Khloé Kardashian also opened up about her love life in the dramatic new trailer as fans saw her ex-husband, Lamar Odom, walk into view with a bouquet of roses.
Emergency Review: From the day, Kangana Ranaut announced her movie Emergency, it has been the talk of the town. The first look of the actress as Indira Gandhi, people calling it a propaganda film, multiple delays in the release date, CBFC stopping the certification and a lot more; this movie has surely grabbed everyone’s attention for many reasons. The trailer of Emergency had impressed one and all, but we all were keen to know how the film has turned out to be because this is Kangana’s first full-fledged film as a director (she had co-directed Manikarnika: The Queen Of Jhansi).
So, the movie tells the story of former Prime Minister of India, Indira Gandhi (Kangana Ranaut). One incident during the childhood changes everything for Indira, and she eyes on power and politics. In 1966, she becomes the Prime Minister of India, and then starts the game of power and politics for her. Though the movie is named Emergency, it showcase the different chapters of Indira Gandhi as the Prime Minister. From her role in Bangladesh Liberation War in 1971 to what made her announce emergency, and how her life changed after emergency; the movie concentrates on the different aspects of her journey as a PM.
The story of Emergency is written by Kangana Ranaut, and the screenplay is penned by Ritesh Shah. In Bollywood, we don’t get to watch many political dramas and when they are made, they do impress us like Sarkar, Raajneeti, Nayak, to name a few. But, what makes Emergency stand out from these political films is that it showcases some really important chapters of our Indian history. If you are born in 1960s or before that, you would know what exactly Emergency was, and maybe there’s a lot of written material about it. But, to watch it on the big screen that too in a very well narrated film, is a different kind of experience.
Kangana Ranaut has proved her mettle as an actress earlier many times, but here her direction impresses us a lot. You might feel while watching the movie that it is just jumping from one incident to another, but the way Kangana has narrated it, that keeps us hooked to the screens. The actress has not directed this movie like a documentary, but has presented it like a proper Bollywood entertainer. There are dramatic scenes, songs, and amazing background score. Also, she has not made a propaganda film. It is not at all Congress bashing movie, neither it insults Indira Gandhi in any way.
Talking about performances, Kangana Ranaut should get ready to receive her fifth National Award. The actress has nailed it as Indira Gandhi. She has undoubtedly given her career’s best performance in Emergency. Also, a special mention to the make-up team as they have done a wonderful job to make Kangana look like Indira Gandhi. After Kangana, it is Vishak Nair who steals the show. He portrays the character of Sanjay Gandhi in the film, and has done a fantastic job.
“Conclave” and “Emilia Pérez” lead this year’s BAFTA Film Awards nominations, heading up a diverse mix of talent and titles in a competition where, for the first time in years, there’s no clear favorite in any of the major categories.
“The Brutalist,” “Anora,” “Dune: Part Two” “Wicked” and “A Complete Unknown” are also very much in contention, while the likes of Demi Moore (“The Substance”), Cynthia Erivo (“Wicked”), Jeremy Strong (“The Apprentice”), Ariana Grande (“Wicked”), Selena Gomez (“Emilia Pérez”), Mikey Madison (“Anora”), Kieran Culkin (“A Real Pain”), Yura Borisov (“Anora”), Isabella Rossellini (“Conclave”), Zoe Saldaña (“Emilia Pérez”) and Guy Pearce (“The Brutalist”) are among the 12 of 24 nominated performers — both established and rising — getting their very first BAFTA nod.
Elsewhere, there’s space for BAFTA regulars, such as Saoirse Ronan (“The Outrun”), Hugh Grant (“Heretic”) and Jamie Lee Curtis (“The Last Showgirl”), yet the ongoing quest for BAFTA to finally recognize one of cinema’s most acclaimed actors in Denzel Washington (“Gladiator 2”) is still ongoing.
“Conclave,” Edward Berger’s Vatican-set Papal mystery-thriller, earned 12 nominations, including best film, director, leading actor for Ralph Fiennes and supporting actress for Rossellini. Meanwhile “Emilia Pérez,” Jacques Audiard Spanish-language musical-thriller about a trans Mexican cartel boss, received 11, including best film, director, leading actress for Karla Sofía Gascón and supporting actress for Gomez and Saldaña.
Both “Conclave” and “Emilia Pérez” led the pack following the longlists, although they’ve traded places at the top (“Emilia Perez” had 15 longlists slots to “Conclave’s’” 14).
Further down, Brady Corbet’s American epic “The Brutalist” landed nine nominations, followed by seven for “Anora,” “Dune: Part Two” and “Wicked” and six for “A Complete Unknown” and “Kneecap,” the low-budget Irish-language comedy biopic still managing to keep up with the major studio titles.
The seven nominations earned by “Wicked” may have included nods for both Erivo and Grande but the hit musical — as may shock some — didn’t find space among the five vying for best film (alongside “Conclave” and “Emilia Perez,” “Anora,” “The Brutalist” and “A Complete Unknown” round out the category). This omission will likely be one of several where the BAFTAs don’t overlap with the Oscars.
Alongside “Wicked” in the best film category, the lack of a nomination — again — for Washington from BAFTA voters will likely be considered among the biggest snubs, as will Nicole Kidman for “Babygirl.” There’s also nothing for Luca Guadagnino’s steamy tennis romp “Challengers” (or the director’s other recent film “Queer,” with Daniel Craig’s first major post-007 role failing to make the BAFTA grade).
But there are numerous surprises too, including Strong’s nomination for his supporting turn in Ali Abassi’s Donald Trump biopic “The Apprentice” (which will see the actor go up against his “Succession” brother Culkin). There’ll also likely be delight that Coralie Fargeat made the director list for her wild body-horror “The Substance,” the only female director in contention (although many might have been hoping Payal Kapadia had joined her for “All We Imagine as Light”).
Meanwhile, the party in Ireland doesn’t look it’s going to end anytime soon, with Rich Peppiatt’s “Kneecap” dropping just one of its longlists slots (unsurprisingly, for best film) to land six nominations. While outstanding British film, outstanding debut and film not in the English language may have been expected, it’s no small feat for an indie film of this stature — which first premiered in Sundance 2024 — to be recognized for original screenplay, casting and editing.
Of course, given the devastation in Los Angeles due to the ongoing wildfires, for many in the industry, awards and nominations couldn’t be further from their minds. Speaking to Variety, BAFTA film chair Sara Putt said the British Academy’s thoughts were “very, very much” with everyone in California who had been impacted. “It’s a dreadful, dreadful time,” she said, adding that BAFTA hadn’t made “any specific decisions” about whether it would move the dates for the final round of voting. However, she did note that, as per general BAFTA policy, those who weren’t able to vote in the second round could still come back to vote for the final winner.
The BAFTA Film Awards ceremony will take place Feb. 16 from London’s Royal Festival Hall with “Doctor Who” star David Tennant returning as host.
See the full list of nominations below:
BEST FILM
“Anora” — Alex Coco, Samantha Quan, Sean Baker
“The Brutalist”
“A Complete Unknown” — Fred Berger, Alex Heineman, James Mangold
“Conclave” — Tessa Ross, Juliette Howell, Michael A. Jackman
“Emilia Pérez”
OUTSTANDING BRITISH FILM
“Bird” — Andrea Arnold, Tessa Ross, Juliette Howell, Lee Groombridge
“Blitz” — Steve McQueen, Tim Bevan, Eric Fellner, Anita Overland
“Conclave” — Edward Berger, Tessa Ross, Juliette Howell, Michael A. Jackman, Peter Straughan
“Gladiator II” — Ridley Scott, Douglas Wick, Lucy Fisher, Michael Pruss, David Scarpa, Peter Craig
“Hard Truths” — Mike Leigh, Georgina Lowe
“Kneecap” — Rich Peppiatt, Trevor Birney, Jack Tarling, Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, JJ Ó Dochartaigh
“Lee” — Ellen Kuras, Kate Solomon, Kate Winslet, Liz Hannah, Marion Hume, John Collee, Lem Dobbs
“Love Lies Bleeding” — Rose Glass, Andrea Cornwell, Oliver Kassman, Wereonika Tofilska
“The Outrun” — Nora Fingscheidt, Sarah Brocklehurst, Dominic Norris, Jack Lowden, Saoirse Ronan, Amy Liptrot
“Wallace and Gromit: Vengeance Most Fowl” — Nick Park, Merlin Crossingham, Richard Beek, Mark Burton
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
“Hoard” — Luna Carmoon (Director, writer)
“Kneecap” — Rich Peppiatt (Director, writer)
“Monkey Man” — Dev Patel (Director)
“Santosh” — Sandhya Suri (Director, writer), James Bowsher (Producer), Balthazar de Ganay (Producer), also produced by Alan McAlex, Mike Goodridge
“Super/Man: The Christopher Reeve Story” — Ian Bonhôte, Peter Ettedgui, Lizzie Gilliett, Robert Ford
“Will & Harper” — Josh Greenbaum, Rafael Marmor, Christopher Leggett, Will Ferrell, Jessica Elbaum
ANIMATED FILM
“Flow” — Gints Siibalodis, Matīss Kaža
“Inside Out 2” — Kelsey Mann, Mark Nielsen
“Wallace and Gromit: Vengeance Most Fowl” — Nick Park, Merlin Crossingham, Richard Beek
“The Wild Robot” — Chris Sanders, Jeff Hermann
CHILDREN’S & FAMILY FILM
“Flow” — Gints Siibalodis, Matīss Kaža
“Kensuke’s Kingdom” — Kirk Hendry, Neil Boyle, Camilla Deakin
“Wallace and Gromit: Vengeance Most Fowl” — Nick Park, Merlin Crossingham, Richard Beek
“The Wild Robot” — Chris Sanders, Jeff Hermann
DIRECTOR
“Anora” — Sean Baker
“The Brutalist” — Brady Corbet
“Conclave” — Edward Berger
“Dune: Part Two” — Denis Villeneuve
“Emilia Pérez” — Jacques Audiard
“The Substance” — Coralie Fargeat
ORIGINAL SCREENPLAY
“Anora” — written by Sean Baker
“The Brutalist” — written by Brady Corbet and Mona Fastvold
“Kneecap” — written by Rich Peppiatt, story by Rich Peppiatt, Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, JJ Ó Dochartaigh
“A Real Pain” — written by Jesse Eisenberg
“The Substance” — written by Coralie Fargeat
ADAPTED SCREENPLAY
“A Complete Unknown” — screenplay by James Mangold and Jay Cocks
“Conclave” — screenplay by Peter Straughan
“Emilia Pérez” — screenplay by Jacques Audiard
“Nickel Boys” — screenplay by RaMell Ross and Joslyn Barnes
“Sing Sing” — screenplay by Clint Bentley and Greg Kwedar, story by Clint Bentley, Greg Kwedar, Clarence ‘Divine Eye’ Maclin, John ‘Divine G’ Whitfield
Saif Ali Khan was stabbed in his house in Mumbai’s Bandra during a robbery bid on the intervening night of January 15 and 16. According to reports, the Bollywood actor was stabbed two to three times. He was immediately rushed to Mumbai’s Lilavati Hospital. Kareena Kapoor and their children are reported to be safe.
The incident took place at around 2 am on January 16. Khan was reportedly attacked with a knife two to three times. Police reached the spot after receiving the information. Cops are reviewing CCTV footage to investigate the incident.
Visuals From Outside The Lilavati Hospital:
The actor is currently being operated at the hospital. “There was an attempted burglary at Mr Saif Ali Khan’s residence. He is currently in hospital undergoing a surgery. We request the media and fans to be patient. It is a police matter We will keep you updated on the situation,” The actor’s team said in a statement.
The assailant was reportedly stopped by maid which led to an argument and when Khan tried to intervene he was stabbed. The assailant managed to flee from the spot. the maid also suffered minor injuries.
The police have launched a manhunt operation to nab the accused.
Statement By Mumbai Police:
“An unknown person entered Actor Saif Ali Khans residence and argued with his maid, late last night. When the actor tried to intervene and pacify the man, he attacked Saif Ali Khan and injured him. Police are investigating the matter” the Mumbai Police said in a statement.
The actor suffered six injuries. He sustained deep cut near spine. The intruder likely to have entered the bedroom from a duct.
Statement By CEO of Lilavati Hospital Niraj Uttamani:
“Saif Ali Khan was brought to Lilavati (hospital) at 3-30 am. He has six injuries of which two are deeper. One of the injuries is closer to his spine. We are operating on him. He is being operated upon by Neurosurgeon Nitin Dange, cosmetic surgeon Leena Jain and anaesthetist Nisha Gandhi. We will be tell extent of damage only after the surgery is done,” Uttamani said.
TikTok could be outlawed in the U.S. as soon as Jan. 19 over concerns about its Chinese ownership, unless it gets a reprieve from the Supreme Court or if Beijing-based parent company ByteDance complies with a federal law forcing it to sell its stake in the app.
With that sword dangling over TikTok’s head, thousands of the app’s American users have been downloading a potential alternative: Xiaohongshu, also called “Red Note,” a social app that lets users share content in a variety of formats including photos, text, videos and livestreaming.
The kicker? Red Note is owned by a Chinese-based company, Xingin Information Technology (Shanghai) — and many TikTok “refugees” have been delighting in the irony that the U.S.’s potential ban of one Chinese app over national security fears is driving the adoption of another one.
Over the past two days, Xiaohongshu has been the No. 1 downloaded free iPhone app on Apple’s App Store in the U.S. During that period, more than 700,000 new users joined Red Note, per a Reuters report. TikTok users creating accounts on Red Note have added hashtags such as #tiktokrefugee or #tiktok to their posts.
On Tuesday, more than 100,000 people had joined a live group-chat on Red Note hosted by a user with the handle “TikTok Refugee Club,” where “people from around the world chatted with Chinese users about urban safety,” while in another forum participants “discussed censorship and shared tips in the comments on how to avoid being banned from the platform for bringing up politically sensitive topics,” per the New York Times.
Xiaohongshu, founded in 2013, was valued at $17 billion after raising funding last year from investors including Boyu Capital and HongShan Capital Group (formerly Sequoia Capital’s Chinese investment arm), according to financial database PitchBook. The company has raised more than $900 million in total funding to date and has more than 2,000 employees, per PitchBook.
Despite its viral moment, Red Note could also be targeted by the U.S. divest-or-ban law. In addition to specifying that TikTok and ByteDance are subject to the law, the restrictions imposed by the legislation apply to any company that is “controlled by a foreign adversary,” meaning any Chinese-based company would fall under the same provisions. As a Reddit commenter on the r/TikTok subreddit put it, “Nobody thinks rednote is a viable long-term replacement. This is just a form of protest; a big middle finger to the US government and their billionaire masters.”
Pooja Hegde is gearing up for the release of her upcoming theatrical extravaganza ‘Deva’. Throughout her illustrious film career, the actress has added depth to biggies in Bollywood as well as South films and has established a dedicated fanbase. Beyond delivering impactful films, Pooja has also got the nation grooving with multiple chartbusters that continue to rule the audience’s music libraries across languages!
Take a look:
– Arabic Kuthu: Arabic Kuthu is one of the most watched and grooved-upon songs of Pooja Hegde from ‘Beast’. The actress shook her leg with South superstar Thalapathy Vijay in the banger, sung by Anirudh Ravichander and Jonita Gandhi. With infectious dance steps, Pooja Hegde amplified the song’s appeal, instantly becoming the audience’s favorite.
– Bhasad Macha: Bhasad Macha is the recently released song from Pooja Hegde and Shahid Kapoor starrer upcoming mass entertainer ‘Deva’. While the song carries an upbeat and infectious energy, Pooja Hegde’s presence and smooth-as-butter dance moves elevate the feel of the song.
– Yentamma: Pooja Hegde steals the show with her unmatched swag and charm in the Yentamma song from ‘Kisi Ka Bhai Kisi Ki Jaan’. In the song, the actress adds peppiness with her uber-cool dance moves, making for a perfect party track!
– Butta Bomma: Pooja Hegde showcased her dancing mettle in the viral chartbuster song Butta Bomma. The actress shook her leg with South superstar Allu Arjun and created an infectious track that continues to rule the music libraries of netizens.
Bollywood star Hrithik Roshan has clocked 25 years in the industry and the actor surprised his fans on Tuesday morning by sharing photos of his personal handwritten notes which he scribbled 27 years ago. Counting his blessings for the love that he has received since his debut film, Kaho Naa Pyaar Hai, the actor penned a heartfelt note for everyone who has been a part of his journey.
Hrithik took to his X handle in the early hours of Tuesday and took a trip down memory lane as he shared photos of the pages from his notebook in which he had scribbled everything from acting lessons to motivational messages to tidbits about Kaho Naa Pyaar Hai.
“One life, that’s it – only one life, one chance, don’t f**k it up — don’t give a sh*t about small failures, little mistakes. Just keep going – don’t break – don’t give a sh*t! Do it the way you want it! Cause that’s the best way! One day, just believe! (sic),” a page from his notebook read.
In the other pages, a young Hrithik also wrote about how he must build his body, focus on his walk, and not get conscious if he stammered while delivering a dialogue.
Along with the photos of the notes, Hrithik wrote, “My notes from 27 years ago. Prepping as an ACTOR for my first movie Kaho Naa Pyaar Hai, I remember how nervous I was. Still am when starting a movie. I’d be embarrassed sharing these, but after 25 years of being in the industry I guess I can handle it (sic).”
He went on to say, “Then to now, what’s changed? I see these pages and realise – absolutely nothing. Good thing? Bad thing? It’s just how it is. Only process remains. So much to be thankful for. So much to be grateful for. So much left to do (sic).”
“It’s the 25th anniversary of Kaho Naa Pyaar Hai. And the ONLY thing I want to celebrate are these scribbles in my rough book. Only thing I am relieved about is the proof of resilience. The first page says ‘one day’ at the bottom. No such day happened, it never came. Or maybe it did but I missed it cause I was in prep (sic),” the actor concluded.
Soon after Hrithik shared the post, filmmaker Vivek Agnihotri reacted to it and wished the actor all the best. “Dear
@iHrithik, I am delighted to have read your notes. People don’t realize what goes into achieving true success. I will show them to all the young actors who come to meet me as an example of great work. Keep shining. Keep smiling. Best always (sic),” he wrote on X.
Dear @iHrithik, I am delighted to have read your notes. People don’t realize what goes into achieving true success. I will show them to all the young actors who come to meet me as an example of great work. Keep shining. Keep smiling. Best always. ❤️❤️❤️
“By the way, I learned a lot of good filmmaking habits from your father @RakeshRoshan_N, when I started my career while editing at his studio. I still write my scripts by hand (sic),” he added.
Tyler Perry called out insurance companies for canceling “millions of policies” for Los Angeles homeowners ahead of the disastrous wildfires.
The filmmaker took to Instagram Sunday to share that he saw a woman using a garden hose to protect her 90-year-old parents’ home “because their insurance was canceled.”
“Does anyone else find it appalling that insurance companies can take billions of dollars out of communities for years and then, all of a sudden, be allowed to cancel millions of policies for the very people they became rich on?” he wrote in a lengthy statement.
“People who have paid premiums all of their lives are left with nothing because of pure greed,” Perry, 55, added.
“As I am in the process of trying to figure out what steps to take to do all I can to help as many as I can, I am keeping everyone in my prayers.”
The actor-director shared his support as numerous Angelenos — many without insurance coverage — have lost their homes in the devastating Palisades and Eaton wildfires raging across the city.
According to the Los Angeles Times, State Farm General Insurance revealed in March 2024 that they would not be renewing 30,000 home and condominium policies once they expired.
More than 1,600 of the policies were in Pacific Palisades.
The outlet reported that Chubb Insurance also refused to approve new polices for high-value properties in fire risk areas.
Allstate also halted politicies, while Tokio Marine America Insurance Co. and Trans Pacific Insurance Co. stopped providing policies in California, per the Times.
Mercury Insurance, however, made themselves available to take the companies’ former customers.
According to Cal Fire, the Palisades Fire has burned nearly 24,000 acres as of Sunday, while the Eaton Fire in northeast Los Angeles has scorched more than 14,000 acres.
Kim Kardashian called on California Governor Gavin Newsom to increase the pay of incarcerated firefighters battling the devastating LA fires.
“On all 5 fires in Los Angeles, there are hundreds of incarcerated firefighters, risking their lives to save us,” she wrote on her Instagram Stories late Saturday night.
“They are on the Palisades fire and Eaton fire in Pasadena working 24 hour shifts. They get paid almost nothing, risk their lives, some have died, to prove to the community that they have changed and are now first responders. I see them as heroes.”
The “Kardashians” star said the incarcerated firefighters are being paid $1 an hour to “risk their lives” and that pay has been the same since 1984.
“It has never been raised with inflation. It’s never been raised when fires got worse and many died,” she wrote.
Kardashian, 44, said there was a recent agreement to raise incarcerated firefighters’ pay to $5 an hour “but it got shot down last minute.”
“I am urging [Newsom] to do what no Governor has done in 4 decades, and raise the incarcerated firefighter pay to a rate [that] honors a human being risking their life to save our lives and homes,” the mom of four continued.
Kardashian also thanked the firefighters from the Ventura Training Center, which offers formerly incarcerated firefighters additional rehabilitation and job training skills to help them become qualified to apply for entry-level firefighting jobs.
“Due to bills passed by @antirecidivismcoalition, these guys can now get their sentences reduced, expunging the felonies from their records for their fire service,” she wrote.
“And when they come home can get six figure jobs working for the fire departments.”
Khloé Kardashian was slammed by liberals for calling Los Angeles Mayor Karen Bass a “joke” after the Democratic politician allegedly cut the city fire department’s budget months before the disastrous wildfires.
Several critics took to X to call out the “Kardashians” star’s quick judgment against Bass, though she has not addressed other controversial politicians and public figures.
“It’s interesting how Khloe Elon Musk Kardashian has been very quick to call Mayor Karen Bass ‘A JOKE’ but had no smoke for [Donald] Trump, JD Vance or Elon [Musk] during this past [presidential] election,” one person wrote.
“It’s something about the way Khloe Kardashian has been on IG reposting nothing but right-wing MAGA influencers’ content denigrating Mayor Bass in light of these devastating fires that don’t sit right with me.
“I never once saw her call out former Mayor [Eric] Garcetti similarly…,” another critic added, referring to the retired mayor, who was in office in LA from 2013 to 2022.
“I’m tired of Los Angeles Mayor Karen Bass getting demolished out here,” a commentator chimed in. “Let’s get something clear. If you are from LA, you know Los Angeles is a specific area. Khloe K needs to talk to HER own Mayor Alicia Weintraub. Yeah the Mayor of Calabasas.”
“Khloe got some nerve calling the mayor of LA a joke when she literally has Tristan Thompson as a [baby dadd]. girl,” a fourth wrote, referring to the TV personality’s on-again, off-again romance with the father of her two children: True, 6, and Tatum, 2.
Kardashian, 40, also received some support from fans, with one writing, “What Khloé Kardashian said about the mayor is so right.
“I don’t know why y’all are hitting on. The woman [and] the Kardashians out of touch, yes, however, we need to stick together and have Bass and other California officials to resign because our city is mostly gone.”
Another praised the Good American co-founder for “saying the truth” about Bass, 71.
Reps for Kardashian weren’t immediately available to Page Six for comment.
Meanwhile, several critics wrongly called out Kardashian for allegedly going over her water usage by 101,000 gallons in June 2022 amid the ongoing state drought.
According to the Los Angeles Times, the “Keeping Up With the Kardashian” star’s sister Kourtney Kardashian went over her water usage by 101,000 gallons, while her other sister Kim Kardashian exceeded 232,000 gallons.
Khloé was not named in the article.
On Friday, she took to Instagram to share a clip of Los Angeles Fire Chief Kristin Crowley calling out Bass’ alleged budget cuts for the department ahead of the fires.
During the interview with Fox11, Crowley alleged she asked Bass for more money to repair fire engines and hydrants around the city, but ultimately, no aid was received.
“I stand by YOU Chief Crowley!!!! You spoke the truth and you had tears in your eyes because I can tell you didn’t even want to say that but it was THE TRUTH!!!!” Khloé captioned the video.
“Thank you for being honest,” she continued. “Mayor Bass you are a joke!!!!”
Within one week of this millennium, the face of Indian television changed beyond recognition. Nobody—not even the enterprising, far-sighted Star Plus boss Sameer Nair, who surreptitiously initiated moves to import Who Wants To Be A Millionaire into this country—could have guessed what was in store for and on Indian television in and from July 2000 onwards.
The other channels were left looking like honorary denizens of the idiot box (with the stress on “idiot”). From being a distant third, Star Plus simply swept past the competition to emerge way ahead of Zee and Sony Entertainment, who didn’t know what hit them until it was too late.
Who would have thought that Kaun Banega Crorepati would change us into a nation of knowledge-thirsty gamblers? Now, children in their free time no longer play—or watch—Antakshari. They play Kaun Banega Crorepati, and everyone wants to be Amitabh Bachchan. An unprecedented GK wave took over the country. Kids were on the prowl with questions like: What was Kunti’s real name in the Mahabharat? Is there life on the battlefield of Kurukshetra beyond Mahesh Manjrekar?
Ah, there went our favourite soaps! Kids flicked the switch to Star Plus promptly at 9:00 p.m. Many cities rescheduled their night shows to 10:30 p.m. after registering steep drops in the 9:00 p.m. collections of cinema shows.
Then came the counter-attack. Through what else? A game show! Sawaal Dus Crore became a sawaal sau crore ka in no time at all. Within a few weeks, the show to countermand the Crorepati competition had flopped. You cannot fight Dilip Kumar with his clone Mukesh Khanna. The sets, attitude, and even the lingo from KBC had been transposed to Sawaal Dus Crore Ka. Rumours in Mumbai insisted Manisha Koirala dumped Malayalam director Upendra, who was waiting on the sets with his cast, crew, and leading man, to co-host Sawaal Dus Crore Ka. When you’re getting 5 crores for smiling vacuously in a game show, why should you strain yourself over 75 lakhs? Zee tried hard to get Shabana Azmi to host their Sawaal. But she had other plans in 2000.
Laughs Sameer Nair, “Before the year 2000, Star Plus had an elitist image. After we did a hi-tech game show called KBC, the home-viewing medium was turned upside down.” Star Plus also had unexpected success with the two post-Crorepati daily soaps Kahani Ghar Ghar Ki and Kyunki… Saas Bhi Kabhi Bahu Thi, both produced by the phenomenally successful mother-daughter pair of Shobha and Ektaa Kapoor. Both the gharelu home-viewing versions of Sooraj Barjatya’s cinema piggybacked to success on KBC. After KBC, viewers simply kept watching the two new daily-cacies on Star Plus, forcing Zee to invent their own version of that Kahani thing called Babul Ki Duwayen Leti Jaa, written by television maverick Vipul Shah. Needless to say, no one’s duwayen saved the wannabes.
Actor Rashmika Mandanna has shared a post giving an update on her health after she sustained a leg injury at her gym. Taking to Instagram on Saturday, she also posted pictures of herself. The actor also apologised to the directors of her upcoming films Sikandar, Thama and Kubera for the delay. She assured all that she would be back soon.
Rashmika shares pics of her injured feet
In the pictures, she sat in a chair and propped up her injured feet on a cushion resting on a table in front of her. The actor gave different expressions as she posed for the camera. Rashmika was seen wearing a shirt and trousers in the photos.
Rashmika pens note
Sharing the photos, the actor said, “Well… happy New Year to me I guess! (Woman facepalming emoji) Injured myself in my sacred gym shrine (smiling face with tear and smiling face with tear emojis). Now I’m in ‘hop mode’ for the next few weeks or months or god only knows, so seems like I’ll be hopping my way back to sets for Thama, Sikandar, and Kubera! (Heart with an arrow and smiling face with hearts emojis).”
“To my directors, sorry for the delay…I’ll be back soon enough just making sure my legs are fit for action (or at least fit for hopping) (rabbit face, collision emoji and monkey emojis). In the meantime, if you need me…I’ll be the one in the corner doing a highly advanced bunny hop workout. HOP HOP HOP… (rabbit and sparkles emoji),” she added.
What happened to Rashmika
Recently, a source close to Rashmika told Hindustan Times, “Rashmika recently sustained an injury in the gym and has been recovering well by resting. However, this has caused a temporary halt to the filming of her upcoming projects. Nevertheless, she’s already feeling much better and will resume work on set very soon!”
Rashmika’s films
Rashmika is currently basking in the success of her film Pushpa 2: The Rule, which also stars Allu Arjun in the lead role. Directed by Sukumar, the film stars Arjun, Rashmika, and Fahadh Faasil, reprising their roles as Pushpa Raj, Srivalli, and Bhanwar Singh Shekhawat.
Rashmika will next be seen opposite Salman Khan in Sikandar, directed by AR Murugadoss and produced by Sajid Nadiadwala. The film features Salman Khan in dual roles alongside Kajal Aggarwal, Rashmika, Sathyaraj, Sharman Joshi, and Prateik Babbar. This film is scheduled to release in theatres on Eid 2025.
Manisha Koirala, one of the most celebrated actresses in the Indian film industry, has delivered numerous critical and commercial hits over the years. Known for her exceptional performances, she recently spoke candidly in an exclusive interview with Pinkvilla. Addressing the double standards in the male-dominated industry, she revealed that heroes often had the final say. She shared how she began rebelling against these norms and the industry’s unjust practices.
In a recent interview with Pinkvilla, Manisha Koirala shared the challenges she faced as a feminist entering a male-dominated industry. Reflecting on the difficult journey, she expressed, “It was very difficult. I hated the double standards, and I wanted to rebel. My rebellion streak came because of that. I was just not happy with that.”
She also recalled how she initiated change during the making of Mann by hiring a female makeup artist and said, “It was me who changed that when I got a female makeup artist in the film Mann. There used to be this union where the male only used to be the makeup artist. And the hairdresser has to be female. In the ad films, it wasn’t the case. I met a lady who could do makeup very well. So I called. I said, ‘why shouldn’t she?’”
The Heeramandi actress highlighted that change was possible when someone took the first step. “Soon after that, things are changing. They just need initially somebody to push that. It just didn’t feel right. It just didn’t feel that always the heroes would call the shot or the pay gap. One has to be nice to the hero. I just started rebelling against all that,” she added.
Recalling the industry’s double standards, Manisha mentioned how smoking and drinking were considered ‘hero stuff’, while a woman indulging in it was criticized. She said, “I started doing many things which were not really great. Those days, smoking and drinking was only hero stuff. If they did, nobody would blink an eye. But if a woman did, they will call out her names and all.”
The Kardashian-Jenner family has evacuated their homes in Los Angeles wildfires continue to spread, Page Six can confirm.
Sources told TMZ on Friday that Kim Kardashian, Kourtney Kardashian, Khloé Kardashian, Rob Kardashian, Kendall Jenner, Kylie Jenner and Kris Jenner have all left their homes.
The “Kardashians” stars reportedly fled after receiving an evacuation order as the Kenneth Fire began burning across 1,000 acres northeast of Calabasas, Calif., on Thursday.
As of Friday morning, the order has been lifted, since the Kenneth Fire is 35 percent contained, according to the LAFD. It’s unclear where they stayed in the meantime or if they have since returned to their homes.
Despite leaving the area, the Kardashians still gave back to their community by donating meals from the famous Carousel Restaurant to “several fire stations” across Los Angeles.
“My family and I wanted to feed a few fire houses today and we couldn’t think of a better restaurant to reach out to other than @carouselrestaurant,” Khloé wrote on her Instagram Story on Thursday. “Our favorite Armenian restaurant! They whipped up hundreds of individual meals for so many firefighters, volunteers, first responders, and we could not be more thankful! Thank you for putting your lives on the line for all of us!”
The restaurant posted photos of the firefighters holding the meals and thanked the family for their “generosity” and “dedication to [their] communities.”
The Kardashian-Jenner kids grew up in Calabasas and have all stayed fairly close to the community as they all raise their own kids.
Kris and Khloé live next door to each other in the Hidden Hills community, while Kim and Kylie only live a short distance away in the same neighborhood.
Meanwhile, Kourtney’s 11,500-square-foot $9 million home in Calabasas is also nearby, but Kendall’s $8.5 million property is slightly further away in Mulholland Estates in Beverly Hills, Calif.
Kim –– who lives in her $60 million home with her four kids –– dealt with another scare, since her new $70 million vacation home in Malibu, Calif., sat in the evacuation zone of the Palisades Fires.
As of Friday morning, Kim’s Malibu house has not been damaged by the devastating fires, per photos obtained by Page Six.
Dominic Holland confirmed in his latest Patreon blog post, “That engagement,” that his eldest son proposed to Zendaya.
“I expect amongst my Patrons are journalists,” Dominic — who is an English comedian, author, actor and broadcaster — observed.
“It amuses me that each week they hope for a morsel on Tom as they wade through my ramblings.”
He continued, “The big news this week is a good example of just such an opportunity for me — are they/aren’t they engaged? Zendaya wearing a ring and Tom nowhere to be seen adding to the intrigue.”
The 57-year-old acknowledged that “the engagement has now been confirmed” but made sure to note that he would not be “adding anything new and juicy like a date, venue, guest list…”
Instead, he chose to contrast “the different approaches of father and son to proposing marriage” to their girlfriends.
“Tom, as you know by now was very incredibly well prepared. He had purchased a ring. He had spoken with her father and gained permission to propose to his daughter,” Dominic shared.
“Tom had everything planned out… When, where, how, what to say, what to wear…”
Dominic recalled how he proposed to the “Spider-Man” franchise star’s mom, Nikki Holland, admitting that it was “nothing like my eldest son who has obviously watched all the slushy movies because growing up I never saw him reading a book.”
The proud papa went on, “For most blokes, the stress of purchasing an engagement ring is being able to afford it. I suspect that this was the least of Tom’s worries, more concerned with the stone, it’s [sic] size and clarity, its housing, which jeweller [sic]…”
Dominic later wrote that he doesn’t “envy those who are gawped at wherever they go, which brings me to the newly engaged couple.
“I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb,” he marveled.
“And even though show-business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention … I am completely confident they will make a successful union.”
Zendaya, 28, flashed what looked like an engagement ring while attending the 2025 Golden Globe Awards last weekend, going on to do “a sort of jazz-fingers motion” when a reporter asked whether she was a fiancée.
Page Six confirmed the couple’s betrothment the next day, with sources telling TMZ that Tom, also 28, “popped the question between Christmas and New Year’s” 2024 in a “very intimate setting” at one of Zendaya’s homes.
According to the outlet, the actor met with the actress’ father, Kazembe Ajamu Coleman, “months ago” to ask for her hand in marriage.
Zendaya’s family is reportedly very excited and thinks Tom is a “class act.”
The “Captain America: Civil War” star appears to have presented his bride-to-be with a 5.02-carat Jessica McCormack design featuring a cushion-cut center stone set in an east-west style on the designer’s signature button backing.
Though “Tom and Zendaya had discussed marriage over the years,” insiders told us the “Dune” franchise star “had no idea he was planning to propose.”
Jacqueliene Fernandez recently revealed in an interview what went into making the viral hit Yimmy Yimmy. Talking about the song, she shared, “I’m very picky about the songs I choose, but, when Yimmy Yimmy was presented to me, I knew I could do justice to it. Shreya Ghoshal has done wonders with the lyrics and Tayc is such an incredible artist – he makes really soulful music. The choreography was done by Shazia Piyush, and it was not something I was really used to doing but I pushed myself and it worked out really well.”
She added, “We shot in freezing temperatures and had 20-hour shoot days – it was harrowing but we all knew it would be worth the effort.” The result? A captivating performance that has struck a chord with audiences across the globe proving why she is Undisputed Queen of Music Hits. Jacqueliene proudly called it, “one of my favorite songs to date.”
The song’s vibrant energy, combined with Shreya Ghoshal’s soulful lyrics, Tayc’s artistry, and Jacqueliene’s electrifying moves, has made Yimmy Yimmy an unforgettable addition to her repertoire.
Bollywood actress and dancer Nora Fatehi recently shared that she and her team were asked to vacate their hotel due to the Los Angeles wildfires. Presumably in the USA for work, Nora took to her Instagram stories on Thursday (January 9) to share a glimpse of the wildfire and recount her experience with fans and followers.
In the video, Nora is heard saying, “I am in LA and the wildfires are crazy. I have never seen anything like that. This is insane, we just got an evacuation order five minutes ago. So I quickly packed all my stuff and I am evacuating out of here. I am gonna go near the airport and chill there because I have a flight today and I really hope I can catch it.”
She added, “I hope it doesn’t get cancelled because this s**t is scary. I am going to keep you guys updated. I hope people are safe, I have never seen anything before like this.”
However, Nora did not reveal why she is in Los Angeles.
The massive wildfires in Los Angeles have gutted hundreds of homes, and those also include the luxurious abodes of some of the biggest Hollywood celebrities like Jamie Lee Curtis, Mandy Moore, Paris Hilton, Adam Brody, Eugene Levy, Anthony Hopkins, Billy Crystal, Miles Teller, Keleigh Teller and Anna Faris.
Kangana Ranaut has opened up about the controversies plaguing her first solo directorial venture, Emergency. In a new interview, the actor has listed the many ‘wrong choices’ she made while making this film, including choosing to direct it herself and opting for a theatrical release instead of going straight to streaming.
Kangana on delay in Emergency release
In a conversation with News18, Kangana said she was ‘scared’ by the delay in the film’s release when the CBFC refused to certify it for months. “I felt that it was a wrong decision to release it in theatres. I thought I could have gotten a better deal on OTT. I also wouldn’t have had to go through censorship then and my film wouldn’t have been dissected. I didn’t know what all they (the CBFC) would remove and let us keep,” she said.
The Central Board for Film Certification (CBFC) is a body that certifies all films releasing in India, deeming them fit for public consumption. It reports to the Ministry of Information & Broadcasting.
The Central Board for Film Certification (CBFC) is a body that certifies all films releasing in India, deeming them fit for public consumption. It reports to the Ministry of Information & Broadcasting.
Kangana on directing Emergency
The actor-turned-filmmaker added that she made many other ‘wrong choices’during the film’s production. She explained, “I felt that I made the wrong choices on many levels: firstly, wanting to direct this film. I took it for granted that even though we don’t have a Congress government… I previously talked about the movie Kissa Kursi Ka. Nobody has seen that film to date and back then, they burnt all the prints. Also, nobody made films about Mrs Gandhi. Upon watching Emergency, today’s generation will be surprised to think how she became like that; after all, she became PM three times. I underestimated things and thought that I would be able to get away by making a film on Emergency.”
Rajpal Yadav has revealed if Varun Dhawan is ‘depressed’ due to the failure of his recently released movie, Baby John. In the movie, Yadav played the role of constable Ram Sevak, a deputy to Varun’s character, DCP Satya Verma. In a recent interview, Rajpal Yadav talked about Baby John’s debacle at the box office and claimed that the film could have worked better if people had not watched the original Tamil movie Theri.
“If this wasn’t a remake, then this would have been the most well-made film of my 25-year career. But since Vijay had done it, the audience had already seen it and because it was a remake, it affected the box office of the film,” he told Bollywood Bubble.
Asked if Varun is ‘depressed’ after Baby John’s failure, Rajpal Yadav added, “Varun is such a sweet boy, very hardworking. He has always tried to do something different, and his attempts must be appreciated because it’s a big deal to take risks.”
Released on December 25, 2024, Baby John also starred Keerthy Suresh, Wamiqa Gabbi, and Jackie Shroff in key roles. The story of the movie revolves around Inspector Satya Verma (Dhawan), aka Baby John, leading a peaceful life with his daughter Khushi and an old friend, Ram Sevak (Rajpal Yadav). However, his past secrets bring turmoil to his life over his dangerous battle with Babar Sher (Jackie Shroff), exploring his fight to avenge his wife’s fate and exploitation of women.
The much-anticipated film Loveyapa, starring debutants Junaid Khan and Khushi Kapoor, is winning hearts with its newly released title track. In just 24 hours, the song has taken the internet by storm, amassing an impressive 15 million views across platforms. While everyone is eyeing on the film, Aamir Khan has taken a Mannat to quit smoking if his son Junaid Khan’s upcoming film Loveyapa performs well at the box office.
A source close to the development revealed that Aamir Khan has taken a mannat (vow) to quit smoking if his son’s upcoming film Loveyapa performs well at the box office. It indeed a father’s selfless love for his son, and his hopes to see him succeed in his career.
During a recent conversation Aamir Khan also praised the film, saying “I liked this film. It is very entertaining. The way our lives have turned out these days due to mobile phones, and the interesting things that happen in our lives because of technology, are shown in the film. All the actors have done a good job,”.
Stephen “tWitch” Boss’ family and friends are blasting his wife, Allison Holker, for airing out his alleged drug use — and for allegedly making them sign NDAs in order to attend the dancer’s funeral.
Shortly after Holker’s new interview with People dropped on Tuesday, in which she addressed her husband’s tragic death in 2022, one of Boss’ cousins, Elle, took to X to defend her late family member.
“He wasn’t an addict. He smoked weed and was actively trying to quit. He wasn’t some junkie,” she tweeted, adding that Holker has allegedly kept Boss’ three kids — Weslie, 16 (whom Boss adopted), Maddox, 8, and Zaia, 5 — from seeing his relatives.
“I’m so tired of keeping my f–king mouth shut bro. You did our family so mf dirty,” she added in a separate tweet, before alleging that Holker made Boss’ family and friends sign NDAs to attend his funeral.
“Yeah idgaf about an NDA. This crazy woman made me and his actual family including his mother sign an NDA just to even attend the funeral,” Elle claimed.
“She’s been trying to tarnish his legacy and refuses to let the Boss family see the children. Only to exploit and LIE on my cousin. Hell no.”
Courtney Ann Platt, a close friend of the former “Ellen DeGeneres Show” DJ/dancer, echoed Elle’s comments in a lengthy Instagram post.
“This is by far the most tacky, classless, opportunistic act I have ever seen in my entire life,” she wrote on Instagram, referring to Holker’s latest interview with People, in which she promoted her forthcoming memoir, “This Far.”
“We all had to sign some weird NDA to attend his funeral (even his own mother who you’ve treated like garbage this entire time and let’s just remember you wouldn’t have even had a husband if it wasn’t for her) not to share anything or ruin his name as if that was on anyone’s mind in the first place and here you go and write a book with all the dirty laundry smearing his name and attempting to dim the bright loyal, loving, light that was your husband, my friend.”
Platt — who claimed Holker dropped Boss’ last name from her “social media platforms 48 hours after he passed” — went on to slam the professional dancer for publishing a book “shamelessly sharing the pages” of Boss’ journal.
“What a joke. Yes, he took his own life which is a fact all of us still can’t fathom and he was clearly having mental health issues, hurting so deeply and this is your example of empathy? Of your love?” the former New York Knicks City dancer, 36, added.
“This smear campaign for a buck is absolutely not what he would have ever wanted. No matter how bad he was hurting. Not for second. You’re a living, breathing bulldozer. Stick to your own demons. Shame on you Allison, shame on your money hungry team. Let my friend Rest in Peace not your PR.”
Boss’ brothers re-shared Platt’s post on their Instagram Stories.
Boss’ cousin Zachary Boss Silas also said he had to sign an NDA to attend the late star’s funeral because Holker claimed it would “protect his legacy.”
Ryan Guzman, who co-starred in “Step Up Revolution” with Boss, also reacted to Holker’s interview, writing on his Instagram Stories that it made him “sick to his stomach” and that he felt “the same way” as Platt described in her lengthy caption.
Did Demi Moore snub Kylie Jenner at the 2025 Golden Globes?
Social media users called out the actress on Sunday for “blatantly ignoring” the reality star in an awkward awards ceremony video.
In the viral footage, the “Substance” star — who won her first Golden Globe for her role in the film — approached Elle Fanning at her table.
@goldenglobes
Spotted 👀 Demi Moore celebrating her win at the GoldenGlobes!
Jenner, seated beside the sisters, interjected with a “congratulations” for Moore.
The Emmy nominee, 62, thanked Jenner before turning back to Fanning.
Jenner, 27, watched as the duo chatted for a moment before turning away — and did the same when Moore spoke to her boyfriend, Timothée Chalamet.
The “Kardashians” star pulled out her phone as the A-lister retreated.
“That was so messed up,” one X user wrote of the exchange, while another added, “Lmfao Demi gave her 5 fingaz to the face.”
While a third wrote that Jenner “felt left behind,” many defended Moore’s behavior.
“Idk I don’t think it’s that deep, I think she was just talking to the *actors* and she acknowledged kylie,” one pointed out to combat the “baseless narrative.”
Reps for Jenner and Moore have yet to respond to Page Six’s requests for comment.
Notably, the “Keeping Up With the Kardashians” alum channeled Moore in “Striptease” for a Halloween post — and Moore “liked” and twice re-posted the October 2024 upload.
Sunday’s ceremony marked Jenner’s second time at the Golden Globes with Chalamet, 29, whom she began dating in 2023.
On both occasions, the makeup mogul skipped the red carpet but sat with her partner inside the Beverly Hilton Hotel.
Not only were the notoriously private couple were caught on camera sharing rare PDA this year, but Jenner sweetly snapped a photo of the “A Complete Unknown” actor.
The Kylie Cosmetics creator stunned in a slinky metallic dress designed by Versace.
Bollywood star Kiara Advani has been advised to rest following an excessive work schedule, her representative said on Saturday, dismissing reports that the actor has been hospitalised.
Reports of her hospitalisation surfaced after Advani skipped the trailer launch event of her upcoming film Game Changer on Saturday.
“Kiara Advani has not been hospitalised, she’s been advised to rest due to exertion as she’s been working non stop,” the representative told PTI.
Advani was last seen in 2023’s Satyaprem Ki Katha where she starred alongside Kartik Aaryan.
Game Changer , a political action thriller directed by S Shankar, reunites her with Telugu star Ram Charan after their appearance in the 2019 movie Vinaya Vidheya Rama
India has the potential to host music festivals that are bigger in scale than renowned global events like Coachella, Punjabi singer-actor Diljit Dosanjh said during his meeting with Prime Minister Narendra Modi on New Year’s Day.
The globally popular singer met the prime minister at his residence on Wednesday where they discussed music, culture, and India’s artistic legacy.
During the meeting, PM Modi asked Dosanjh about his experience of travelling outside of India and performing at various global festivals like the Coachella Valley Music and Arts Festival in April 2023.
“I feel that they have made festivals like Coachella or any other very big. And I believe we can make it much bigger. People travel from all over the world for such festivals,” said the 40-year-old singer.
Dosanjh said music is embedded in India’s cultural fabric and noted how people who are not trained professionally can often display impeccable talent.
“Whether we are eating food in a dhaba or someone is singing in Rajasthani, the song we listen to is so melodious that I feel like I should stop singing. He is singing such a good song. And I sing professionally, this person is not even singing professionally. And he is singing better than me. He has so much art in him.
“If such a development happens here, people from all over the world will come,” Diljit said.
The prime minister told the singer that he had been thinking about the same for many years.
“Now I am doing it through Waves,” Modi said, referring to the upcoming World Audio Visual Entertainment Summit.
The summit, to be held from February 5 to 9, is being touted as a global platform for creative talents, fostering collaborations and showcasing the country’s potential as a hub for world-class content creation.
“My idea is that we are such a big country, and most of the world’s films are made here. The biggest creative industry in the world is here. So I’m trying to start a big movement here through Waves. Now India will be the centre of the creative world,” he said.
The prime minister also recalled a discussion about music with Angela Merkel, the former Chancellor of Germany.
“She asked me about music. I told her that in my country, the music before sunrise is different, and the music after sunrise is different. I told her that there are different types of music in India,” he said.
“Then I said whether it is a sad situation or happy situation, there are different types of music. She was very interested,” he added.
Dosanjh also spoke about his successful “Dil-Luminati India Tour”, which began in New Delhi on October 26 and ended in Ludhiana on December 31.During the two-month tour, Diljit also performed in cities, including Mumbai, Jaipur, Chandigarh, Indore, Bengaluru, and Guwahati.
Uorfi Javed, known for her bold and unapologetic fashion sense, has once again captured the spotlight. With a stunning dress made entirely of chia seeds, Uorfi Javed has showcased her flair for extraordinary style and eco-friendly fashion. While the dress has grabbed attention from all sides, it’s the appreciation from the OG Jackie Shroff that has truly set social media on fire. Known for his candid personality, the ‘Baby John’ actor praised Uorfi’s creativity and fearless approach to fashion.
Uorfi Javed took to her social media handle to share the video, and the making of the dress, which earned praise from Jackie Shroff. The actor labelled it as “Ek number”, and lauded Uorfi’s innovative effort. Along with the video, Uorfi captioned the post with, “Chia seeds 🌱 = new dress @apnabhidu thank you for this idea”
Actor-couple Aishwarya Rai and Abhishek Bachchan made a rare appearance together at the Mumbai airport, putting all divorce rumours to rest. They were spotted with their daughter, Aaradhya Bachchan, as they returned from their New Year vacation.
Aishwarya, Abhishek return from vacation together
In a video shared by a paparazzo on Instagram, Abhishek Bachchan was seen exiting the airport as Aishwarya and Aaradhya walked behind him. As he walked towards the car, the paparazzi asked Abhishek to stop to click pictures with Aishwarya, but he kept walking. Aishwarya wished everyone a ‘Happy New Year’.
Abhishek, Aishwarya leave airport together
Aaradhya suddenly jumped while walking next to Aishwarya. Her mother asked her, “Did someone push you?” She simply smiled. Abhishek waited near the car, making sure Aishwarya and Aaradhya got inside before closing the door. He then sat in the front seat of the vehicle. Before leaving in her car, Aishwarya told the paparazzi, “Happy New Year. God bless.”
What the Bachchan family wore for their travel
For the travel, Abhishek wore a swetashirt, black pants and white shoes. Aishwarya was seen in a black sweatshirt, matching tights and sneakers. Aaradhya wore a black sweastshirt, denims and shoes.
About Aishwarya, Abhishek
Last month, they attended the annual day event at Aaradhya Bachchan’s school, Dhirubhai Ambani School, together. Abhishek and Aishwarya tied the knot in 2007. They welcomed Aaradhya in November 2011.
Rumours about tension between Aishwarya and Abhishek began in July last year when the former and her daughter arrived for Anant Ambani’s wedding separately from the rest of the family, including Amitabh, Jaya, Abhishek, Shweta, Agastya Nanda, and Navya Nanda. It led to speculation about their separation.
What happens when the two biggest musical superstars fall in love and get married? They make the first couple, the power couple of Bollywood. That is exactly what happened when the genius Rahul Dev Burman tied the knot with the legendary Asha Bhosle. The collaboration between RD Burman and Asha Bhosle was more than just a professional partnership; it was a musical love story that shaped the landscape of Indian music. Their relationship was filled with the beauty of creativity, admiration, and personal connection, cementing their legacy as one of Bollywood’s most iconic duos.
RD Burman and Asha Bhosle’s musical connection
Rahul Dev Burman, fondly known as Pancham Da, was a revolutionary music composer, and Asha Bhosle, the voice that defined versatility in playback singing, came together professionally in the early 1960s. The first major hit of their collaboration, Aaja Aaja Main Hoon Pyar Tera from Teesri Manzil (1966), marked the beginning of a partnership that would create magic for decades.
Despite their age difference—Burman was six years younger than Bhosle—they developed a strong bond, initially rooted in their shared passion for music. Burman admired Asha’s ability to adapt her voice to any genre, while she appreciated his innovative approach to compositions. Pancham Da, known for his experimental style, found an ideal muse in Asha, who could effortlessly switch from classical to cabaret to soulful ballads.
Their partnership flourished both personally and professionally in the 1970s. Together, they delivered unforgettable hits like Dum Maro Dum, Piya Tu Ab To Aaja, and Chura Liya Hai Tumne, which remain iconic to this day. Their songs often showcased a fusion of Western and Indian influences, setting new benchmarks in Hindi film music.
A beautifully tragic love story
The turning point in their personal relationship came after Burman’s first marriage ended in separation. Asha, too, had endured a tumultuous personal life, where her ex-husband was extremely abusive towards her and their children. The two found solace in each other’s company, and their shared love for music deepened their connection. In 1980, they tied the knot in a low-key ceremony, marking the union of two creative powerhouses. It took a lot of convincing from RD Burman’s end, but Asha saw the love her once ‘fan’ had for her and said yes.
MADONNA has sparked speculation that she is engaged after showing off a huge diamond band on her ring finger.
The Queen of Pop, 66, jetted to Tokyo for New Year with her boyfriend, former footballer Akeem Morris, 28, and shared photos — including the eye-popping jewellery.
The couple have been dating for just six months, having gone public with their romance last July.
They were joined on the holiday by her children Lourdes, 28, Rocco, 24, David, 19, Mercy, 18, and twins Estere and Stella, 12.
A source said: “Madonna is happier than she has been in a long time.
“Her romance with Akeem has been a real whirlwind but they are so in love.
“She’s not back from her trip yet but her pals wouldn’t be surprised if it really is an engagement ring.”
The ring is from the brand Bijules, which offers bespoke bridal bands among its jewellery.
Madonna was married to actor Sean Penn, 64, from 1985 to 1989, and then director Guy Ritchie, 56, from 2000 to 2008.
Asked during a Q&A in 2022 about a life decision which “wasn’t the best idea,” she said: “Getting married. Both times.”
She met Jamaican-born Akeem on a photoshoot for Paper magazine in August 2022, after she split from boyfriend of three years, dancer Ahlamalik Williams, 30.
Singer Armaan Malik ties knot with girlfriend Aashna Shroff.Credit: X/@ArmaanMalik22
Popular singer Armaan Malik and his longtime girlfriend Aashna Shroff are now married, the couple announced on Thursday.
Malik, 29, and Shroff tied the knot in a private ceremony and shared the news in a joint post on Instagram.
“Tu hi mera ghar,” they wrote in the post, alongside pictures from the wedding, showing Malik in a peach-coloured attire and Shroff in an orange lehenga.
Diljit Dosanjh Meets PM Modi: Diljit Dosanjh wrapped his Dil-Luminati tour in India with a spectacular show in Ludhiana on New Year’s Eve. After completing the tour, the singer-actor met India’s Prime Minister Narendra Modi in Delhi today (January 1). He further mentioned in his tweet that music was one of the discussion points during the interaction.
Diljit Dosanjh Meets PM Modi: Diljit Dosanjh enthralled his fans with live concerts across the country for two months. Dil-Luminati’s India leg wrapped on New Year’s Eve in Ludhiana with a spectacular show. Soon after concluding the tour, the actor-singer visited India’s Prime Minister Narendra Modi in Delhi today (January 1).
Diljit Dosanjh meets PM Narendra Modi
Diljit shared pictures with PM Modi. The Udta Punjab actor presented the official poster of Dil-Luminati to him. Sharing pictures on X (former Twitter), Diljit wrote, “A fantastic start to 2025 A very memorable meeting with PM @narendramodi Ji. We talked about a lot of things including music of course!”
PM Modi reacted to Diljit’s tweet and wrote, “A great interaction with Diljit Dosanjh! He’s truly multifaceted, blending talent and tradition. We connected over music, culture and more…”
Diljit’s Dil-Luminati tour was a success. It began in October 2024 in Delhi. The tour was set to conclude in Guwahati, but the Ludhiana show was announced on December 23 and sold out within minutes of ticket sales opening.
Dil-Luminati Ludhiana concert controversy
The Ludhiana concert landed in legal trouble after Punditrao Dharenavar, an assistant professor from Chandigarh, approached the Deputy Director of the Women and Child Department, Government of Punjab, to issue a formal notice to Ludhiana’s District Commissioner, urging them to prevent the singer from performing certain songs during Diljit’s live show on December 31, 2024.
The notice, which was addressed to the local authorities in Ludhiana, specifically calls for a ban on songs that have been accused of promoting alcohol, such as ‘Patiala Pegg’, ‘5 Tara Theke’, and ‘Case (Jeeb Vicho Feem Labbiya)’, even if modified with altered lyrics.
Pushpa 2: The Rule continues its box office dominance, earning a staggering ₹1700 crore in just 25 days. Fans and industry insiders are celebrating this monumental success, with theaters witnessing massive turnouts. Allu Arjun’s electrifying performance, along with the cast and crew’s stellar efforts, has set new benchmarks for Indian cinema. Congratulations have been pouring in, including a heartfelt message from Aamir Khan via his official instagram page, Aamir Khan Productions. He extended warm wishes to Allu Arjun and the entire team for their incredible achievement.
The message read, “Huge congratulations from AKP to the entire team of PUSHPA 2: THE RULE (9) for the blockbuster success of the film! Wishing you continued success onwards and upwards. Love. Team AKP @mythriofficial @alluarjunonline @aryasukku @rashmika_mandanna #Fahadh Faasil”
In response, the makers of Pushpa 2, Mythri Movie Makers shared, Thank you,
@AKPPL_Official
❤🔥The success of #Pushpa2TheRule is a true reflection of our Indian Cinema’s potential. Wishing you all at AKP a Happy New Year
Pushpa 2: The Rule has shattered records, achieving ₹1000 crore within just 7 days of release and cementing its position as the highest-grossing Indian film of 2024. In just 21 days, it amassed ₹1705 crore worldwide, becoming the fastest Indian film to reach this milestone. With its phenomenal success, Pushpa 2 has redefined box office benchmarks, establishing itself as the biggest Indian film ever made.
The Kapoor and the Razdan families welcomed the New Year at an undisclosed location, amid fireworks. They celebrated on a huge lawn next to a swimming pool.
Actor couple Alia Bhatt and Ranbir Kapoor welcomed the New Year with their daughter Raha Kapoor on Tuesday night. Their family members, Soni Razdan, Neetu Kapoor, Riddhima Kapoor Sahni, Bharat Sahni, and Samara Sahni, were also part of the bash.
Ranbir, Alia, Neetu, Raha, Soni pose for family photo
Taking to Instagram, Neetu posted a bunch of photos from their evening. In a photo, Ranbir Kapoor held Raha in his arms as she wrapped her hands around him. Raha was seen with her back to the camera.
Alia stood next to him and kept her hand on Ranbir’s. They twinned in black outfits–she wore a dress, and he opted for a sweatshirt and trousers. Soni stood next to Alia, wearing a red dress. Neetu Kapoor was seen in a black dress with a knee-high slit. Riddhima wore a white top and black trousers.
Raha Kapoor was seen in a red and white dress. Bharat opted for a black shirt and olive green pants. Samara was seen in a T-shirt and denims. Neetu also posted several selfies she clicked with her children. Sharing the photos, Neetu captioned it, “Happy 2025 (two hearts and cherry blossom emojis).”
KGF star Yash on Monday urged fans to avoid grand gestures and gatherings on his birthday on January 8, saying it was time to “change our language of love”.
In a post on Instagram, the 38-year-old actor wished fans ahead of the New Year and said it is also a time for reflection, resolution and charting a new course.
“The love you all have showered on me over the years has been nothing short of phenomenal. But there have been some unfortunate incidents too.”
“It’s time for us to change our language of love, especially when it comes to the celebration of my birthday. The expression of your love should not be in grand gestures and gatherings. The greatest gift for me is knowing you are safe, setting positive examples, achieving your goals, and spreading joy,” the actor said, adding that he will be busy and not be in town on his birthday.
In a tragic incident earlier this year, three of Yash’s fans lost their lives while erecting a large cutout of the star. At that time also, the actor had asked fans his to avoid grand celebrations and stay safe.
If you’re like a lot of us, this past year might be one you’re not unhappy to see go. (Maybe you’d even like to see the swinging door slap 2024’s ass on the way out.) But then, also like some of us, perhaps you look back on the wealth of phenomenal songs the year gave us, and suddenly it’s: Come back, ’24, all is forgiven. Whether it was an unusually great year for you or an annus horribilis, chances are you needed music to help see you through.
Here are 50 of the songs that did the trick for the Variety music staff — representing the realms of superwoman super-pop (Chappell, Charli, Taylor and Ariana), hip-hop (Kendrick Lamar, Doechii), Latin music (Karol G, Kali Uchis), country (Lainey Wilson, Megan Moroney), rock (Jack White, Vampire Weekend), R&B (Ella Mai, Tinashe), club sounds (Jamie XX), Americana (Waxahatchee, Gillian Welch), show tunes (Cynthia Erivo) and, not least of all, the great, genre-defying mischief that Beyoncé got up to this year. (Note: These aren’t in any particular order of preference… and of course we adhere to a one-song-per-artist policy, with apologies to the multiple hits of Sabrina Carpenter, Billie Eilish, etc.) Relive some favorites and pick up a few new discoveries to take with you on the yellow brick road into 2025. —Chris Willman
Kendrick Lamar, ‘Not Like Us’
Engaging in one of the greatest rap battles of all time and climbing out of it with the biggest hit single is a definitive victory lap. And thus Kendrick Lamar took his with “Not Like Us,” a song that not only defined 2024 but also staked itself as one of the greatest diss records of all time. If success is the sweetest revenge, then Lamar got it. Not only did it become a chart blockbuster, but it also re-centered the spotlight on the west coast, a marvel for a single song whose message resonated across state lines. Doubting Kendrick is a full-time sport, and keyboard warriors wasted their time trying to do just that. —Steven J. Horowitz
Chappell Roan, ‘Good Luck, Babe!’
Setting fire to Chappell Roan’s Grammy-nominated breakthrough, “Good Luck, Babe!” is a perfectly crafted synth-pop gem. Though it’s largely identified as a queer pop anthem, the single is applicable to anyone who has escaped and survived a tumultuous “situationship” in their lifetime. Roan exorcizes her anger and love, starting in a place of dreamy optimism that fizzles out with a heart-stirringly frustrated resignation and reality check: “You’d have to stop the world just to stop the feeling,” Roan sings in an echo at the end. —Thania Garcia
Sabrina Carpenter, ‘Please Please Please’
It didn’t seem possible that Carpenter could come up with anything that would wipe the taste of “Espresso” out of America’s mouths, when everyone was so content to let it linger there. Yet, improbably, “Please Please Please” supplanted and topped it. (Although you can be forgiven if you still consider it a tie.) In an essential Variety video where producer/co-writer Jack Antonoff talked about the making of the track, he said that it’s a song that “in my head sounds like the heavens opening up,” which fortunately is how it sounds to us too — and there’s no disputing that he’s right on in making self-comparisons to ELO and ABBA, as the vocal stacks and synths line up. But it’s still Carpenter’s persona itself that makes the song, with a pithy lyric that’s more about a minor private hell than any open heaven. This Relationship Is Definitely Doomed, as the singer tries to convince her boyfriend not to do anything humiliating at the party — vulnerable in her trepidation, albeit with a “motherfucker” threat that makes it clear she’s near the end of her rope. Somehow, in this short (‘n’ sweet) mini-masterpiece, her discomfort becomes our ecstasy. —Willman
Taylor Swift, ‘Who’s Afraid of Little Old Me?’
Taylor Swift spent so much of 2024 being America’s sweetheart — between the family-friendly Eras tour and her solid NFL attendance record — that it was easy to overlook the idea of her as America’s avenging wraith. But what were we to make of this powerful avowal of wicked witchery, which was not only a highlight of “The Tortured Poets Department,” but also the key part of a newly added section of her live show, which she referred to as “Female Rage: The Musical”? Amid the mostly good vibes that Swift is receiving and sending out into the world, “Who’s Afraid of Little Old Me?” was kind of a weird throwback to the paranoia and defensiveness of some of the songs the “Reputation” era … which is a big part of why it’s so great, in case anyone would be under the impression that’s a bad thing. What does she have to be so mad about? Well, that’s a loaded question — what do any women have to be enraged by in 2024? Plenty. And Swift specifically may never run out of reasons, if she chooses to catalog them, as the embodiment of some sort of evil in so many ultraconservatives’ or just general haters’ lives. Taking ownership of the instillment of fear works for her here, even as she throws in hilariously strange and scary asides like “Don’t you worry, folks, we took out all her teeth.” Of course the reference to “I levitate down your street” gave a great license to the Eras Tour’s production team to design a vehicle that created just that illusion on stage. Swift is of course the very definition of mainstream right now, yet this wonderfully bizarre song was proof that she’s determined to stay weird, too. Boo! —Willman
Charli XCX, ‘Von Dutch’
“Brat” didn’t have a breakout single because there were several — four of its songs, and the album itself, are up for Grammys — but the dancefloor-wrecking “Von Dutch” was the one that set it off. The album’s first single, its woozy synths and thundering beats practically drown out her braggadocious lyrics, and the unusual production from Easyfun (aka Finn Keane) keeps the listener in suspense, simply by the beat kicking back in on the two instead of the one. For many New Yorkers, the song’s defining moment came during Charli’s solo tour back in June, at the very beginning of “Brat Summer,” when it lit up the Brooklyn Paramount with swooping spotlights and crushing beats to a universally ecstatic response (just look here). —Jem Aswad
Hozier, ‘Too Sweet’
Let’s just say it out loud here: WTF, Grammys? “Too Sweet” seemed almost too obvious as a shoo-in for a record of the year nomination, not to mention consideration in other categories, but it and Hozier were shut out of noms in the year he finally had his first No. 1 single. Of course, that oversight matters not a whit when it comes to how enduring this will be as an earthy earworm for years to come. The fuzzy guitar-and-bass riff almost makes it seem like we’re going to get a garage-rock burner… and make no mistake, this does count as a rock song, one of a very few such to top the Hot 100 in the 21st century. But harmonically, of course, it immediately goes some different places, even as Hozier breaks with his usual sincere form to take on a possibly more debased character who’s looking for an excuse to ditch the partner whose drinking and sleeping habits don’t match his. There are very few Hozier songs that you’d describe as primarily “confectionary,” let alone kind of down-and-dirty confections. But this is an irresistible outlier that’s drawing folks back into the rest of his equally deserving catalog, where he can take them to church instead of celebrate a hangover. —Willman
Beyoncé, ‘Ya Ya’
OK, there are obviously other great songs that stack up from Beyoncé’s sprawling opus “Cowboy Carter.” Hand it off to “Bodyguard” or “II Most Wanted,” take your pick. But that’s the key to her missive: There are so many options from the record that there isn’t just one answer. Mine, for what it’s worth, is “Ya Ya.” It’s an amalgamation and command of pop culture that in a way pays deference to so many influences while producing something fresh and original. Beyoncé is nothing if not a master interpreter, but interpretation is about understanding and transformation. “Ya Ya” is the embodiment of that ethos, across every breathless beat. —Horowitz
Billie Eilish, ‘The Greatest’
There are so many best-in-class contenders scattered through Eilish’s “Hit Me Hard and Soft” album, as proven by how quickly “Lunch,” “Chihiro” and “Birds of a Feather” all began competing with one another for streaming primacy as soon as the album launched in May. But this ballad — it really is the greatest. The title comes laden with irony, as the singer is really expressing regret or even shame for how fruitlessly she tried to bring passion into a failed relationship, wanting to give herself a heavyweight belt for her ability to move on from a tough situation she really did think could be destined for romantic greatness. Meanwhile, under Finneas’ hand, it builds and builds, as so many Eilish classics have now, to a determined intensity before finally landing back on an a cappella denouement. Even given the candor of today’s pop lyricism, there’s something especially vulnerable about a singer admitting to “All the times I waited / For you to want me naked” — Eilish has sung about being publicly objectified, but she can write about how bereft the opposite of that can feel in a relationship, too. Legitimately great stuff, this is, even if your first response to a whole new album’s worth of this stuff may just be a simple: Wow, is she good. —Willman
Ariana Grande, ‘Ordinary Things’
Ariana Grande spends so much of “Eternal Sunshine” bemoaning the end of her marriage and celebrating her new-ground relationship that by the time she arrives at the concluding song, “Ordinary Things,” it feels like an all-seeing epiphany. Romance is a multi-card spectrum, and making sense of it is what’s produced some of the best pop songs of our lifetime, Grande’s catalog included. Which is why “Ordinary Things,” a sauntering, horn-kissed meditation on the honeymoon phase of blossoming love, is one of the purest pop songs of the year. Grande examines how materialism and keeping a schedule can be the bedrock of connection, but in the end, none of that really matters as long as you have each other. “We could spend every dime, but I don’t want anything but more time,” she sings. There is nothing more romantic than valuing the temporality of what a partner can offer, and the weight of clinging to it feels as human as can be. —Horowitz
Dua Lipa, ‘Whatcha Doing’
Everyone enjoys jumping on an album that doesn’t perform at the massive levels a superstar’s previous one did, as if to say: Aha, we knew it. Well, you knew nothing, if that’s your reaction in this case, because Lipa’s “Radical Optimism” was probably the year’s most underrated album. As a fan of the record, I’m convinced that maybe it had something to do with the choice of singles… not that anybody can be blamed for picking songs like “Houdini” or “Training Season,” but I suspect that maybe the spirit of lyrical caution in those tunes didn’t resonate as much when the world had been captivated previously by the pure triumph in hits like “Don’t Start Now” and “Levitating.” And also she was looking to make a bit of a break from neo-disco. But you get all of what everyone loved about her — the pure, unalloyed joy and, yes, the disco — in “Whatcha Doing,” which should have been a world-beating smash. It still was, in my mind, which maybe is the only place that mattes for any of us as listeners. There are other great songs on the album too (“French Exit”! “End of an Era”! Check them out, people). But “Whatcha Doing” might be the celebrative throwback slammer I return to most when I need a cure for seasonal affective disorder this winter. —Willman
Waxahatchee featuring MJ Lenderman, ‘Right Back to It’
Waxahatchee founder and frontperson Katie Crutchfield has been refining her gifts for more than a dozen years, but it’s hard to think of a better distillation of her melodic and lyrical abilities than this one. A confessional from a character who can’t get out of her own way, the song plays out like an intimate conversation with a lover, her words spilling out in a multisyllabic but precise rush before easing into a response and pause: “Photograph of us in a spotlight on a hot night/ I was drifting in and out… ” It carries into the keening chorus, where she is joined by MJ Lenderman (who basically joined the band for the “Tigers Blood” album), both of their voices bounding up into a heart-rending near-falsetto on the “do it” / “to it”s: “I let my mind run wild, don’t know why I do it/ But you just settle in, like a song with no end/ If I can keep up, we’ll get right back to it.” The song ambles along at an easy pace, its midtempo groove, gently plucking banjo and tasteful guitar delivering the feeling that it-will-all-work-out more than the self-lacerating but hopeful lyrics. Crutchfield wrote the song and sings lead but Lenderman’s contribution perfects it, his warm voice joining with hers like the supportive partner she’s singing to, putting a consoling arm around her. —Aswad
Doechii, ‘Denial Is a River’
Doechii strikes a balance between humor and darkness on “Denial Is a River” in a way that’s equal parts harrowing and self-reflective. That sort of appraisal is an extremely difficult tone to strike, yet the TDE rapper is so adept at juggling the intricacies of the human experience that she makes it feel like entertainment. That’s the charm of “River,” where she lets us in on a therapy session that recounts a cheating ex who lost her 100 stacks, her proclivity for parties in Hollywood and just how far she’s willing to go if someone pushes her past the limit. With her debut album on the way, Doechii has already laid the groundwork for what could be the year of conquering both her vices and music. —Horowitz
The Marias, ‘No One Noticed’
The Marias achieved a pop breakthrough with “No One Noticed,” a haunting but welcoming lullaby about loneliness. Nearly five years into their time as a band, the Los Angeles-based foursome flexes a perfected formula. They can lull you in, making some surprisingly experimental turns – melodious backing vocals formed of thought spirals, with no need for a safety net. Though the Marias have long been local heroes, this track is a significant landmark in the band’s ascension as songwriters, producers and instrumentalists. —Garcia
The entry that’s furthest into the future that we have on this list is “Andor,” the second season of which will premiere on Disney+ on April 22 — and that’s emblematic of how few series dates have been announced as of yet for next year. There are, of course, many popular shows returning in 2025, with none more massive than the fifth and final season of “Stranger Things” on Netflix, which will likely premiere in the fourth quarter of next year, having just wrapped production earlier this month.
“Stranger Things” is one of many Netflix shows that hasn’t been dated yet. The streamer will also drop the final seasons of “You” and “Squid Game,” Season 2 of “Wednesday,” Season 3 of “Monster” (featuring Charlie Hunnam as serial killer Ed Gein) among other returning shows. Amid Netflix’s typical four billion other series will be the debuts of “The Four Seasons” (starring Tina Fey and Steve Carell, in a series remake of Alan Alda’s 1981 movie of the same name) and the limited series “Sirens,” with an all-star cast led by Julianne Moore, Kevin Bacon, Meghann Fahy, Milly Alcock and many more.
Among the undated offerings from HBO and Max are Seasons 2 of “The Last of Us,” “Peacemaker” and “The Rehearsal,” Seasons 3 of “And Just Like That” and “The Gilded Age,” Seasons 4 of “The Righteous Gemstones” and the Emmy-winning comedy “Hacks” — all of these shows are heading our way. We’ll also soon see the premieres of the limited series “Task” (from “Mare of Easttown” creator Brad Inglesby), “Duster” (from J.J. Abrams and LaToya Morgan), the latest “Game of Thrones” offshoot, “A Knight of the Seven Kingdoms,” and the “It” prequel series “Welcome to Derry” (which we’re already scared of based on a sneak peak!).
Over on Hulu, the sixth and final season of the Emmy-winning “The Handmaid’s Tale” will premiere sometime in the spring, and will reveal what June (Elisabeth Moss) and Serena Joy (Yvonne Strahovski) can do now that they’ve joined forces to take down Gilead. The Ellen Pompeo limited series “Good American Family” (loosely based on the story of Natalia Grace) and “Mid-Century Modern” — from Max Mutchnick, David Kohan and Ryan Murphy, about older gay men living together in Palm Springs (Golden Gays?) — will also make their debuts. Hulu viewers will also get to see the comedy “Chad Powers” (Glen Powell, a co-creator of the series, as a football player in need of a second chance), “All’s Fair” (Ryan Murphy’s legal drama starring Kim Kardashian) and Season 2 of “Nine Perfect Strangers” (with Nicole Kidman returning).
In addition to the new and returning series that we’ve included below, Amazon’s Prime Video service will feature several shows based on best-selling books, including the thriller “The Better Sister” (starring Elizabeth Banks and Jessica Biel), the YA adaptation “We Were Liars” from Julie Plec and Carina Adly MacKenzie and “The Girlfriend” (starring Robin Wright, who also directs). The reunion of “What Not to Wear” stars Stacy London and Clinton Kelly will also premiere on Amazon in the form of “Wear Whatever the F You Want,” as will Season 2 of “Gen V,” the brilliant spinoff of “The Boys,” and the third season of “The Summer I Turned Pretty.”
Peacock will offer the second season of the very fun Natasha Lyonne howcatchem mystery “Poker Face,” as well as the debuts of “Long Bright River” (a thriller starring Amanda Seyfried based on a terrific Liz Moore book of the same name), and (speaking of Emmy winners) “All Her Fault,” a mystery starring Sarah Snook. Also, Peacock has the new series from “The Office” universe — starring Domhnall Gleeson and Sabrina Impacciatore — which is rumored to be titled “The Paper,” from co-creators Greg Daniels and Michael Koman.
Last but not least, we come to FX. Beyond the returns of “It’s Always Sunny in Philadelphia” and “Welcome to Wrexham” and, of course, Season 4 of “The Bear,” the Emmy-winning network has the highly anticipated series “Dying for Sex,” which stars Michelle Williams as a woman diagnosed with metastatic breast cancer who leaves her husband. It’s based on a 2020 podcast, and Liz Meriwether and Kim Rosenstock are the showrunners. Oh, and one more show from FX: Noah Hawley’s “Alien: Earth,” which was first announced in December 2020, will at last be unveiled, and will likely be one of the biggest shows of the year.
And then there are these 41 shows below, which we hope provide us all with entertainment, laughs and comfort — things we’re going to need in 2025!
Jan. 1, Netflix
No one creates a mystery thriller quite like Harlan Coben. This limited series, based on the novel, tells the story of Detective Kat Donovan, who comes across the love of her life via dating app, 11 years after he disappeared. Per the official description, “Josh’s reappearance will force her to dive back into the mystery surrounding her father’s murder and uncover long-buried secrets from her past.”
Cast: Rosalind Eleazar, Jessica Plummer, Richard Armitage, Ashley Walters, Sir Lenny Henry,
Steve Pemberton, James Nesbitt, Samantha Spiro, Lisa Faulkner, Mary Malone
Extreme Makeover: Home Edition
Jan. 2, ABC
The Home Edit co-founders Clea Shearer and Joanna Teplin will host the new version of “Extreme Makeover: Home Edition.” The original “Home Edition” was a spinoff of “Extreme Makeover” and aired from 2004 to 2012 with host Ty Pennington. The show was also revived for one season at HGTV in 2020 with host Jesse Tyler Ferguson. The new series, produced by Endemol Shine North America and Hello Sunshine, will feature the hosts meeting a deserving family in need of a new home.
Lockerbie: A Search for Truth
Jan. 2, Peacock
This five-episode limited series is inspired by the true story of 259 passengers and crew, along with 11 residents, killed when Pan Am Flight 103 exploded over Lockerbie 38 in 1988. Dr. Jime Swire (Colin Firth) becomes the spokesperson of the town after losing his daughter in the crash, demanding answers and justice. The series will explore the disaster and its aftermath, providing “an intimate account of a man, a husband, and a father who risks everything in memory of his daughter and the unflinching pursuit of truth and justice.”
Cast: Colin Firth, Catherine McCormack, Rosanna Adams, Jemma Carlton, Harry Redding, Sam Troughton, Mark Bonner, Ardalan Esmaili, Selwa Jghalef
The Way Home
Jan. 3, Hallmark
Season 3 of the Hallmark hit picks up right where Season 2 left off: Kat (Chyler Leigh) is about to tell her mother that she found her brother, Jacob (Spencer Macpherson), who went missing more than 20 years ago, by going back in time. Meanwhile, Season 3 will feature a new era as Kat and Alice (Sadie Laflammme-Snow) time travel to 1974, the year Del (Andie MacDowell) and Colton (Jefferson Brown) first met as teens.
Cast: Andie MacDowell, Chyler Leigh, Evan Williams, Sadie Laflamme-Snow, Jefferson Brown, Spencer Macpherson, Julia Tomasone, Jordan Doww, Devin Cecchetto
Mayfair Witches
Jan. 5, AMC
Season 2 will continue to follow the journey of Rowan Mayfair, after she gave birth to a demon and must find out if he’s human or monster. Per AMC, “When tragedy strikes, she must put aside her own desires and fight to protect her family.”
Cast: Alexandra Daddario, Jack Huston, Harry Hamlin, Tongayi Chirisa, Alyssa Jirrels, Ben Feldman, Ted Levine, Thora Birch
Doc
Jan. 7, Fox
Based on an Italian series, the medical drama follows the Chief of Internal and Family Medicine at Westside Hospital in Minneapolis following a brain injury that erases the last eight years of her life. With no recollection of patients she’s treated, her romantic interests or her colleagues, she’s pushed everyone away and must lean on her estranged 17-year-old daughter — whom she remembers as a 9-year-old. Per Fox, “The series begs the question, what would you do differently if you had a second chance?”
Cast: Molly Parker, Omar Metwally, Amirah Vann, Jon Ecker, Anya Banerjee, Scott Wolf, Patrick Walker
Will Trent
Jan. 7, ABC
For Season 3 of the hit drama, Gina Rodriguez joins as a series regular as ADA Marion Alba, who’s described as a “charismatic, confident assistant district attorney who is new to Atlanta. After her first encounter with Will falls flat, the pair is surprised to learn that they must work together to investigate a crime in the world of Atlanta gangs.
Tim Allen leads a new sitcom as a “stubborn, widowed owner of a classic car restoration shop,” whose estranged daughter and her kids move into this house.
Cast: Tim Allen, Kat Dennings, Seann William Scott, Daryl Mitchell, Maxwell Simkins, Barrett Margolis
Special Forces: World’s Toughest Test
Jan. 8, Fox
In Season 3 of the ultimate social experiment, 16 celebrities must endure grueling challenges from the real Special Forces selection process, this time training in Wales, adding the harsh conditions of ocean warfare.
Cast: Nathan Adrian, Stephen Baldwin, Alana Blanchard, Landon Donovan, Carey Hart, Brody Jenner, Marion Jones, Ali Manno, Cam Newton, Kayla Nicole, Kyla Pratt, Denise Richards, Christy Carlson Romano, Trista Sutter, Golden Tate, Jordyn Wieber
American Primeval
Jan. 9, Netflix
The six-episode limited series will tell the dark and gritty story of the birth of the American West in 1857. From writer Mark L. Smith (“The Revenant”) and director Pete Berg (“Friday Night Lights,” “Lone Survivor”), the series will explore the “violent collision of culture, religion, and community as men and women fight and die to keep or control this land.”
Cast: Taylor Kitsch, Betty Gilpin, Dane DeHaan, Saura Lightfoot-Leon, Derek Hinkey, Joe Tippett, Jai Courtney, Preston Mota, Shawnee Pourier, Shea Whigham
On Call
Jan. 9, Amazon Prime Video
Dick Wolf’s company Wolf Entertainment’s first streaming series, this half-hour “is an adrenalized and visceral police drama that follows a rookie and veteran officer duo as they go on patrol in Long Beach, California.” Mixing in bodycam, dash-camera and cellphone footage, the procedural takes a different look at the police force. Dick Wolf’s son, Elliot Wolf, co-showruns for the first time along with Tim Walsh.
Cast: Troian Bellisario, Brandon Larracuente, Eriq La Salle, Lori Loughlin, Rich Ting
Actress turned politician Kangana Ranaut took to her Instagram stories recently to appreciate women from Himachal Pradesh. She called them hard-working and gave a shout-out to her fellow Himachal actresses like Preity Zinta, Yami Gautam, and Pratibha Ranta.
Kangana shared a picture of herself with Preity, Yami, and Pratibha Ratna and wrote, ‘”#peopleofhimachal When I go to Himachal and see our women equally or better looking than us work tirelessly in the fields no insta no reels raising cattle and making the ends meet. I feel they can definitely do with some hype. #himachaligenes #himachaliwomen.”
Recently, Kangana also celebrated Christmas at her home in Himachal. She shared a snippet of her celebration on social media and revealed that she decided to mark the festive occasion with ‘Gajar Ka Halwa’. In the bunch of photos, she was seen enjoying the dessert while sitting on a comfy couch at her home. “Merry Christmas everyone, how are you all celebrating? I made gajar ka halwa for myself,” she wrote.
On the work front, Kangana Ranaut is eyeing the release of her much-awaited film Emergency. The political drama, written, directed, and co-produced by Kangana, was earlier scheduled to be released on September 6 but was postponed due to the failure to get a clearance from the CBFC.
With Anuja shortlisted for the 2025 Oscars, executive producer Guneet Monga on how she is raising funds to ensure that the short film makes it to the nominations.
Guneet Monga Kapoor couldn’t have asked for a more perfect conclusion to 2024. Just last week, Anuja, a short film for which she is the executive producer, was shortlisted for the 2025 Oscars in the Best Live Action Short Film category. Directed by Adam J Graves, the film sheds light on the grim reality of child labor in New Delhi. In a recent interview, Monga shared that the fundraising was more than the film’s budget, and she is working hard, making calls for funds to ensure the film advances to the next round.
In a recent conversation with Mid Day, Guneet Monga discussed the efforts of the executive producers and the team behind Anuja in raising funds and managing the publicity campaign. She revealed that the fundraising efforts were far greater than the film’s actual budget. However, Monga acknowledged that the real challenge lies ahead.
With two Academy Awards to her name, she explained how they are focusing on ensuring the short film secures a nomination. Monga shared that she has been dedicating her time to making calls, reaching out to people, pushing Anuja, and securing additional funding.
She is also working on distribution plans and deciding which platform would be best for the film. Drawing from years of experience, she emphasized the team’s commitment to advancing the project and hoped for a nomination, keeping their fingers crossed for the next stage in the journey.
Monga also shared that Kill and Gyaarah Gyaarah had been incredibly fulfilling projects for them this year. She explained that with Kill, their goal was to create an intense action film, despite receiving comments questioning its appeal and viability.
However, they remained committed to producing it in its most authentic form. She further reflected that, similar to previous successes like The Lunchbox (2013), Masaan (2015), and The Elephant Whisperers (2022), the focus has always been on telling the best story possible.
Entrepreneur and Shark Tank India judge Aman Gupta has opened Pandora’s box with his recent statement about an unnamed Indian film star whom he labelled ‘an extremely egotistic man’. Aman spoke about this star on Dostcast, a podcast he appeared on alongside fellow ‘shark’ Anupam Mittal.
Aman Gupta on egoistic film star
Speaking on the podcast, the boAt founder recalled how his company hired a film star to be their brand ambassador, but he was surprised by his attitude. “We had this actor as our brand ambassador. He was an extremely egotistic man. In the news, I had always heard good things about him. People only wrote that he is ‘sweet’, ‘nice’, ‘kind’, and ‘humble’… They often mentioned his good behaviour with the paps and his fans, they also wrote that ‘he travels in economy class’, but his attitude was the extreme opposite when he worked with us. This experience taught me that people today have mastered the art of being humble,” Aman recalled.
The entrepreneur added that he was sure that this ‘facade’ would lift soon and the public would see the star’s ‘reality’ soon enough. “However, Indians are pretty smart. One day or the other, they will get to know the reality. They do understand the difference between a genuine person and a pretentious person. They quickly understand which hero has ego, attitude, style and rizz,” he added.
Bollywood style icon Alia Bhatt, who never misses a chance to mesmerize us with her styling and fashion choices, has once again left us swooning over her. Her Christmas celebration look in white was something we didn’t know we needed. She seemed absolutely ethereal and effortlessly elegant in the classic white midi dress. Let’s take a dig deeper into her attire.
Celebrating Christmas with her family, Alia Bhatt shared a glimpse on her social media handle where she was seen rocking her appearance in the crystal feather one-shoulder midi dress from the iconic shelves of David Koma. The dress was worth Rs 1,41,100. Instead of straps or sleeves, the one-shoulder detail had a feather, perfectly settled on her shoulders. Also, the fitted bodice highlighted her well-maintained body.
For an easy-go movement, her dress had a slit cut on the back. Just like her, if you want to stand out looking effortlessly elegant, then this outfit is the right inspiration for you. The ensemble is not just a fit—it’s bold and unique.
She accessorized her white dress with matching-color pearl drop earrings and rings on her fingers, adding feminine appeal. Her accessories were minimal and subtle, perfect to provide the limelight her dress deserved.
Also, how can we miss that cute Christmas tree band on her head? The actress added a playful vibe with the cute headband settled beautifully on her open hair.
Adding the flawless glow to her skin, the Rocky Aur Rani Kii Prem Kahaani actress opted for a subtle base and enhanced it with defined brows and nude shade lipstick. Her makeup was, although natural, perfect to keep her appearance low-key obsessed.
Baby John movie review: If you think about it, all action films pretty much follow the same template: a wronged man/righteous cop gets into a tussle with someone powerful. His entire world is turned upside down, and he seeks revenge. It sees an end when the antagonist is defeated/ dies.
The art, then, lies in making your film stand out despite the predictability. One is reminded of how fun Rowdy Rathore was purely because its lead star, Akshay Kumar, infused his double role with his trademark quirks. When that happens, you seldom remember the film had its lows. Does the same happen with Baby John too?
What is Baby John about?
Varun Dhawan, the lead actor, finally gets his first full-blown actioner, a remake of Vijay’s 2016 Tamil film Theri. He’s been trying to break into the genre for some time now (Dishoom, 2016), but here he gets his massy introduction as ‘VD’. The story starts with Baby John, who lives with his young daughter Khushi (Zara Zyanna) in a quaint part of Kerala. He avoids getting into confrontations, but one day, a cop calls him by his name ‘Satya’- and you sense there’s a backstory. Flashback to six years ago. We are introduced to IPS Satya Varma, a righteous man who believes in ‘good vibes only’. He is devastated when a teenage girl is raped and killed by the son of a powerful man Nanaji (Jackie Shroff). What happens next is the rest of the story. Giving away anything more would rob you of discovering the film yourself, if you haven’t seen Theri already.
The hits and the misses
The film starts off on a very choppy note, and there’s no soul for about 40 minutes. There’s no sense of direction, and the cute girl bossing around her dad has no effect. Atlee, who has earlier delivered Jawan as a director and Theri as well, is responsible for the story here. The hero playing a double role seems to be his favourite. He did the same with Shah Rukh Khan in Jawan. Oh, another thing he loves is the pigeons. He loves using them to create a flutter, literally. Copy pasted from Jawan here. There’s also a social message thrown in for good measure. But it amounts to a mish-mash.
The fun begins only when the elevation sequence arrives towards the intermission. Varun, who is okay otherwise, finds his groove after a very long wait in Baby John. When he lands a punch, you believe it in the action designed by Sunil Rodrigues. What helps big time is the background score by Thaman S, and the atmospherics post intermission. What doesn’t is the dull music he composed.
The second half further lends the film its much-needed fun quotient. Watch out for Ramsevak/ Jackky’s (Rajpal Yadav) killer line about comedy- he makes you cheer! What keeps things interesting is Jackie’s turn as the villain here. He’s bang on. Antagonists are really important for such masala potboilers. Where’s the fun of watching the hero defeat him if the villain’s weak?
Wamiqa Gabbi as Tara, Khushi’s teacher/ a twist, is okay. But the character has no impact on the story. Keerthy Suresh, who makes her Hindi debut here as Meera, does her job well. She stars as Satya’s wife, who is introduced as a doctor- and her profession vanishes as she finds her perfect life in a ‘loving husband, mother-like MIL and a lovely kid’. Her words, not mine.
Boney Kapoor mentioned that even today, filmmakers from the industry call him to praise Maidaan.
When Ajay Devgn’s Maidaan hit theatres in April this year, it failed to impress the audience. Despite earning praise from the critics, the film earned less than Rs 70 crore at the box office. Looking back at the film’s box office failure, producer Boney Kapoor shared with us, News18 Showsha, that Maidaan’s failure came as a shock to him. He added that he was also upset by the film’s box office reception.
“Naturally I was upset. I was very upset for a few days but then you’ve got to move on. Raj Kapoor was the most prolific filmmaker. He made several hits and blockbusters. But he too had films that didn’t meet his expectations, Boney Kapoor told us.
“Maidaan was a shocker because before the film was released, everybody was very, very vociferous in praising the film. We had several screenings for the people of the film industry and everybody used to be absolutely amazed and stunned by the film. Of course, some of them felt that the first half was a little slow, but the second was absolutely extraordinary,” he shared.
Boney Kapoor mentioned that even today, filmmakers from the industry call him to praise Maidaan and express their disappointment as the movie did not perform well at the box office. “Some of the filmmakers also called me up, appreciated the film and they also wondered why the film didn’t do well. But I think it could be one of the iconic films like Mr. India in times to come,” he said.
Boney Kapoor defended Maidaan and called it Ajay Devgn’s best performance ever. “It is Ajay Devgn’s best performance to date. Everybody performed very well. His wife, Gajraj (Rao) and the players, the whole team had performed very well. Amit Sharma (director) is almost like my son and Priyamani was extraordinary. There couldn’t have been a more perfect wife to that particular character. Every moment of the film seemed real, it looked like it was happening in front of you,” he stated.
Aishwarya Rai Bachchan continues to reign as the undisputed queen of Bollywood. Her public appearances never fail to light up her fans’ faces with joy. Recently, she has been busy attending her daughter’s annual day event. Once again, she was spotted at Mumbai airport, accompanied by her constant travel companion, daughter Aaradhya Bachchan. The mother-daughter duo donned matching black outfits and flashed bright smiles, radiating charm and elegance.
In the video, Aishwarya Rai Bachchan and Aaradhya Bachchan looked as stunning as ever, effortlessly slaying in matching black outfits. As they headed towards the security check-in, they made sure to flash radiant smiles for the cameras, leaving fans delighted.
On December 20, 2024, Abhishek Bachchan and Aishwarya Rai attended the annual day event of their daughter Aaradhya to show their support. Aaradhya shared the stage with AbRam, Shah Rukh Khan’s youngest son, leaving fans awestruck by their captivating performances.
In one clip, Aishwarya and Abhishek were seen recording Aaradhya’s performance with pride, while Amitabh Bachchan, sitting beside them, looked visibly delighted. The annual day event at the Dhirubhai Ambani International School turned into a dazzling evening, bringing together Bollywood’s elite as they celebrated their children’s talents.
Abhishek Bachchan and Aishwarya Rai’s joint presence at Aaradhya’s school event caught attention amid swirling divorce rumors. Speculation about their relationship had intensified earlier this year when the two attended Anant Ambani and Radhika Merchant’s wedding festivities separately, with Aishwarya notably absent from family photographs.
When Charli XCX recorded her sixth album, Brat, she thought her prickly, abrasive dance anthems were “not going to appeal to a lot of people”.
In the end, the record topped the charts and became a cultural phenomenon. It was nominated for seven Grammys, referenced in the US presidential election, turned into a paint swatch, and named “word of the year” by Collins Dictionary.
Now the album has been named the best new release of 2024 in a “poll of polls” compiled by BBC News.
In multiple end of year lists, critics called Brat “brilliant from start to finish” and “pop music for the future”, praising the way its “painfully relatable” lyrics captured Charli’s insecurities, anxieties and obsessions.
In the star’s own words, the record is “chaos and emotional turmoil set to a club soundtrack”.
“The louder you play it, the more honest it gets,” said the Los Angeles Times.
The BBC’s poll is a “super-ranking” compiled from 30 year-end lists published by the world’s most influential music magazines – including the NME, Rolling Stone, Spain’s Mondo Sonoro and France’s Les Inrockuptibles.
Records were assigned points based on their position in each list – with the number one album getting 20 points, the number two album receiving 19 points, and so on.
Brat was the runaway winner with a score of 486 points, nearly twice as many as the number two album, Beyoncé’s Cowboy Carter.
In total, the critics named 184 records among their favourites, from the The Cure’s long-awaited comeback, Songs Of A Lost World, to the kaleidoscopic rap of Doechii’s Alligator Bites Never Heal.
Here’s the top 25 in full.
1) Charli XCX – Brat
Charli was born Emma Aitchison in Essex, UK, and has been chipping away at the coalface of pop for more than a decade.
At the start of her career, she scored hits with shiny pop anthems such as Fancy, I Love It and Boom Clap – but over the years, her music has become more volatile and aggressive.
Underground anthems like Vroom, Vroom and Track 10 turned her into a cult star but, as she confessed on Brat: “I’ve started thinking again about whether I deserve commercial success”.
With that in mind, she entered 2024 with a new sense of purpose.
“Before we’d even done much writing, she had a masterplan of all the stuff she wanted to write about, and all the things she wanted to say,” producer AG Cook tells the BBC. “She had a real vision for the album, right from the start.”
“Even the name Brat was in play for about two years,” adds co-producer Finn Keane.
Released in June, Brat became the soundtrack to the summer; and Charli extended her success with a remix album that rewrote many of the songs and added an array of guest stars, from Billie Eilish and Robyn to The 1975 and Lorde.
The remix project was “really, off-the-cuff and last minute”, says Cook, “but that’s been part of the fun of Brat”.
“Charli is just incredibly quick and open to ideas,” adds Keane. “You can give her kind of any kind of crazy track, and she’ll instantly be able to come up with something super hooky, with a twist that’s very memorable and elaborate.
“She’s just incredibly musical.”
Billboard: “Charli XCX pulled off one of the most exciting and culturally significant album launches in modern memory… And best of all? It was all on Charli’s own terms. Drawing inspiration primarily from club culture and hyperpop, Charli pulled once-niche spaces in music into the mainstream.”
The Forty Five: “In making a club record to ignite the underground, she’s reached the world’s biggest stages. Musically, Charli is at her peak.”
2) Beyoncé – Cowboy Carter
Frequently mis-labelled as a country album, Beyoncé’s Cowboy Carter is so much more. A racial reckoning with the black roots of American folk music, its 27 tracks embrace everything from line-dancing to psychedelic rock, with guest appearances from Dolly Parton, Willie Nelson and Post Malone.
The Times: “The pop hoedown single Texas Hold ‘Em remains the best piece, but the acoustic guitar-driven sexy ode Bodyguard is another highlight. Will this finally win Beyoncé her best album Grammy?”
NME: “A masterclass in creativity from an artist who never forgets her roots.”
3) Fontaines D.C. – Romance
The fourth album by Dublin’s Fontaines DC saw the quintet take their scratchy, sinister sound and run it through a technicolor filter. The results include everything from stadium-sized sing-alongs (Favourite) to panic-inducing punk anthems (Starburster).
Allmusic: “When all is said and done, they remain fantastic songwriters, able to convey a variety of emotions without relying on the trappings of punk. The corners may have been sanded off, but it has only revealed new and interesting textures underneath.”
Mojo magazine: “Fontaines D.C. are now, in terms of risk-taking potential, the Arctic Monkeys’ closest rivals.”
4) Billie Eilish – Hit Me Hard And Soft
The title says it all. None of the songs on Billie Eilish’s exquisite third album are content to sit still, moving from hushed intimacy to emotional volatility as the singer navigates the murky waters of her early 20s.
The Telegraph: “Eilish has made something rich, strange, smart, sad and wise enough to stand comparison with Joni Mitchell’s Blue. A heartbreak masterpiece for her generation, and for the ages.”
The Guardian: “An album that keeps wrongfooting the listener, Hit Me Hard and Soft is clearly intended as something to gradually unpick: A bold move in a pop world where audiences are usually depicted as suffering from an attention deficit that requires instant gratification.”
5) MJ Lenderman – Manning Fireworks
Billed by one publication as the “poet laureate of indie rock”, MJ Lenderman’s breakthrough album is tender, melancholy and wryly funny, populated by a cast of flawed, disappointed and disappointing characters he observed around his hometown of Asheville, North Carolina.
New York Times: “An ace guitarist with a keen ear for jangly tones, he lends even his most pathetic characters a bit of warm-blooded humanity.”
The Line Of Best Fit: “How he gets you to care about nobodies from nowhere and their very strange plights is in part to do with his knack for universal empathy, but more importantly, the fact that he sings everything like he was just robbed at gunpoint by his 8th grade bully who he later watched win the lottery. You feel bad for things you don’t necessarily even understand.”
6) The Cure – Songs Of A Lost World
Sixteen years in the making, The Cure’s 14th studio album didn’t disappoint. Written during a period where frontman Robert Smith lost his mother, father and brother, it is simultaneously dark and fragile.
Speaking to the BBC, Smith said making the record had been “hugely cathartic” in escaping the “doom and gloom” he felt.
Time magazine: “It’s no exaggeration that this is an album haunted by death, so it’s almost ironic that, musically speaking, there hasn’t been this much life in The Cure for decades.”
Pitchfork: “It feels like a record whose time is right, delivering a concentrated dose of The Cure and cutting the fat that dogged their later albums.”
7) Cindy Lee – Diamond Jubilee
A sprawling, two-hour opus of dreamy pop and psychedelia, this is one of the year’s most mysterious records. You can’t buy the CD or vinyl, and it’s not available on Spotify or Apple Music. At the time of writing, it’s only available as a continuous, ad-free stream on YouTube, or as a download from Bandcamp.
But the seventh album by Cyndi Lee (the drag alter-ego of rock musician Patrick Flegel) is definitely worth your seeking out – like the lost transmissions of a ghostly 1960s pirate radio station.
Uncut: “Cindy Lee has managed to buck just about every trend, convention and expectation of what releasing music in the digital age is supposed to look and like. And, even more crucially, it sounds just as refreshing.”
Stereogum: “Diamond Jubilee is two hours of unrushed wandering through a lo-fi escape, catchy to the point of sticky, tarnishing in its abrasiveness yet sun-baked to perfection.”
8) Waxahatchee – Tigers Blood
On her sixth album as Waxahatchee, singer-songwriter Katie Crutchfield tackles everything from anxiety and self-doubt, to her ongoing struggle with sobriety, with piercing insight and a laid-back country-rock feel.
Pitchfork: “Her mind is alive and humming, and her language leaps out at you with its hunger.”
Consequence of Sound: “Crutchfield is still growing, both personally and artistically, and we’re just glad she’s invited us along for the ride.”
9) Kendrick Lamar – GNX
After landing the decisive blow in his rap beef with Drake, Compton rapper Kendrick Lamar took a victory lap on his surprise sixth album, GNX. Razor sharp and rhythmically complex, it’s both a poison pen letter to his detractors, and a love letter to Los Angeles’ hip-hop culture.
LA Times: “Lamar is worked up about liars, about folks doling out backhanded compliments, about other rappers with “old-ass flows” wasting space with empty rhymes. Indeed, what seems to make him angriest is the idea that a person could triumph in hip-hop by taking hip-hop less seriously than he does.”
Complex: “Even cooler is how much space Kendrick gives to underground rappers from the LA scene—figures who are talented but raw, and would likely struggle to gain national recognition without a boost.”
Chadha, who has backed the acclaimed film along with actor-husband Ali Fazal via their banner Pushing Buttons Studios, said one cannot think of shaking up the entire system right in their first film.
Mumbai: Actor-producer Richa Chadha says independent movies may often struggle to find their audiences in theatres in the presence of big-budget blockbusters supported by distribution and publicity channels but releasing her debut film production Girls Will Be Girls digitally was not a compromise.
Chadha, who has backed the acclaimed film along with actor-husband Ali Fazal via their banner Pushing Buttons Studios, said one cannot think of shaking up the entire system right in their first film.
Directed by Shuchi Talati, Girls Will Be Girls started streaming on Prime Video from December 18.
Asked if it would have been a wise decision to release the film in cinemas, the debutante producer said their primary goal with the movie was to reach as many viewers as possible.
“I want to nip this in the bud. When you tell a story, there are structures like exhibition, distribution, number of screens, publicity and advertising… How the big films work… The choice for us, as filmmakers, is whether to tell the story, make the story accessible and have more people see it, or change the structure.
“You can’t do everything in your first film. You can’t change the structure and tell the story. In (terms of) the big films that are hit films, none of them have changed the structure. They take the structure and they exploit the structure. We are not interested in changing the structure, we want to tell the story,” Chadha told PTI in an interview here.
Girls Will Be Girls, starring Preeti Panigrahi and Kani Kusruti, has garnered acclaim at several international festivals, including the Cannes Film Festival, Indian Film Festival of Melbourne, and MAMI Mumbai Film Festival 2024.
At the upcoming Independent Spirit Awards, the movie has received twin nominations: John Cassavetes Award and Kusruti for best supporting actor.
Sometimes films end up changing the “structure” but it’s not intentional, added Chadha.
“With this (film) being accessible to more and more people, via Amazon Prime is what we wanted, it’s not in any way a compromise. This is what we wanted, and this is what we were going for…
“We are very small fry right now. This is our first film, we can make tall statements here but the reality is that this was the best move for the film, and we have to do justice to the film.” Fazal said the decision to release a film in theatres or on streamers should stem after taking the interest of different stakeholders into account.
And that’s why, he said, he will stick by the collective “wise decision” they made together by releasing “Girls Will Be Girls” on Prime Video.
“There’s a lot of work that went into making this film. Not just from us, but from Shuchi, who is also a producer and the other co-producers. You have to start thinking about everybody else in terms of finances and everything.
“This was the best option for us to get it out to the maximum people have that conversation. We have received so much love, and continue to, with all the nominations coming in the Indie Spirit (awards)…
“We know there’s an audience for it… We know that’s a story that the audience is craving for right now, and not just in India, but the world over,” he added.
Set against the backdrop of the 1990s Dehradun, Girls Will Be Girls follows the journey of a 16-year-old girl, Mira (Panigrahi) whose rebellious awakening is intertwined with her mother Anila’s (Kusruti) unfulfilled coming-of-age experience.
But, what attracted them to Girls Will Be Girls? For Chadha, it was a “brilliant script”.
“This was my first, the script made a producer out of me. Shuchi needed a producer and there was no one, so we started from there. It went to script labs before it came to us, so the proof was in the pudding. We were delighted that this is going to be our first film.” Fazal was taken by Talati’s attention to detail, particularly the punctuation in the script, he added.
“The way she wrote it, I thought it was amazing. That was my buy. Later, it went through endless stages. Since we are also actors that (punctuation) is such a big hint, like the comma at the right spot, full stop and colon.” Up next for Fazal is a string of projects, including “Mirzapur The Film”, Mani Ratnam’s “Thug Life”, Anurag Basu’s “Metro… In Dino”, and “Lahore 1947” directed by Rajkumar Santoshi.
The “Mirzapur” star quipped until a year ago a couple of producers thought he left India, owing to his growing global footprint.
“I thought let’s go back to the drawing board and just (do it). I’m very excited about it (‘Mirzapur The Film’). I’ve got a little bun and I’ll have to shave off my hair for ‘Mirzapur’.
AP Dhillon-Diljit Dosanjh Beef: Singer AP Dhillon called out Diljit Dosanjh for faking his support to him and accused the Lover singer of blocking him on Instagram.
AP Dhillon-Diljit Dosanjh Controversy: Singer AP Dhillon has made shocking allegations against Punjabi superstar Diljit Dosanjh. The singer was performing in Chandigarh as part of his tour when he took a jibe at Diljit Dosanjh. He called out the Lover hitmaker for one of his recent comments and accused him of blocking the artist on Instagram.
In a video gone viral from the Chandigarh show, Dhillon spoke to fans about Diljit’s recent comment in which he addressed the former as one of his ‘brothers’. At a recent concert, Diljit said “two of his brothers” have just begun touring and wished them all the luck. Referring to this, Dhillon said, “First unblock me on Instagram and then talk to me.”
This statement left the audience in shock. Dhillon’s jibe also came to Diljit’s attention and the singer reacted to it on his Instagram Stories. He shared a screenshot of Dhillon’s Instagram account and shared that he has not blocked him. “I never unblocked you because I never blocked you. My issues can be with governments, but not with artists,” Diljit clarified.
AP Dhillon @apdhillxn during his show in Chandigarh said that @diljitdosanjh mentioned in his show that ‘we are together,’ but he has blocked me on Instagram. AP then said to Diljit Dosanjh, ‘First unblock me on Instagram, then talk to me.’ Meanwhile, Diljit Dosanjh shared an… pic.twitter.com/eNVeaL1HFJ
Meshram was on the run for 10 months and was eventually tracked down after police learnt about his interest in the recently-released film, an official from Pachpaoli police station said on Sunday.
Nagpur: Moviegoers watching a late-night show of Pushpa 2 at a multiplex in Maharashtra’s Nagpur witnessed a real-life action scene as police stormed the cinema hall and arrested a man wanted in murder and drug cases.
The dramatic arrest of Vishal Meshram shortly after midnight on Thursday left the packed audience stunned, but police assured them that they could continue enjoying the movie as they nabbed the accused and took him away.
Meshram was on the run for 10 months and was eventually tracked down after police learnt about his interest in the recently-released film, an official from Pachpaoli police station said on Sunday.
The gangster had 27 cases against him, including two of murder and drug trafficking, and was known for his violent tendencies, even attacking police in the past, he said.
Authorities had been pursuing him relentlessly, using cyber surveillance and tracking his movements in a new sports utility vehicle (SUV), the official said.
Q. So what was all that about you and Hrithik Roshan?
A. I read what he had to say in your interview. It was very well put. It was all so strange. I was out of the country. When I came back, everyone started questioning me about it. I was very shocked. Hrithik is committed elsewhere. He’s a very sensible boy. He’d never slip up. Please! Suzanne knows me too well. She knows exactly the kind of person I am. Why would I want another woman’s man, and that too a woman I like and respect? That way, I’m very selfish. I want a man I can keep for myself. And I won’t share my man with anybody.
Q. What was that about the two of you coochie-cooing in a plane?
A. Precisely. What was that? Do they think I’m so stupid to do something like this publicly? And the timing, on the day of Hrithik’s wedding, was in very bad taste. If it had come earlier, one could laugh it off as idle gossip.
A. Once and for all, there’s nothing between me and Hrithik except good, clean friendship. There cannot be anything else between us. He’s attached elsewhere, and I refuse to share my man with another woman. He’s happily married now. And I’m not a homebreaker. I can never be. We haven’t been brought up to cause havoc in other people’s homes. Besides, I wouldn’t want another woman’s curse on my head. I know what that could do to a woman. But all said and done, Hrithik is a wonderful boy. I don’t enjoy working with anyone as much as I do with him.
Salman Khan and Shah Rukh Khan are two megastars who are loved and admired by many across the globe. However, Abhijeet Bhattacharya thinks the Tiger 3 actor is not worth having a conversation about. During an interview, the popular singer spoke about his relationship with both the Khans and stated that Salman doesn’t come to the place where he would talk about him. Read on to know more!
Abhijeet Bhattacharya was recently in a conversation with Shubhankar Mishra, wherein he spoke about his tiff with the likes of Shah Rukh Khan and Salman Khan. The playback singer, who has sung songs in nearly 1000 movies across languages, stated, “Salman abhi bhi unme nhi aata ke mai uske baare me charcha karu. (Salman doesn’t come in the place where I can talk about him.)” Hence, he requested the host to change the topic and not quiz him about the Tiger 3 star.
Further on, Abhijeet stated that Shah Rukh Khan is a man of a “different class,” and turbulence in their relationship is not because of any misunderstanding but because it’s professional. “Baaki inke baare me aap mujhse baat mat karo (Please don’t talk about him (Salman Khan) with me.)”
In an exclusive chat with Pinkvilla earlier this year, the prominent playback singer in Bollywood opened up about his collaboration with composer Anu Malik on the popular track Tan Tana Tan from Salman’s film Judwaa. He stated that he agreed to sing it with the belief that it would be performed by Govinda, not Khan.
Allu Arjun-starrer Pushpa 2: The Rule has grossed over Rs 1,500 crore in worldwide box office collection, making it the “fastest Indian film to reach the mark”, the makers said on Thursday.
Pushpa 2, a sequel to 2021’s blockbuster Telugu film Pushpa: The Rise, released in cinemas around the world on December 5.
Directed by Sukumar, the movie also stars Rashmika Mandanna and Fahadh Faasil. It was also released in Hindi, Tamil, Kannada, Bengali and Malayalam languages.
Mythri Movie Makers, the production house behind the movie, shared the latest box office update on its official X page.
“COMMERCIAL CINEMA REDEFINED. HISTORY MADE AT THE BOX OFFICE.
New Delhi: Veteran actor Mukesh Khanna says he knew he was “antagonising” Sonakshi Sinha when he criticised the actor over her lack of knowledge about Ramayana, but emphasised there was “no malicious intent” behind his comments.
Khanna said he wanted to use a “Hi Fi case” like Sonakshi’s to teach the younger generation about the culture and history of India.
His remarks come after the “Heeramandi” star, daughter of veteran star and TMC MP Shatrughan Sinha, wrote an open letter to him slamming Khanna for his “distasteful statements” against her upbringing and family.
“Dear Sonakshi, I am surprised you took so much time to react. I knew I was antagonising you by taking your name from that incident in the famous Karodpati (KBC) show. But let me tell you I had no malicious intention to malign you or your father who is my senior and I have a very cordial relationship with him.
“My only intention was to react on today’s generation, which is called Gen-Z by elders, which has become slaves to today’s Google world and Mobile phones. Their knowledge is limited to Wikipedia and social interactions on Youtube. And here I had a Hi Fi case in front of me of yours which I thought I could use in order to teach others (sic)” Khanna wrote in an Instagram Story.
The actor, known for hit TV serials “Shaktimaan” and “Mahabharat”, said he “regrets” recounting the incident about Sonakshi during a recent interview.
“Point noted. It will not be repeated. Be assured. Take care,” he added.
The child, who was injured in the December 4 stamped at Hyderabad’s Sandhya Theatre ahead of the premier show of Pushpa 2, remains critical and on ventilator support.
As per a health bulletin released on Tuesday by Hyderabad’s KIMS Cuddles Hospital, eight-year-old Sri Tej is under intensive care as his neurological condition shows no improvement.
According to doctors, he was on mechanical ventilation with minimal support of oxygen and pressures. Further a tracheostomy, a procedure where a pipe is inserted surgically into the windpipe to facilitate breathing, is being considered to wean him off ventilator. “His fever is reducing and on minimal inotropes, his vital parameters are stable. He is tolerating feeds well,” said a statement from the hospital.
The hospital statement said the child was brought with low oxygen saturation and irregular breathing on December 4. While his breathing support was removed on December 10, he had to be intubated again on December 12 amid respiratory distress.
Meanwhile, Hyderabad City Police Commissioner CV Anand, after visiting the hospital, said Sri Tej was brain-dead due to lack of breathing during the stampede and that it would take a long time to recover.
A stampede occurred at the Sandhya Theatre on December 4 during the premier show which was attended by Pushpa 2’s lead actor Allu Arjun. As large crowds descended on the theatre to catch a glimpse of the actor, 35-year-old Mogudampalli Revathi and her son Sri Tej were suffocated. Police performed CPR on them and rushed them to a hospital, where Revathi was declared dead.
Atlee is reportedly trying to orchestrate a casting coup by bringing on board either Rajinikanth or Kamal Haasan to create one of Indian cinema’s biggest spectacles.
Following the historic success of Jawan, director Atlee is gearing up for his next major project, tentatively titled A6. The filmmaker has hinted at a “bang-on” announcement soon and confirmed that the film will be led by Salman Khan. Atlee is reportedly trying to orchestrate a casting coup by bringing on board either Rajinikanth or Kamal Haasan to create one of Indian cinema’s biggest spectacles.
Currently, Atlee is busy with his debut production Baby John, which is set to release during Christmas 2024. During a conversation with Pinkvilla at a masterclass, Atlee was joined by his producer partner Murad Khetani and the film’s leading star Varun Dhawan.
When asked for updates on A6, Atlee shared, “A6 is something that consumes a lot of time and energy. We have almost finished the script, and we are in the prep stage. Soon, a bang-on announcement will happen with God’s blessing.”
On Salman Khan’s involvement, Atlee offered a subtle confirmation. “Definitely, I am going to surprise everyone with the casting. What you are thinking, yes (that’s true). But you are going to really get surprised. And I’m not being pompous, but it’s going to be the proudest film of our country. We want a lot of blessings, just pray for us. The casting is on the edge, and it’s going to happen in a few weeks. We will have the best, best, best announcement coming soon to you all,” he added.
Varun Dhawan, who stars in Baby John, couldn’t contain his excitement about A6. He revealed, “It’s going to be out of this world; people don’t know what’s going to hit them. I have heard and seen a little bit of visualisation. It’s unbelievable what he is putting together. He is working relentlessly, quietly and humbly.”
Due to long traffic, the SUV, which was part of Badshah’s convoy, drove on the wrong side of the road, catching the attention of some passersby who filmed the act.
Gurugram Traffic Police has issued a challan of Rs 15,000 to popular rapper Badshah for driving on the wrong side of the road, playing loud music, and rash driving, officials said on Tuesday.
The incident took place on December 15 when Badshah came to the Airia Mall on Sohana Road for a special appearance in a concert by Punjabi singer Karan Aujla, police said.
The Mahindra Thar in which the singer was present is registered in the name of Deepender Malik, a resident of Panipat.
Due to long traffic, the SUV, which was part of Badshah’s convoy, drove on the wrong side of the road, catching the attention of some passersby who filmed the act.
As the clippings of the incident went viral on social media, the traffic police took note of it and issued a challan of Rs 15,000 to the rapper on Monday.
Sonakshi Sinha responds to Mukesh Khanna’s remarks on her KBC appearance, calling his comments ‘distasteful’ and a disrespectful attack on her upbringing.
Sonakshi Sinha has sharply criticised Mukesh Khanna after his viral remarks about her upbringing and a past appearance on Kaun Banega Crorepati (KBC). Khanna, best known for his role as Shaktimaan, had commented on an old KBC episode in which Sonakshi failed to answer a question about Lord Hanuman. Reflecting on the incident, Khanna blamed her father, veteran actor Shatrughan Sinha, for not imparting cultural knowledge, despite being a prominent figure in the entertainment industry.
In response, Sonakshi shared her thoughts via Instagram stories, expressing her displeasure with Khanna’s remarks. “I recently read a statement you made saying that it’s my father’s fault I did not answer a question about the Ramayana correctly on a show I attended many, many years back,” she wrote. “Firstly, let me remind you there were two women on the hot seat that day who did not know the answer to the same question, but you choose to keep taking my name, and only my name, for reasons which are quite obvious.”
Sonakshi clarified that her mistake on KBC was simply a “human tendency” to blank out, noting that she forgot who the Sanjeevani Booti was brought for. “But clearly, you have also forgotten some of the lessons of forgive and forget taught by Lord Ram himself,” she added. She drew a parallel to Lord Ram’s capacity to forgive even his adversaries, suggesting that Khanna should do the same regarding her harmless slip-up.
The actress further warned Khanna to stop bringing up the incident for attention, reminding him that she responded to his criticism respectfully due to the values instilled by her father. “The next time you decide to say anything about the values my father has instilled in me… please remember it’s because of those values that I have only said what I said, very respectfully,” Sonakshi asserted.
AR Rahman also shared pictures with Zakir Hussain on Instagram. Along with the photos, he added flower and prayer emojis to show his respect and grief.
The death of legendary tabla maestro Ustad Zakir Hussain has shocked the entire country. People from all walks of life are mourning his loss and offering condolences to his family. Music composer AR Rahman also paid tribute to Zakir.
On Monday, Rahman shared a series of pictures with the tabla maestro on Instagram. Along with the photos, he added flower and prayer emojis to show his respect and grief.
Earlier on Monday, Rahman took to his X account and shared how much Ustad Zakir meant to the world of music. He described the loss as immeasurable and spoke about how Zakir inspired millions of people.
“Inna lillahi wa inna ilayhi raji’un. Zakir Bhai was an inspiration, a towering personality who elevated the tabla to global acclaim. His loss is immeasurable for all of us,” read his X post.
Sharing that they had planned to work on an album together, further wrote, “I regret not being able to collaborate with him as much as we did decades ago, though we had planned an album together. You shall be truly missed. May his family and his countless students worldwide find the strength to bear this immense loss #ZakirHussain.”
Inna lillahi wa inna ilayhi raji’un.
Zakir Bhai was an inspiration, a towering personality who elevated the tabla to global acclaim 🌟🌍. His loss is immeasurable for all of us. I regret not being able to collaborate with him as much as we did decades ago, though we had planned…
Zakir, who had been battling idiopathic pulmonary fibrosis, a chronic lung disease, was a towering figure in Indian classical music and one of the most recognized percussionists worldwide. He died in San Francisco and his death was confirmed by Jon Bleicher of Prospect PR, who spoke on behalf of the family.
Prime Minister Narendra Modi, too, mourned the death of Zakir. Taking to X, PM Modi in a post described Zakir as a genius who revolutionised Indian classical music, bringing the tabla to global recognition.
“Deeply saddened by the passing of the legendary tabla maestro, Ustad Zakir Hussain Ji. He will be remembered as a true genius who revolutionized the world of Indian classical music. He also brought the tabla to the global stage, captivating millions with his unparalleled rhythm. Through this, he seamlessly blended Indian classical traditions with global music, thus becoming an icon of cultural unity,” the post read.
One of Bollywood’s biggest stars says women are taking more of a leading role in global film and TV productions.
Tabu appears in the latest episode of Dune: Prophecy – the series inspired by Frank Herbert’s classic novels and recent films.
Originally titled Dune: Sisterhood, Tabu says women, including director Anna Foerster, played a prominent role in the show both in front of and behind the camera.
“Being surrounded, feeling empowered and a feeling that you’re the ones running the show… it’s really, really nice to see that happening,” she tells BBC Asian Network News.
It’s a trend Tabu, a household name in Hindi cinema, feels is not just limited to international projects, but something she has noticed in her native industry.
“There’s been a big change all over the world where women are taking centre stage in many places.”
‘I’m still learning so much’
Tabu points to her role in the commercially successful Hindi film Crew, with a female lead cast of herself, Kareena Kapoor Khan and Kriti Sanon.
“It’s part of the big change and it was also because the woman that I was working with have accomplished so much in their fields,” Tabu, 53, says.
“They have a grip, they have control over their craft.
“They have a sense of how to deal with people because I feel everything is about people management.
“That comes with experience, maturity and putting in a lot of work in so many years of their respective careers. So that felt comforting, safe, and you felt like you were being understood.”
Dune: Prophecy is described by critics as “a bracingly different sci-fi dominated by women at every level”, with fans in India delighted by Tabu’s appearance in the show.
While she says schedules aligned to enable her to play the role of Sister Francesca, the chance to work in a different environment with an international cast was appealing.
“I always love these experiences. Because I don’t live in that world.”
She says there were people from Serbia, Spain, the UK, Ukraine and Germany involved, which helped her understand different people and cultures.
“It was very exciting, adding much more fun and drama on screen, of course, but off screen,” she says.
“I got to interact with people from so many different parts of the world.”
Tabu’s career in the industry spans several decades, with acting credits including other Western productions such as Life of Pi and A Suitable Boy.
But despite everything she’s achieved, the actor says she’s keen to not look backwards.
“Because I feel like I’ve stuttered [if I do].
“[Sometimes I feel like] I’m still new and I’m still learning so much.
“The one thing that I feel extremely grateful and overwhelmed by is I got a tremendous amount of love and respect from people or from my audiences.”
And she says she remains motivated by the types of roles she plays, like Francesca.
“That I should be able to experience this character in a completely new way.
“That I should be able to present this character in a completely new way [for the audience].
“Cinema is over 100 years old, they’ve been seeing stuff happening, actors and characters.”
Bollywood superstar Aamir Khan is known for some of India’s most popular films, including Lagaan and 3 Idiots.
So great is his appeal, he can barely walk down the street without getting mobbed by fans.
What’s less well known is that he secretly quit films during the Covid pandemic in order to spend more time with his loved ones.
“I told my family I’m done with acting and films,” he tells BBC News.
“I [didn’t] want to produce or direct or act. I just wanted to be with the family.”
You’d imagine a major star like Khan deciding to quit the industry would have sent shockwaves through India, a nation that is fully obsessed with films.
But, he explains, his decision went unnoticed at the time because so few movies were being made due to the pandemic.
“No-one knew about it,” he says.
Fans can breathe a sigh of relief, though.
Khan didn’t quit for long. And now he’s back and is promoting Laapataa Ladies – or Lost Ladies – a film he’s produced. It is India’s official pick for the Oscars in the best international feature film category.
Khan says it was his children who convinced him to go back to work.
“They were like, ‘But we can’t spend 24 hours with you. So get real and get a life.’ So they gently nudged me back into the films,” he says.
At 59, Khan has worked as an actor, director and producer for three decades.
He’s known as one of the three “Khans of Bollywood” – the others being fellow megastars Shah Rukh and Salman.
Known for tackling social issues, Aamir’s films are widely acclaimed as well as breaking box office records.
He is also no stranger to the Oscars. Lagaan, a film about cricket set in the 19th Century during the British Empire, was nominated for best foreign language film in 2002.
Khan is now trying to make history with Laapataa Ladies. If it succeeds, it would be the first Indian film to win the coveted international prize. He will find out whether it has made the shortlist on Tuesday.
Khan said he’s “not quite sure how seriously” to take awards. “Cinema is so subjective,” he says.
But he admits a win would mean a lot to India.
“I think Indians are so film crazy and we’ve been dying to win the Academy Award for an Indian film, which hasn’t happened till now. So the country will go ballistic. They’ll just go mad if we win,” he says.
“So just for the people of our country and for our country, I would be really happy if we win the award.”
Set in rural India, Laapataa Ladies tells the story of a young man bringing the wrong bride home. Meanwhile, his wife ends up lost, having to fend for herself.
It’s a satire looking at the treatment of women, including touching on the sensitive topic of domestic violence.
Khan describes the plot as “a bit Shakespearean”, with its focus on humour and mistaken identities.
But, he adds, it’s saying “a lot of important things about women’s issues, their independence, their right to decide for themselves what they want to do”.
It was these issues that drew him to the film in the first place, he explains.
“Every now and then you get an opportunity as a creative person to actually also sensitise people about certain issues that we face in society,” he says.
“Women all over the world have been subjected to a lot of challenges in their lives. Women have a raw deal in life. So I felt that here is a story which really brings that out well in such a nice way, which is why I wanted to produce it.”
Khan was also “very keen” that his ex-wife, Kiran Rao, should direct the film.
The pair, who married in 2005, announced their separation in 2021. But they have remained close, both professionally and personally.
“I think the reason I chose Kiran was because I knew that she would be very honest with it and that’s what I wanted,” he says.
“We get along really well. We really love each other, we respect each other.
“Our relationship may have changed slightly – but that doesn’t mean what we feel for each other has gone down or something.”
That’s not to say it’s all been plain sailing, however.
Khan admits there were arguments on set.
“We can’t make a film without an argument. So we argue every point and we have strong opinions,” he says.
“But our sensibilities are very similar. We are not talking about fundamental things. We are just trying to sometimes convince the other person a better way of conveying something.”
Bollywood on the global stage
Bollywood produces hundreds of films every year and has a huge following among Indians globally.
The sway the films and stars have on their fans’ imagination cannot be overstated.
It has had recent success at the Academy Awards, with Naatu Naatu from RRR winning best original song and The Elephant Whisperers awarded best documentary short film.
But victory in the international film category has so far eluded it, something Khan attributes to the competition.
“India has made really great films over the years. Occasionally it’s a matter of the right film not getting sent or the best film not getting sent,” he says.
“But otherwise we have to understand that the films you’re competing against – you’re not competing against five or six films, you’re competing against almost 80 or 90 films, which are the best in the world.”
As to whether a Bollywood film could one day scoop the best overall film award, Khan says it is “possible”.
But Indian film-makers would first need to start making movies for a global market, he adds.
“I’ve never really looked at an international audience,” he says. “We have such a large audience of our own that it doesn’t come in to our mind.
“That will only happen when Indians start making films for a world audience. I don’t think we have the bandwidth for it right now.”
Raj Kapoor, fondly called the “greatest showman of Indian cinema”, was a leading filmmaker, producer and actor whose work continues to shape and inspire Indian films.
Today, almost four decades after his death in 1988, he remains one of India’s most-loved stars.
Kapoor began his film career in India’s post-independence era. His early work often carried a socialistic undertone, mirroring the country’s mood and aspirations of the time.
“Kapoor brought romance, sexuality, song and soul to Indian socialism,” said historian Sunil Khilnani, in Incarnations: India in 50 Lives, a 2015 BBC Radio 4 series on the men and women who made India.
So perhaps it isn’t surprising that celebrations to mark what would have been his 100th birthday on Saturday are taking place across the country, honouring his enduring legacy.
Among them is a retrospective showcasing 10 of his iconic films that will screen across 40 cities and 135 cinemas in India at the weekend.
Born as Shrishti Nath Kapoor to actors Prithviraj Kapoor and Ramsarni Kapoor, he later took the name of Ranbir Raj Kapoor and debuted as a child actor in Inquilab (1935).
Before making waves on screen, Kapoor honed his craft behind the scenes – assisting filmmaker Kidar Sharma, working as an art director at his father’s Prithvi Theatre, and appearing in smaller roles.
His breakout came with Neel Kamal (1947), launching a storied career that combined artistic ambition with mass appeal.
Please please please … may we have another year-in-music in 2025 as strong as this one? In coming up with 10 best album lists, each of Variety‘s staff music writers felt 2024 brought an embarrassment of riches from which to choose. You could already see that in how the upcoming 2025 Grammys are easily the most anticipated ceremony in many years. A lot of the top candidates there show up in our lists (albeit not Chappell Roan, whose album came out in late 2023). You’ll also find a lot of love here for a slew of great underdogs who didn’t catch the attention of the Recording Academy but already brought home the gold in our book.
Katy Perry may have been wrong about some things this year, but she was right about it being a woman’s world — in current music, anyway, if not all the other places it would benefit society most. Not coincidentally in keeping with the female dominance of the Grammy noms, all four of our listmakers picked an album by a woman or a female-fronted act for the No. 1 spot. Green meme queen Charli XCX was on top of the pops for executive music editor Jem Aswad (jump to his full list here). Associate music editor Thania Garcia went with a lesser-recognized band of worthies, the Marias (see her full ranking here). Senior music writer Steven J. Horowitz found godliness in the womanhood of Ariana Grande (you can leap to his list here). And reigning pop queen Taylor Swift made the year, if not the era, of chief music critic Chris Willman (jump to his rankings here).
The most-cited artists: Charli and Kendrick Lamar, who each made three of the four top 10s, and Beyoncé, Jamie XX, Jack White and Kali Uchis, who each appeared on two. Scroll through to see where your favorites landed or, better yet, discover a new one.
1. Charli XCX, ‘Brat’/’Brat and It’s Completely Different but Still Brat’
Wherein one of the most innovative and influential artist-songwriter-producers of the last decade twists her musical combination of glitter and glitch into a new shape — a lurid green one, no less — and the world is finally ready for it. “Brat” is a multimedia phenomenon but it’s all based around this music, which finds Charli not only evolving her sound but also overhauling her lyrical approach with deeply personal commentary (“I Might Say Something Stupid”) as well as character studies (“Mean Girls”). And then she took the whole thing and rebaked it on the remix album with an A-list of collaborators, completely reinvents the songs musically and/or lyrically — the team-ups with Lorde, Ariana Grande and Billie Eilish add multiple new narratives to already-provocative songs. With her smart and savvy sounds and visions, Charli XCX has refined the pop-star template.
2. Jamie XX, ‘In Waves’
As the main songwriter and producer in the British trio the XX, Jamie was the driving force behind one of the great hopes of alternative music in the late ‘00s. But as that group splintered, he began leaning into his other gig as a DJ and producer, and released the more beat-and-sample-based “In Colour” in 2015. That album is great, but nearly nine years later, “In Waves” takes its template and turns it into something truly next level: It’s loaded with powerful beats and samples and basslines like a dance album, but unlike a lot of DJ-artists — who tend to focus on production — he comes at the music as much as a songwriter, with an ear toward melody and emotion as well as the dancefloor. The album has great guest features from Robyn, the xx, the Avalanches and a wonderfully deranged Erykah Badu, but most exciting is how Jamie creates memorable hooks out of melodically manipulated vocal bites, toying brilliantly with the concept of what a song is and can be.
3. Kendrick Lamar, ‘GNX’
If you include his incendiary guest verses on Future and Metro Boomin’s “Like That” — which contain more fire and subtext than most albums — Kendrick Lamar has dropped 18 songs this year, along with completely crushing Drake in one of the most epic battles in rap history. Lamar knows that the only artist he has to beat is himself, and while his previous effort, the daunting double album “Mr. Morale and the High Steppers,” was brilliant on multiple levels, it sometimes felt like homework. But with a dream team of collaborators including Sounwave, Mustard and newcomer Jack Antonoff, “GNX” has a clarity of songcraft that its predecessor at times lacked. Although it might go down easier, his lyrics are just as densely loaded with multiple references and meanings. Rather than loading it down with superstars (apart from two characteristically luscious features from SZA), the guests on “GNX” are all up-and-coming rappers, bringing yet another dimension to the album’s ambition. Heavy is the crown, but Kendrick wears it like it’s his birthright.
4. Tyler, the Creator, ‘Chromakopia’
Tyler is one of the most multi-discipline artists in the music world, and what’s most remarkable about his art is the way his absolutely unique vision is unmistakably him, whether it’s a video (Why is he rapping on top of a bulldozer?), a TV awards-show performance (Why is he rapping in a windstorm that’s blowing the set off of the stage?), a headlining Coachella appearance (Why is he starting his set dressed as a forest ranger?) and, of course, the foundation of it all, his music. There are multiple questions one could ask on every minute of this album (Why did he multitrack his voice going “Hmmmmm!” on this section?), but as always, it’s musically innovative, gloriously weird and often hilarious at the same time. Spotlighting songs is futile, but the funniest one is probably “Sticky” (“Give a fuck ’bout pronouns / I’m that n—a and that b—h”), and the most immediate might be the irresistible single “Balloon,” which includes a hilarious guest verse from Doechii. Like everything Tyler does, it’s a joyride for the senses.
5. Childish Gambino, ‘Bando Stone and the New World’
If this album is truly the farewell to Donald Glover’s Childish Gambino alter ego, as he’s said, he’s going out with a bang: “Bando” is his best and most far-reaching musical project to date, with a brain-busting combination of musical styles and guests, from singers Jorja Smith and Amaarae to rappers Flo Milli and Yeat to alt-rock virtuosos Khruangbin. The album leaps between styles and moods dramatically and at times abruptly, but also surprisingly smoothly, from old-school R&B to power chords to acoustic ballads; there are even two full-on indie-pop songs with “Real Love” and the emo-ish “Running Around.” He’s also rapping much more than he has on recent albums, in a style that sometimes recalls both Kanye West’s early material and his abrasive “Yeezy” era. “Bando” is a mind-blowingly diverse and versatile album that finds him adopting a huge number of styles convincingly.
6. Empress Of, ‘For Your Consideration’
Empress Of, aka Honduran-American singer-songwriter-producer Lorely Rodriguez, contains so many multitudes that her music can be hard to process at first. With lyrics in both English and Spanish, she’s a Latin artist (“Femenine”), an alternative singer with a crisp Halsey-esque voice (“Kiss Me,” featuring Rina Sawayama), an electro artist (“Lorelei”) or a sweet pop singer (“Baby Boy”), all within one remarkable album that finds her delivering on the promise and potential of her previous releases and then some. As its title says, the album is Hollywood-inspired: “I was in love with a director and he was announcing his ‘For Your Consideration’ campaign for the Oscars,” she says. “He said he was emotionally unavailable and he kind of broke my heart.” If heartbreak has beneficiaries, Empress Of’s is us.
7. Idles ‘Tangk’
One of the most exciting rock bands to emerge in decades, this British-Irish quintet is a wild fusion of hardcore punk and experimental electronic skronk with a ferociously commanding frontman in Joe Talbot and two guitarists whose rancorous din shows inspiration from ‘80s indie icons Sonic Youth and Big Black, as well as a strong influence from hip-hop and electronic music. The group branches out even further on its fifth album, “Tangk,” combining slower, darkly ambient and/or rhythmic songs with the blistering roar its audience hungers for. Looking for a future for rock music? Here’s a solid bet.
8. Lucky Daye, ‘Algorithm’
Classic R&B is so easy to get wrong and so hard to get right — and the sound is only half of the battle. Cliché as it is to say, the genre is more of a feeling, regardless of production techniques, which is why D’Angelo’s 2000 masterpiece “Voodoo” has been such a template for 21st century R&B: That album is steeped in the history but updated the genre for new generations. New Orleans-born Lucky Daye has been a quiet giant of R&B for several years, with multiple Grammy nominations and collaborations with Beyonce and Mary J. Blige, but here he truly comes into his own. “Algorithm” finds him opening up his sound, adding rock and alternative, while still staying in the R&B lane — and it flows like a classic album, climaxing with the epic closer “Diamonds in Teal.” It also features collaborations with Teddy Swims and British R&B star Raye and, crucially, was created with his longtime collaborators D’Mile (Silk Sonic, Victoria Monet’s “Jaguar,” H.E.R.’s Oscar-winning “Fight for You”) and J. Kercy. Wanna get that feeling?
9. Jack White, ‘No Name’
With no disrespect to the five fine solo albums Jack White has created in the last dozen years, it’s safe to say that “No Name” is the one fans have been lusting for: a fiery, straight-ahead, just-plug-in-and-let-rip rock ‘n’ roll album in the vein of his dearly beloved and dearly departed White Stripes, but without seeming retro or leaning too heavily on nostalgia. While bands like Idles are taking rock music into new realms, White plays it right down the middle, showing that songs, a three-piece band and his glorious voice are all he needs, and it’s all so exciting and explosive that it makes you wonder why he, or anyone else, hasn’t made an album like this recently. “No Name” shows that no matter how far White might roam artistically, he can return to the art form he’d mastered and left behind anytime he wants — and show everyone how it’s done.
10. Kali Uchis, ‘Orquídeas’
Kali Uchis albums are like a sonic equivalent of one of the best date nights ever, sexy and plush and romantic, evoking visions of candlelit dinners and bubble baths speckled with rose petals — but at the same time (and also like some date nights), she brings a rapper’s attitude as a bad b—h who does not play. On “Orquídeas,” her second Spanish-language album, she sashays luxuriously through multiple genres — pop, R&B, merengue, dembow — and struts powerfully through others, while guests like Peso Pluma, Karol G, El Alfa and Rauw Alejandro not only light up the songs with their features but provide major cosigns. It’s an album that works as a lean-forward listening experience, or something to warm up the room along with the candles and flowers.
Thania Garcia’s Top 10
1. The Marias, ‘Submarine’
The Marias’ “Submarine” was a labor of love, despite the fact that the 14-song collection was made as its founding members – Maria Zardoya and Josh Conway – were freshly broken up. Instead of stopping the band altogether, the foursome went on to create a heart-wrenchingly honest reflection with tracks like “Sienna,” a song about the broken-up couple’s could’ve-been future child. Anchored in the theme of water, with an emphasis on its endless transformations and physical forms, the LP boasts striking imagery and impactful allusions in its production style. There are countless complimentary reports of Zardoya’s vocal skills that date back to the band’s earliest release in 2021, but she exceeds them in “Submarine.” I’ll point you to what sounds like computerized vocal fanning in “Real Life,” which is actually just her raw voice.
2. Kali Uchis, ‘Orquídeas’
Kali Uchis unlocked a new level of command with “Orquídeas,” her second Spanish-language album and first to nab a Latin Grammy nomination. Boasting her usual themes of self-empowerment, lust and melodrama, Uchis’ silky vocals paint a flowery picture of elegance and luxury with 14 songs ranging from pop, R&B and merengue to dembow and reggaeton. It features a strong slate of guest stars and Latin music royalty including Peso Pluma, Karol G, El Alfa and Rauw Alejandro.
3. Sabrina Carpenter, ‘Short N’ Sweet’
It’s hard to imagine what 2024 would’ve looked or sounded like without Sabrina Carpenter. From the success of “Espresso” to the relatable testimonies in “Don’t Smile,” or the witty ramblings of “Slim Pickins,” Carpenter asserted her place in pop history with this collection of humorous, fierce and foul-mouthed hooks. It packed just the right amount of heat – equal parts self-deprecation and self-empowerment – to resonate with an entire generation.
4. Judeline, ‘Bodhiria’
The ultimate sign of new life in Latin pop this year can be found in “Bodhiria” – a sprawling, semi-conceptual 12-song set from Spanish singer Judeline. After signing a record deal with Interscope in 2023, the 21-year-old released her debut with help from producers Tuiste and Mayo, Rob Bisel (SZA, Kendrick Lamar) and Rusia-IDK’s Rusowsky, Ralphie Choo and Drummie. Judeline’s voice is comparable to a whisper, but her breathy confessions pack powerful punches: she ends with a song called “Es Dios bueno o sólo es poderoso” (“Is God good or just powerful”), in which she sings, “I wanted to be where the light was the brightest, and there alone I stay,” and “I said so much that I even vomited my soul.” Though the latter is stuff of nightmares, the album is a sonic dreamscape of flamenco and electro-pop with hints of R&B and some Arabic lyricism, though it is mostly sung in Spanish.
5. Charli XCX, ‘Brat’
If you were paying even an inkling of attention to pop or political culture this year, “Brat” will forever be remembered as the soundtrack. For its maker, the 15-song album became a benchmark, or at the very least, a success story for their tried and tested theories of an expertly marketed concept album. From the hyperactive “Club Classics” to the unrestrained ramblings of “I think about it all the time,” Charli demonstrates her hard-earned mastery with “Brat,” and doubles down on her dexterity in the album’s remixed release, the ever-so-clever “Brat and It’s Completely Different but Also Still Brat.”
6. Omar Apollo, ‘God Said No’
Omar Apollo was looking for new artistic avenues in “God Said No.” Though not inherently a melancholic album, Apollo’s songwriting is purgative in nature, bringing about tropes of terminated relationships and cycles of codependency. More than his previous set “Ivory,” “God Said No” makes use of scene-setting, leaning on airy production helmed by Teo Halm, with additional inspiration from legendary producer Giorgio Moroder and ambient-music maestro Ryuichi Sakamoto. “I was in love when I wrote most of this album.,” Apollo told Variety. “I like to preserve the genuine connections I have and eventually turn them into friendships because a genuine connection doesn’t just die.”
7. Clairo, ‘Charm’
It’s all about the melodies in Clairo’s “Charm,” the folky yet psychedelic third studio album from the bedroom-pop singer turned jazz enthusiast. Making the most of experimental instrumentation – we’re talking mellotrons, flutes and mouth trumpets – Clairo is more forward-looking than ever on warm songs like “Slow Dance” and “Terrapin.” That exploration has already been rewarded as the 26-year-old singer earns her first Grammy nom in the best alternative album category.
8. Tyla, ‘Tyla’
Tyla’s self-titled full-length debut is proudly composed entirely of her signature South African amapiano with a frothy pop-R&B twist. Her fresh and consistent take on the decades-old style has helped cement her burgeoning career after the success of her Grammy-winning breakthrough single, “Water.” On top of that, Tyla has delivered expertly choreographed dance sequences and visuals throughout much of this year, continuing to expand her world for listeners across the globe.
9. Young Miko, ‘Att.’
Young Miko’s unapologetic debut came nearly one year after the Puerto Rican breakthrough artist made her first entries on the Billboard charts with juggernaut singles “Chulo Pt. 2” and “Classy 101.” That’s most likely why Miko raps like she’s got something to prove on her futuristic debut, “Att.” In the defiant “Fuck TMZ,” she incorporates elements of hip-hop over traditional reggaeton rhythms, appearing playfully pissed when the trap beats are kicked up. In opener “Rookie of the Year,” she’s cool, calm and collected – taking full advantage of her charming “Miko Effect” to win over fresh ears.
10. Khruangbin, ‘A La Sala’
While for some it was a “Brat” summer, for others it was a Khruangbin spring. In their fourth studio album, the Houston-based trio builds on its psychedelic sound by wholeheartedly embracing Latin influences, notably Cuban guitar progressions on songs like “Three From Two.” And while “A La Sala” is a mellow listening experience, all 12 of its songs quietly demand your attention with intentional versatility and expert arrangements.
Steven J. Horowitz’s Top 10
1. Ariana Grande, ‘Eternal Sunshine’
“Never go to bed without kissing goodnight, it’s the worst thing to do,” says Nonna Grande during the final moments of “Eternal Sunshine” closer “Ordinary Things.” “Don’t ever, ever do that. And if you can’t and if you don’t feel comfortable doing it, you’re in the wrong place, get out.” Ariana gives a little chuckle, as though love were that easy. And it isn’t — it never is, really — at least not across her seventh album, “Eternal Sunshine,” where she reconciles the slicing pain of divorce with the honeymoon phase of a new relationship. Once known for her to-the-rafters belt, Grande downsizes her delivery across 13 impeccable songs (give or take an interlude) that flit between wistful introspection (“We Can’t Be Friends”) and, somehow, hopefulness (“Imperfect for You”). It’s no secret that Grande has been through it, yet she manages to contextualize it time and again like the all-seeing narrator of her own life.
2. Jessica Pratt, ‘Here in the Pitch’
There’s something familiar coded into Jessica Pratt’s fourth album, “Here in the Pitch,” like an old attic chest spangled with cobwebs that’s been refurbished. The ghosts of Laurel Canyon past loom over the record’s nine tracks, where the Los Angeles-based singer-songwriter embellishes her stripped sound with minute adjustments — the chiming glockenspiel on “Life Is,” a Farfisa on “By Hook or by Crook” — that bring subtle texture to her haunting compositions. On “Pitch,” Pratt pontificates about the passage of time and its opposing forces (sunrise vs. sunset, dark vs. light) that, in effect, only contribute to the timelessness of her artistry.
3. Charli XCX, ‘Brat’/’Brat and It’s Completely Different but Also Still Brat’
“World-building” is often bandied about to describe artists with a complete vision, yet Charli XCX seemed to redefine what it means to create a world unto itself. The release of lead single “Von Dutch” in February didn’t exactly forecast the word-of-mouth momentum that would transform “Brat” into a lifestyle — hard partying, nonchalance, slime green — and reach fever pitch right around the time that Charli tweeted that Kamala is, in fact, brat. But to craft an album so focused and year-defining, and then confect an extended universe with an entirely reworked remix album, just goes to show that it can take over a decade to fully actualize that your artistry isn’t just about what you put on a record.
4. Sabrina Carpenter, ‘Short n’ Sweet’
They don’t really make pop stars like Sabrina Carpenter, do they? Carpenter has spent years trying to catch on after being freed from Disney prison, and something started to take hold last year after “Feather” and “Nonsense” generated as many streams as they did headlines. All of this was pushing towards “Short n’ Sweet,” her frothy, frank sixth album with a sharp tongue and even sharper songs. “Espresso” was the song-of-the-summer breakthrough, of course, but there’s variance across its tight dozen tracks — ’80s R&B here (“Bed Chem”), campfire folk there (“Coincidence”). The fact that she filters it all through innuendo and a knowing smile lets you know this wasn’t all by accident.
5. Kendrick Lamar, ‘GNX’
To emerge from one of the greatest rap battles of this century as the arguable victor, and to subsequently take a victory lap with a last-minute contender for one of the best albums of the year, shouldn’t come as a surprise for Kendrick Lamar. His vision is clear, charged and fiercer than ever on “GNX,” his surprise-released sixth studio record that continues (and succeeds in) his efforts to refocus the spotlight on the west coast. Equal parts mellifluous and fanged, “GNX” draws from Los Angeles’ classic hip-hop sounds for a blend of brash street anthems and soft R&B palette cleansers, all tied together by Lamar’s densely arranged rhymes.
6. Doechii, ‘Alligator Bites Never Heal’
On her debut mixtape “Alligator Bites Never Heal” — to be clear, not an official album — Florida’s Doechii takes a come-one, come-all approach to fusing elements of hip-hop, R&B and pop together in a breathless array. The TDE rapper’s personality is so oversized that it’s a wonder she was able to box it all into a coherent package, which she does: At once, rhymes tumble out at warp speed on “Nissan Ultima,” and the next moment she’s harmonizing over a foggy beat a la Erykah Badu. It’s a head-spinner of a project, which, of course, is all part of the master plan.
7. Beyoncé, ‘Cowboy Carter’
We often take for granted that Beyoncé continuously matches great ambition with even greater music. And it was easy to nitpick “Cowboy Carter” for its sprawling length and a few inclusions that perhaps could have been trimmed. But at the heart of it, Beyoncé once again completed the task she assigned herself: to illuminate the contributions and roots of Black musicians in country music, and she does it on a grander scale than a cursory listen can reveal. “Cowboy Carter” is the type of album to be explored, studied, marveled at — it reveals itself as a finely layered opus with every spin.
8. Gavin Turek, ‘Diva of the People’
Picture it: a 1970s diva dripping in jewels and singing love letters to the dance floor under a gleaming disco ball. Gavin Turek has established herself as the unsung torchbearer of Donna Summer revivalism for more than a decade, and her vision comes into sharp focus on her sophomore album, “Diva of the People,” a gleaming project that invokes the glamor of a night at Studio 54. The Los Angeles native centers “Diva” on the freedom of letting music solve your problems, by using it to get over a breakup (“Disco Boots”) or distract yourself from the world’s horrors (“Outta My Mind”). Turek lets it all out at the club, and it feels good every time.
9. Justice, ‘Hyperdrama’
“It’s almost like a dream or fever dream,” Justice’s Xavier de Rosnay told us earlier this year about the French duo’s fourth album, “Hyperdrama.” And it plays like one, too, with the group (also consisting of Gaspard Augé) taking listeners beyond the galaxies with a dreamy, concerted dance opus. “Hyperdrama” is rife with texture, playing like a lost “Tron” soundtrack that pummels (“Generator”) and openly breathes (“Explorer” featuring Connan Mockasin). There’s a heartbeat to the record mirroring the rise and rest of a HIIT session as if they approached the project as a completed thought. After decades of pushing the limits of their bloghouse sound, they’ve managed to once again break new ground.
10. Jamie xx, ‘In Waves’
Jamie xx explored his experimental side on his debut album “In Colour,” which arrived nearly a decade ago. But it’s when he caters his sound to the conventions of house music on his sophomore album, “In Waves,” that he truly hits his groove. “Waves” isn’t necessarily a pop album, per se, but draws from the melodic touchstones that make pop music so instantly accessible. He corrals a crew of guests to articulate his vision — Honey Dijon on the horn-blaring “Baddy on the Floor,” Robyn on the pulsing “Life” — that channels the feel-good effervescence of an early 2000s H&M playlist without the commercial sheen.
Honorable mention: Lucky Daye, “Algorithm”; Clairo, “Charm”; Rachel Chinouriri, “What a Devastating Turn of Events”; Shygirl, “Club Shy” EP; SG Lewis and Tove Lo, “Heat” EP; Tyler, the Creator, “Chromakopia.”
Chris Willman’s
1. Taylor Swift, ‘The Tortured Poets Department: The Anthology’
Can the thing that is biggest in the world at a given moment also be the best? Critics are trained to reflexively resist the idea, but as Beatles fans can attest… it happens. “The Tortured Poets Department” found the longest streak of A-level albums in history continuing, unbroken from “Fearless” forward. And, as the Eras Tour proved is the case with all Swift albums, it’s got its own personality — musically, a bit of a cross between “Midnights”/”Lover” electro-emo and “Folklore”/”Evermore” starkness; lyrically, largely a return to breakup songs after a multi-album idyll. Heartbreak never entirely stopped being her national anthem, but it returns in full force for the first time in ages, and the return of a little traumatization is welcome when it gives us songs as bold, canny and relatable as “The Smallest Man Who Ever Lived.” Don’t listen to the doubters who said there was only a single album’s worth of strong material spread across the 31-track “Anthology” deluxe edition… in some cases the same people who’d have kept you from hearing half the White Album if they had their way. Each song brings new thematic twists, new all-time quotable couplets, new hooks… and, yes, famously, in so many of them, great bridges are being built. “TTPD:TA” is a culmination to date of Swift’s particular genius for marrying cleverness with catharsis. The alchemy is on all our sides.
2. Beyoncé, ‘Cowboy Carter’
Speaking of the Beatles’ White Album… In trying to come up with a definitive take on “Cowboy Carter,” it’s difficult to decide whether it really is Beyoncé’s take on country music — Black country music — as it could and should be, or whether her album stretches stylistically so far beyond that that it should really be better seen as akin to the Beatles’ famously sprawling everything-but-the-kitchen-sink double-album. Whichever way you look at it, it’s a wild, bumpy, highly gratifying ride. Some critics think it’s more of a stunt or a thesis paper than a coherent album, but the fact that you don’t know what’s coming next (at least till you’ve committed the album to memory) is part of the fun and also part of the point — Beyoncé contains multitudes even when she’s at her most high-concept. Songs as reflective as “16 Carriages” or just as wildly fun as the Shaboozey-aided “Spaghettii” or Tina-esque “Ya Ya” stand on their own, even as, sure, they are bullet points in some kind of position paper about genre and reclamation.
3. Jack White, ‘No Name’
When I see legions of Jack White and White Stripes fans rush to acclaim “No Name” as the album they’d been waiting for from him for the last 20 years, I have a defensiveness that kicks in; those other albums that didn’t completely meet their expectations were all remarkable in their own ways, however subdued or eclectic or gonzo each one might have been. But screw it… the masses are not wrong in collectively deciding that the raw power of “No Name” is peak Jack. The test of that has been White’s ongoing tour, in which each night White sprinkles an average of seven or so new songs into the set each night. Out of context, it suddenly seems hard to be sure that these riff-o-ramas are actually fresh material and not, say, stuff that you’ve been familiar with since the turn of the century. Now more than ever, it feels like White is single-handedly keeping the glory of rock ‘n’ roll alive, a figure as potent as the singing guitar heroes of the classic rock era. To quote a nemesis: He alone can fix it.
4. Billie Eilish, ‘Hit Me Hard and Soft’
“Subtle blockbuster” may seem like an oxymoron, but Eilish’s third full-length album took audiences down some trickier and even quieter paths than before — an integrity that has been rewarded by a seemingly permanent berth in the top 10 ever since it came out in the spring. Whatever equanimity the title promises, this one is definitely about the soft sell, not the hard one. Maybe there was one exception to that bold no-bangers policy, “Lunch,” with a big bass sound and saucy lyrics designed to cunningly linger in the 2024 pop zeitgeist. But everything else here feels about 50 shades of low-key, and always transfixingly so, in her and Finneas’ no-skips smorgasbord. “Birds of a Feather,” the rare ray of pure sunshine on one of her records, is the outlier that eventually turned into her biggest smash to date. But even the more characteristically dark songs catch you up in flight.
5. Sierra Ferrell, ‘Trail of Flowers’
No wonder she’s gone from grass roots to being put on stadium stages by Zach Bryan and Post Malone. With her second Rounder release, Ferrell cemented her status as the new queen of roots music, or at least the youngest and most obvious current contender for the crown. She has an unerring voice you could languish in for days, and material to match. “Fox Hunt” skews toward her bluegrass influences; “Why Haven’t You Loved Me Yet” is pure country two-stepping material; “Wish You Well” is a heartbreakingly bittersweet farewell ballad; and “Lighthouse” is the kind of campfire love song a hepster, a toddler or a grandma could sing along to. If anyone can unite the jam-band crowd, singer-songwriter enthusiasts, Gram Parsons-loving country-rockers, hippies and hillbillies, it’s Ferrell.
Taking to her Instagram handle, Kareena Kapoor shared a heartfelt tribute post by Amul India for her grandfather Raj Kapoor’s 100th birthday.
The Kapoor family celebrated Raj Kapoor’s 100th birthday on December 14, 2024. Recently, Kareena Kapoor, granddaughter of the legendary actor and filmmaker, shared a heartfelt tribute post by Amul India that honored Raj Kapoor on his birth centenary.
Taking to her Instagram handle, Kareena Kapoor shared the nostalgic graphic of Amul, customized as a tribute to the Barsaat actor. In the graphic, the iconic Amul girl was seen in three memorable characters Raj Kapoor played in films like Mera Naam Joker, Shree 420, and Sangam.
The post had a simple yet meaningful tagline, “Aaj bhi dilon pe Raj hai” (Raj is still in our hearts), that reflected the timeless legacy of the Showman of Indian Cinema. The Crew actress who was touched by the gesture captioned it, writing, “Forever in our hearts. The legacy continues.” with a rainbow and red heart emoji.
The post immediately gained the attention of her fans and family members alike. Another granddaughter of veteran actor Riddhima Kapoor Sahni also shared it on her Instagram handle. Likewise, Alia Bhatt also took to her Instagram stories and shared writing, “Forever, a legend.”
Mukesh Khanna shared an incident when Kapil Sharma ignored him during an award function. Despite being seated next to each other, Sharma did not say hello to him. “In our industry, even if we have not worked with each other, we ask each other, ‘Kaise hai aap sir?’. He kept sitting next to me for 10 minutes. It’s not that I want him to say hello, but I say you have no courtesy,” added Khanna.
Veteran actor Mukesh Khanna recently slammed Kapil Sharma’s comedy show and called it “obscene.” He also shared an incident when the comedian ignored him during an award function; despite being seated next to each other, Sharma did not say hello to him.
Talking to Siddharth Kannan on his podcast, Mukesh stated that his first interaction with Kapil was when he was seated next to him at an award function. “I had bagged an award for best-supporting actor. He also appeared there, maybe he was shooting somewhere there in the film city. Now, in our industry, even if we have not worked with each other, we ask each other, ‘Kaise hai aap sir (how are you, sir) ?.’ It’s a gesture.”
Further, Mukesh Khanna shared that despite never working with Amitabh Bachchan, he always makes it a point to ask him how he is doing whenever they meet. “Forget my seniority, he (Kapil) kept sitting next to me for ten minutes but he didn’t even say ‘hello!’. It’s not that I want him to say hello but I say you have no courtesy,” added Khanna.
Sharing the reason for declining to be a part of Kapil Sharma’s show, Mukesh said that the comedian never contacted him, could be because of his “ego” and “shame.” He said that the show’s jokes are heavily based on “ashlilta” (indecency) and “below the belt jokes,” which he finds inappropriate.
Actors Neha Joshi And Aayudh Bhanushali Celebrate First Anniversary Of Atal In Gwalior, Shri Atal Bihari Vajpayee’s Birthplace!
&TV’s Atal, which premiered in December last year, has earned widespread acclaim for portraying the formative years of one of India’s most iconic leaders, the late Shri Atal Bihari Vajpayee. Marking the show’s first anniversary, the lead actors Aayudh Bhanushali, who plays young Atal, and Neha Joshi, who essays the role of Krishna Devi Vajpayee, visited the legendary leader’s hometown, Gwalior. This remarkable initiative by &TV underscores its commitment to staying deeply connected to its audience. The initiative also reflects the channel’s focus on strengthening its position in the Hindi speaking markets, ensuring its stories resonate with audiences beyond metropolitan cities, and honouring the legacy of such iconic personalities. Aayudh Bhanushali, who portrays young Atal, talks about his experience of visiting Gwalior, Madhya Pradesh. Aayudh says, “Celebrating the first anniversary of Atal in Gwalior, Shri Atal Bihari Vajpayee’s birthplace, was a heartfelt tribute to the great leader. The timing could not have been more special, as December is also his birth month. During our visit, Neha Aai (Krishna Devi Vajpayee) and I explored his ancestral home, which includes a public library and a computer training institute named after his father, Krishna Bihari Vajpayee. We were also delighted to visit Bahadura Sweets, famous for his favourite boondi ladoos—they were delicious!” He added, “What made this visit even more special was meeting the people of Gwalior. They welcomed us with such warmth. Their feedback about how closely they follow the show, their appreciation for my portrayal of young Atal ji, and their love for the story motivates me further to engage and entertain the audience.”
Neha Joshi, who plays Krishna Devi Vajpayee, reflected on the journey, “Visiting Gwalior to celebrate our show’s anniversary was an unforgettable experience. Walking through the streets and landmarks connected to Shri Atal Ji’s life, especially during his birth month, was deeply moving. From visiting the library to his favourite sweet shop, every corner of this city carried his legacy. Playing Krishna Devi Vajpayee has allowed me explore the untold aspects of his childhood, and visiting where he was born and raised felt like a profound blessing.” She further added, “The people of Gwalior made this celebration even more meaningful. Hearing their feedback and realizing how deeply they connect with our show was heartening. Their love and detailed observations about the storyline and characters have motivated us to work even harder to honour Shri Atal ji’s legacy. The visit also highlighted &TV’s commitment to creating impactful and meaningful content that resonates with audiences.
Shraddha Kapoor attended the India Economic Conclave 2024 presented by IDFC FIRST Bank, with National Leaders and Global Experts, where she talked about her dad. While Shakti Kapoor is known for playing villains in several films, his off-screen persona is extremely cheerful, as said by his daughter Shraddha Kapoor herself.
Shraddha Kapoor attended the India Economic Conclave 2024 presented by IDFC FIRST Bank, with National Leaders and Global Experts. She opened up on portraying strong characters on the screen and encourages young girls to get into the industry. Shraddha Kapoor was all praises for her father actor Shakti Kapoorb during EIC 2024. The Stree 2 actress praised her dad profusely, especially his sense of humour.
Talking about Shakti Kapoor, Shraddha, a proud daughter said, “My dad is funnier in real life, he is very intelligent, he expresses his intelligence in a very casual manner, he is making everybody laugh”. While Shakti Kapoor is known for playing villains in several films, his off-screen persona is extremely cheerful, as said by Shraddha herself.
During the event, the actress also expressed her desire to portray strong characters in films. She encouraged young girls to join the industry and give their best, stating that it’s a fabulous time for aspiring talent. Reflecting on her film Haseena, Shraddha acknowledged its underperformance at the box office but emphasized her passion for taking on impactful roles, saying, “Even though Haseena didn’t do well, I wanted to play strong characters.”
Laxman, aka Lucky, works at Chaman Medical Store in New Delhi, India. One day, the spoiled son of a local businessman calls the store asking for a box of condoms. Even though it’s pouring outside, his unkind boss demands that Lucky personally make the delivery to the rude customer. What Lucky sees when he shows up leaves him baffled. There she is, Dimple, Lucky’s girlfriend, in the arms of another man. Heartbroken, Lucky roams the streets of Delhi all night, until he receives another phone call, this time from a representative of the uber-rich Aggarwal family: “Congratulations! You’ve passed the poverty test. You’re now the sole inheritor of the entire Aggarwal empire.”
This rags-to-riches yarn, Insta Millionaire, is one of the most popular stories on Pocket FM, an Indian audio streaming app. It’s like Audible, but instead of polished audiobooks from professional authors, you listen to user-generated shows with titles like Hellbound With You, Lunatic in Love, and Rejected Billionaire.
Rags-to-riches stories on the platform like Insta Millionaire feel like a meta allegory of how Pocket FM functions. They promise their writers a light at the end of the tunnel — keep writing; your story could go viral, catapulting you to fame and wealth.
As of December 2024, the English version of Insta Millionaire has more than 1,300 episodes, which users have played over 235 million times. The series has grossed $15 million, according to SF Weekly. Another series, Saving Nora, a revenge saga featuring a woman whose family shuns her for becoming pregnant (without ever having sex, of course), has more than 2,300 episodes and has earned $18 million.
Pocket FM was originally created by Indian engineers for the Indian market. But in 2022, the company expanded to the US — a much more lucrative market. Now, the platform makes 70 percent of its revenue in the US, a representative of the company told The Verge. In March, Pocket FM raised $103 million in funding, at a valuation of $750 million.
But while Pocket FM’s valuation is booming, its vast network of writers often aren’t sharing in the success and have found the platform’s demands to be stifling.
Amina SB, 19, an aspiring novelist and cafe owner in Abuja, Nigeria, loves that by publishing audio novels on Pocket FM, she can reach many more people than she would with just text. In April of this year, Amina wrote 15,000 words on the platform and applied for a contract with the company. As she waited for a response, she kept “uploading, uploading, uploading” chapters. Finally, after a month, Pocket FM sent her an “exclusive” contract saying it would convert her novel into audio but that she couldn’t republish the story elsewhere. After writing 45,000 words under the novel title Bitter Rivals Bond by Fate, for which she earned a total of $229, Amina says Pocket FM refused to promote her book because she didn’t have enough listeners.
“Of course I wasn’t gonna get enough listeners. It had only been two months since my book came out, and they didn’t help me promote it,” Amina tells The Verge. She says she won’t keep writing for the platform and that it’s “not good for beginner writers” who might feel “heartbroken” and “think they’re failing.”
Beyond its flashy numbers, Pocket FM is essentially a content mill for audio fiction and an example of what happens when a tech company dives into story production at scale and across cultural lines. Already, the company publishes translated and original stories in English, Hindi, and several South Indian languages. Now, it’s also trying to penetrate German, Portuguese, and Spanish-language markets.
To produce the massive amount of content it does, Pocket FM uses an extensive network of full-time and contract editors and writers from around the world. A writer can publish on Pocket FM by clicking the “write” button on the app. Once you write 15,000 words, the company sends you a contract detailing your rights and payment. You then record audio / sound for the story yourself or, as of early 2024, use AI to convert text into speech. If your story becomes popular among listeners, Pocket FM may hire voice actors for your show as well as invest in marketing it.
“What I’m fundamentally against is having a gatekeeper… when someone decides whether a story is good enough or not,” says Rohan Nayak, one of three cofounders of Pocket FM. Nayak says that while Pocket FM is an entertainment platform, his vision was always to create a space where writers from across the world can publish their stories. “So it’s pretty much like a democratic platform,” he adds.
Pocket FM tells The Verge that most of its writers are based in India and the US. But there also appears to be a sizable contingent in Nigeria, where Pocket FM writers spend time trading tips and concerns in Facebook groups and Reddit threads.
Miracle Ubah, 26, also Nigerian, first learned of Pocket FM through a writing course. But after writing 9,000 words for the platform, he experienced writer’s block. Ubah’s solution: contract out the writing to someone else, pay them a share of what Pocket FM pays Ubah, and keep the rest for himself.
Ubah’s contract with Pocket FM promises him $375 per month, with the stipulation that the novel get at least 2,000 listeners, of whom 38 percent classify as “active” listeners, i.e., people who listen to the show daily. For a new user, attracting so many regular listeners is monumentally challenging — Ubah is struggling, too. The contractor has written about 50,000 words, but Ubah says he isn’t earning enough money and he’s going to unpublish the novel.
As part of the grand celebration, R.K. Films, the Film Heritage Foundation, and NFDC-National Film Archive of India are presenting Raj Kapoor 100—Celebrating the Centenary of the Greatest Showman.
‘Mayanagari’ Mumbai to shine bright from December 13 as the Indian cinema along with the Kapoor family members join hands together to celebrate Raj Kapoor’s centenary celebrations. Organised at the PVR Infinity Mall in Andheri, the event will witness a dazzling evening with several celebrities gathering under one roof to honour the legacy of Raj Kapoor, a pioneer of the golden era.
This gala event will bring together the Kapoor clan, including stalwarts like Randhir Kapoor and younger stars such as Ranbir Kapoor, Karisma Kapoor, Kareena Kapoor Khan and Alia Bhatt. Their participation highlights their deep pride in carrying forward Raj Kapoor’s extraordinary legacy.
Apart from the Kapoors, the event will see some of the biggest names in showbiz. The guest list includes industry veterans like Rekha and Jeetendra, celebrated filmmakers like Sanjay Leela Bhansali, Rajkumar Hirani and Karan Johar, as superstars like Aamir Khan, Hrithik Roshan, Anil Kapoor, Vicky Kaushal, Kartik Aaryan, Sunny Deol, and Bobby Deol.
As part of the grand celebration, R.K. Films, the Film Heritage Foundation, and NFDC-National Film Archive of India are presenting Raj Kapoor 100 – Celebrating the Centenary of the Greatest Showman. This festival will feature curated screenings of ten iconic Raj Kapoor films across 40 cities and 135 cinemas, including PVR-Inox and Cinepolis theaters. Tickets are priced at an accessible ₹100, reflecting Raj Kapoor’s belief in inclusivity and his vision to make cinema a universal experience.
The festival will spotlight Raj Kapoor’s most celebrated works, spanning nearly four decades:
The 40-year-old Punjabi singer-actor dethroned last year’s topper — Bollywood star Shah Rukh Khan — from the list.
London: Popular singer-actor Diljit Dosanjh has topped the UK list of the ‘Top 50 Asian Celebrities in the World’ previewed in London on Wednesday, following his mega live tour and box-office success.
The 40-year-old Punjabi star dethroned last year’s topper, Shah Rukh Khan, and ranked ahead of international talent from the world of cinema, television, music, arts and literature celebrated in the 2024 edition of the list published by UK weekly ‘Eastern Eye’ on Friday.
Dosanjh has been recognised not only for delivering hit songs, including top tracks for films, but also for making his mark with major international collaborations during the course of the year.
“The singing superstar delivered the most successful world tour undertaken by any South Asian celebrity in history with his blockbuster ‘Dil-Luminati’ show,” said ‘Eastern Eye’ Entertainment Editor Asjad Nazir, who compiles the list annually.
“His history-making performance on ‘The Tonight Show Starring Jimmy Fallon’ broke new ground for Indian music. In between all the musical magic, the multi-talented star showed off his impressive acting ability in films and proudly promoted his Punjabi culture. Everybody was talking about him in what turned out to be a dream year,” he said.
Indian heritage pop superstar Charli XCX came in second, narrowly missing out on the top spot, for an incredible year that included sold out live performances, seven Grammy nominations and her now iconic ‘Brat’ album, which spawned a huge global movement.
While third-placed Allu Arjun smashed box-office records with the year’s most successful Indian film Pushpa: The Rule and significantly changed the cinema landscape in his country, fourth-placed Dev Patel confirmed his place as a Hollywood power player by remarkably writing, directing, producing and starring in the hit film.
Priyanka Chopra Jonas came in fifth for balancing high-profile projects that ranged from movies to starting work on season two of mega-budget series ‘Citadel’; actor Vijay, who starred in the year’s most successful Tamil movie and started a political party, is ranked sixth; and singer Arijit Singh seventh.
Australian actress Geraldine Viswanathan, Pakistani actress Hania Aamir and British actress Simone Ashley complete the top 10 for the year. The oldest star in the list is once again 82-year-old Amitabh Bachchan (26th) and the youngest, aged 17, is actress Nitanshi Goel (42nd) for her impressive performance in India’s official Oscar entry ‘Laapataa Ladies’.
The Public Sector Banks were supported through recapitalisation of ₹ 3.26 lakh crore in the last 10 years, said Finance Minister Nirmala Sitharaman.
Finance Minister Nirmala Sitharaman termed the allegation of Leader of Opposition Rahul Gandhi against state-owned banks a “misrepresentation of facts” and an “insult to the hardworking employees and to the citizens” who benefit from a cleaner, stronger banking system.
Banking sector, especially Public Sector Banks (PSBs), have seen a remarkable turnaround under the leadership of Prime Minister Narendra Modi, underlined the Finance Minister in a long post on X.
Earlier today, Mr Gandhi, after meeting a delegation from the All India Banking Officers Confederation, accused the government of using public sector banks, the “lifelines of the masses”, to prioritise profit over people and are thus unable to serve the public effectively.
“Public Sector Banks are being forced to prioritise profit over people and are thus unable to serve the public effectively. With staff shortages and a toxic work environment, they are expected to reach unachievable targets without a level playing field,” Mr Gandhi said after hearing the members of the confederation.
Attacking Mr Gandhi, the Finance Minister said, “Rahul Gandhi’s misrepresentation of facts is an insult to the hardworking PSB employees and to the citizens who benefit from a cleaner, stronger banking system. It’s high time the @INCIndia up-skills the LOP’s understanding of governance.”
Leader of the Opposition (LoP) @RahulGandhi’s penchant for making baseless statements is on full display, yet again.
India’s banking sector, especially Public Sector Banks (PSBs), have seen a remarkable turnaround under @PMOIndia@narendramodi
The Minister claimed that it was during the Congress-led United Progressive Alliance (UPA) government when bank employees were harassed and forced to give loans to cronies through “phone banking”.
“Didn’t the people who met with the LoP tell him that Asset Quality Review was launched by our Government in 2015, unearthing the ‘phone banking’ practices of UPA Govt? Modi Government took charge to initiate the reforms in the banking sector such as ‘4Rs’ strategy,” she said.
As part of the strategy, she said, the PSBs were supported through recapitalisation of ₹ 3.26 lakh crore in the last 10 years.
“Citizen centric governance and inclusive development is the core principle of Modi Government. Didn’t the people who met with the LoP tell him that 54 crore Jan Dhan accounts and more than 52 crore collateral-free loans under various flagship financial inclusion schemes (PM MUDRA, Stand-Up India, PM-SVANidhi, PM Vishwakarma) have been sanctioned?” she asked.
With regard to employment generation, Ms Sitharaman said, the government has undertaken recruitment drives and Rozgar Mela initiatives to fill lakhs of vacancies across all central government departments, including banks and PSBs. Since 2014, PSBs have recruited 3.94 lakh employees.
Nayanthara wrote an open letter to Dhanush last month over him suing her over the unauthorised use of a clip from his production in her documentary.
Nayanthara chose to remain silent after writing a scathing open letter to former co-star and producer Dhanush over his lawsuit for the unauthorised use of a clip from his 2015 production, Naanum Rowdy Dhaan, in her recent Netflix India documentary, Nayanthara: Beyond the Fairy Tale. Now, in an interview with The Hollywood Reporter India, Nayanthara has explained her actions.
‘Not a publicity stunt’
“Courage only comes from the truth. I only have to be scared when I’m fabricating something. If I’m not doing that, I don’t have to be scared. If I didn’t speak out now, when things had already gone too far, I don’t think anyone would have the courage to stand up for themselves ever again,” Nayanthara said. “Why should I be scared of doing something which I feel is right? I should be scared only if I’m doing something wrong. I’m not someone who would want to tarnish someone’s image just for the sake of publicity,” she added.
Nayanthara said her open letter was never intended to be a publicity stunt for her documentary. She says Nayanthara: Beyond the Fairy Tale “is not about whether the film is a hit or a flop,” but about knowing a person more, if you like them. She then explained that the only part of Naanum Rowdy Dhaan she wanted were four lines which “summed up our life, our love, our kids.” The 2015 film was helmed by Nayanthara’s now-husband Vignesh Shivan and produced by Dhanush’s Wunderbar Films.
Nayanthara tried to speak to Dhanush
Nayanthara also revealed that although she never does that, she contacted Dhanush’s manager, requesting them to get her on a call with him. She said she doesn’t want to get into what went wrong in the last 10 years, but wanted to clear the air with Dhanush so that they are at least able to say ‘hi’ to each other in case they cross paths in the future. The two famously ignored each other at a wedding days after Nayanthara’s open letter.
From Ananya Panday In Call Me Bae To Anushka Sen In Dil Dosti Dilemma: A Look At Best And Refreshing, Young OTT Performances of 2024
This year, OTT platforms delivered a treasure trove of remarkable performances by leading ladies across genres. Samantha Ruth Prabhu in Citadel, Ananya Panday in Call Me Bae, and Anushka Sen captivated audiences in Dil Dosti Dilemma, a heartfelt coming-of-age drama about friendship and love. We witnessed some of the best and finest performances on OTT by some of these talented ladies. Let’s take a look at 5 best performances on OTT in 2024.
Ananya Panday- Call Me Bae
Directed by Colin D’Cunha, Call Me Bae stars Ananya Panday as Bae, aka Bella, a fallen heiress turned hustler. Stripped of her wealth, Bella discovers her true assets—resilience and street-smart style. Set against Mumbai’s dynamic newsroom backdrop, she navigates challenges. Her performance in the show was loved by the audience and considered as one of her finest.
Anushka Sen- Dil Dosti Dilemma
Anushka Sen mesmerized audiences and critics alike with her portrayal of Asmara in the widely acclaimed web series Dil Dosti Dilemma. With her impeccable talent, charisma, and commanding screen presence, she brought depth and charm to the character. Carrying the series with grace and poise, Sen’s performance highlighted her emotional range and acting prowess. Her nuanced portrayal not only captivated viewers but also established her as a rising star, marking a significant milestone in her career.
Sharvari Wagh – Maharaj
Sharvari Wagh impressed as Viraaj in YRF’s period drama Maharaj, starring alongside Junaid Khan. Playing a spirited and deeply devoted character, she transitions seamlessly from a bubbly, love-struck girl to a steadfast supporter of Karsan in his battle against JJ. Her authentic Gujarati accent and heartfelt performance resonated with audiences.
Tripti Dimri- Bad Newz
Bad Newz featured Triptii Dimri as Saloni Bagga, starring alongside Vicky Kaushal. Playing a chef with the rare condition of heteropaternal superfecundation, Triptii’s transformation from a confident, sultry persona to an emotionally complex pregnant mother was deeply impactful.
14 Years Of Ranveer Singh: From Bittoo Sharma’s Charm To Simmba’s Swag, Bollywood’s Powerhouse Shines Bright
Over the past 14 years, Ranveer Singh has emerged as one of Bollywood’s most versatile and dynamic actors, captivating audiences with his boundless energy and transformative performances. From his breakout role as the charming and carefree Bittoo Sharma in Band Baaja Baaraat to the loved and fearless cop Sangram ‘Simmba’ Bhalerao in Rohit Shetty’s Cop Universe, Ranveer has delivered a range of memorable characters that showcase his incredible range. His journey is a testament to his dedication, as he seamlessly transitions between intense roles like Alauddin Khilji in Padmaavat and heartfelt performances in films like Lootera. With his infectious charisma and ability to dominate both mainstream and offbeat cinema, Ranveer continues to redefine the boundaries of stardom, proving himself as Bollywood’s powerhouse.
1. Bittoo Sharma from Band Baaja Baaraat
Ranveer Singh stepped into Bollywood playing the flamboyant Delhi boy Bittoo Sharma in Band Baaja Baarat. Ranveer played the role with utmost perfection that didn’t seem like his debut but one promising one, the quintessential hero of the love story. He truly immersed himself in the character of a funny, young-spirited Delhi guy and effortlessly portraying various emotions.
2. Kabir Mehra from Dil Dhadakne Do
Kabir is the only son of a self-made man who rose to build an empire. He dares to dream differently and opposes taking his family business forward. His character was not only loved by audiences worldwide but also became popular among the youth because of its relatability, vulnerability and the sensitivity Ranveer brought to the screens, something that not many can pull off. Kabir was any one of us and all of us.
3. Peshwa Bajirao from Bajirao Mastani
As Peshwa Bajirao, Ranveer showcased a transformation every actor would aspire to achieve. From inhabiting the Marathi dialect with most perfection to his portrayal of a brave warrior and a charismatic leader in love, Ranveer played the character in a way that made it clear there couldn’t have been a better actor than him.
4. Alauddin Khilji from Padmaavat
With Alauddin Khilji, Ranveer demonstrated his versatile talent on screen. He delved into a challenging and violent character with perfection, proving his mettle as an actor. Not only did the superstar receive massive appreciation for this menacing, cruel anti-hero portrayal but he truly showed why he is one of the best actors we have!
5. Murad Ahmed from Gully Boy
There couldn’t have been a better Murad than Ranveer. Period. As a Gully rapper, he flawlessly brought his hidden rap talent to the forefront and won the hearts of the audience. With every moment on screen, not only a community but the whole nation related, bringing the nuances of a talented boy and a star. The superstar’s rendition of Murad transcended mere acting; it breathed life into a character that resonated with audiences across the nation. Much like Ranveer’s star power itself, his characterisation was so personal that his raps echoed in the streets, in every playlist, each party & became a sensation!
6. Rocky Randhawa from Rocky Aur Rani Ki Prem Kahani
Rocky Randhawa, or as you might call him, the ultimate heartthrob. The character is very much Ranveer’s personality on screen – lively, loving, comic, expressive, emotional, and at times, vulnerable but he stays the powerhouse of energy. As Rocky Randhawa, Ranveer played a charismatic guy on screen who won the audiences’ hearts. He indeed is and will stay not only Bollywood’s but a real-life green flag for life, to audiences!
7. Ram from Goliyon Ki Raasleela Ram-Leela
Ranveer Singh delivered a career-defining performance in Sanjay Leela Bhansali’s Goliyon Ki Raasleela Ram-Leela, a modern-day adaptation of Shakespeare’s Romeo and Juliet. Paired opposite Deepika Padukone, Ranveer portrayed the fiery and passionate Ram, a man caught in the throes of love amidst a violent family feud. The film was celebrated for its opulent sets, soulful music, and high-voltage drama.
8. Varun Shrivastav from Lootera
In Vikramaditya Motwane’s poignant period drama Lootera, Ranveer Singh showcased a restrained and nuanced side of his acting prowess. He played Varun, an enigmatic conman who finds himself entangled in a tender yet tragic love story with Sonakshi Sinha’s Pakhi. Set in the 1950s, the film was a visual and emotional masterpiece, with Ranveer’s subtle performance standing out.
There’s a downside to our ocean-of-content culture: It can be overwhelming. Scanning all those titles, all those options, you feel at moments like you’re drowning in possibility. Yet there’s a serious upside as well. In cinema, it’s not just that the endless options are enticing in their multiplicity — it’s that a great movie can come from almost anywhere. It can come from the heart of the megaplex, as several of our best movies of the year, like “Inside Out 2” or “Dune: Part Two,” attest. It can come from the indie world, the world of international cinema, the world of documentary, the streaming world. It can bubble up from the underground, as “The People’s Joker” did. It can come from an audacious filmmaker taking his most radical leap yet (“Kinds of Kindness”) or from an audacious filmmaker who has settled into a revelatory new classicism (“The Room Next Door”). We like to think of our lists as excitingly eclectic. What unites and defines every film on them is simply — always — the passion that got poured into making it.
1. Challengers
Luca Guadagnino’s top-spinning marvel of a movie tells the tale of three pretty young tennis pros: their friendships, their rivalries, their love matches, their games. It’s about everything that can happen between three people, but it’s not about anything more than that. It has no higher theme. Yet it’s the most searching love triangle movie since “Jules and Jim,” as well as the most sweeping and sophisticated piece of cinematic storytelling I saw all year. Guadagnino, in a bedazzling piece of directing, keeps the audience both immersed and off balance, tracing the karmic tension of romance and power as it plays out among his extraordinary actors: Mike Faist as the cool, diffident, upright Art, Josh O’Connor (in the best performance by a male actor this year) as the ardent bad boy Patrick, and Zendaya, asserting the raw magnetism of her chops in a way she never quite has on the big screen before, as the fierce and fearless Tashi, who comes between them. Justin Kuritzkes’ script is a sporty maze that Guadagnino elevates into dizzying eye-candy poetry, surveying the rules of attraction from every side of the court, revealing the unconscious surge of love’s push and pull.
2. The Seed of the Sacred Fig
Mohammad Rasoulof’s epic drama is a monumental vision of the corruption of Iran by a regime that maintains its hold through any means necessary, from coercion to homicide. The film’s power is that it shows us this oppression from the inside out, telling the story of what happens to a bourgeois family when the father, Iman (Missagh Zareh), gets the promotion that he and his wife, the upwardly mobile Najmeh (Soheila Golestani), have been dreaming of. Iman is appointed to be an investigating judge in the Revolutionary Court in Tehran, which means that he must now rubber-stamp death sentences for protesters. He’s initially aghast, yet he’s trapped in the machinery of fascism. And that’s what he becomes at home — a tool of the regime — even as his teenage daughters, Rezvan (Mahsa Rostami) and Sana (Setareh Maleki), are drawn into the oceanic wave of feminist protest triggered, in September 2022, by the death in police custody of Mahsa Amini. “The Seed of the Sacred Fig” unfolds with a Chekhovian precision, and a matter-of-fact moral terror. When Iman’s state-sanctioned gun goes missing, the mystery of what happened to it transforms the film into a staggering domestic thriller, one that anatomizes the void Iran’s theocracy has left in the hearts and minds of its people.
3. A Real Pain
It’s not the first movie Jesse Eisenberg has written and directed, but it’s the one that announces his arrival as a major filmmaker. Eisenberg and Kieran Culkin play cousins — once close, now distant — who come together to go on a group Holocaust tour of Poland. You could call “A Real Pain” the brainiest buddy comedy ever made. You could also call it a piercingly philosophical, raw-nerve inquiry into how an event as cataclysmic as the Holocaust reverberates through the identities of families. Did I mention that it’s also a scaldingly witty study of the kind of 21st-century personality disorder that can be possessed by the most winning personality in the room? That would be Benji, played by Culkin in a performance that’s a high-wire balancing act of charisma and annoyance, sensitivity and narcissism, verbal dexterity and mental illness. Eisenberg creates the kind of rippling spontaneous dialogue that can stand shoulder to shoulder with Woody Allen, Ben Hecht, and “My Dinner with Andre.” It’s the blessed sound of people saying exactly what they think, and that’s the kind of filmmaking the world needs now.
4. Inside Out 2
Nine years ago, “Inside Out” was a trippy revelation, a movie that anthropomorphized the primal map of human emotion (Joy, Anger, Fear, Disgust, and Sadness) and, miraculously, did it within the candy-colored confines of a digitally animated kiddie ride. But since we’ve now spent an entire movie in that Pixar version of the brain, what could the sequel do for an encore? “Inside Out 2” adds vibrant and funny new emotions (Envy, Ennui, the scene-stealing Anxiety), as Riley (Kensington Tallman), now a 13-year-old high-school freshman, leaves her friends in the dust to cozy up to the cool kids on the hockey team. What makes this an even wilder adventure than the first “Inside Out” is that the film takes a deep dive into the metaphysical question that confronts teenagers in the social-media age: namely, when who you are takes a back seat to the desire to please others, then…who are you? The movie investigates this conundrum as perceptively as “Eighth Grade” did, with a visual enchantment and sly hilarity that, it’s a thrill to see, still define Pixar at its greatest.
5. Skywalkers: A Love Story
Jeff Zimbalist’s extraordinary documentary about rooftoppers, who scale the tallest skyscrapers in the world and then climb onto the splindly curved spires that shoot out the tops of those buildings, is a vertigo-inducing spellbinder. But it’s also a profound story of love and trust and dread and transcendence in an age when romantic entanglement has become a daredevil sport. The film provides the kind of high on getting high that “Free Solo” and “The Dawn Wall” did, though this one conjures even more of a “Whoa” factor, as it follows two rooftoppers from Moscow, Vanya Beerkus and Angela Nikolau, who are drawn together by their impulse to elevate risk into a kind of controlled madness. By the time they’re scaling the Merdeka 188 in Kualua Lumpur, Malaysia (if they’re caught they’ll go to prison), all to stage a feat in which Vanya will stand atop a girder and hold Angela up to the sky, the film has elevated “Don’t try this at home” to a new level of awesome.
6. A Complete Unknown
I’m not sure I would quite say it’s a rock biopic as unconventional as its subject, but James Mangold’s drama about the early years of Bob Dylan moves in its own beautifully haphazard way, loping right along with its legendary, curly-haired, sunglass-wearing coffee-house troubadour hero. Most of the songs play out in their entirety, so that they literally become the story the movie is telling. And Timothée Chalamet is a revelation. He acts with an ornery sly quietude, rising to the challenge of capturing the prickly charisma of Dylan’s inchoate, anti-matter, read-between-the-lines personality. It’s a transfixing performance that’s true to Dylan and, just as important, true to the logic of movies. We stare at this young mystery man, who lights up a room when he sings, and we want to know what makes him tick. The film is delicately engineered so that all the points a conventional biopic would cover are there, yet the feel — the effect — is that of a musical. Watching “A Complete Unknown,” Dylan’s journey into the light becomes ours.
7. The People’s Joker
The real sequel to “Joker.” After the artistic and commercial flameout of “Joker: Folie à Deux,” a number of forceful voices came to the defense of Todd Phillips’ top-heavy musical misfire. Quentin Tarantino and John Waters both said that they loved it. And the critics who bought into the whole “The movie fails on purpose!” meme seemed to find some deep-dish gratification in their utter delusion that Phillips was trying to piss off “the fans.” But why look so hard into the wreckage of “Folie à Deux” when a truly subversive and enthralling, truly scandalous and hilarious, true fucking Joker movie was right there in front of you for the tasting? Vera Drew, in her underground/midnight/guerrilla-cinema sensation, plays the maniacal Joker of DC legend, who is also an outlaw parody of the Joker, who is also a discordantly sincere trans heroine who is using the Joker’s persona to present who she is to the world. The movie, made outside the system (without clearance rights), is an act of pure fan obsession set in a diabolically playful mutating media zone, one that toys with the notion that those who are driven to extremes of cosplay are truer to the spirit of comic books than anyone else.
8. Babygirl
Sex, as any shrink will tell you, is never just about sex. And Halina Reijn’s riveting drama about Romy (Nicole Kidman), a CEO who “has it all” (an e-commerce company she started; an adoring family; a husband she makes breathy love to — except that she then sneaks into the next room to masturbate to grubby porn), isn’t just the story of a corporate power woman who falls into a forbidden affair with a hunky office intern (Harris Dickinson). Had that story been told 20 years ago, it would have been a “cougar” fantasy. But Reijn’s shrewdly honest and enveloping drama about a sadomasochistic affair is really, beneath its kinks (which are plenty sexy and entertaining), a portrait of a society that’s overly in thrall to the god of control. That Romy is trashing every rule that governs relationships in the workplace is, for her, part of the turn-on. And the spark plug of Kidman’s indelible performance, which earns comparison to Diane Lane’s in “Unfaithful,” is that she plays this sick recklessness as something fully human: the expression of a woman too compartmentalized to put the different parts of herself together.
9. Bad Faith: Christian Nationalism’s Unholy War on Democracy
The scariest horror movie of the year. It’s even scarier now than it was when the film came out last spring, since the subject of Stephen Ujlaki and Chris Jones’s chilling documentary — the network of ideological soldiers that the Christian Right has been putting in place for decades, all in anticipation of the moment when they could take power — now looks, for the first time, like a nightmare with the potential to come true. The Christian nationalists view Donald Trump as a holy wrecking ball, and the film relentlessly investigates their symbiotic alliance as well as the hidden roots, and hidden might, of this movement. In a renaissance era of nonfiction social-justice filmmaking, “Bad Faith” went further than any film I saw this year in uncovering the conspiratorial impulse toward injustice in America.
10. Kinds of Kindness
More than ever, film critics now make a point of favoring adventurous art over mainstream popcorn. Yet it’s funny how often the adventurousness falls within orthodox confines. When a movie comes along that’s genuinely adventurous, finding radical new ways to tweak and delight an audience, it often gets short shrift. And that’s just what happened with Yorgos Lanthimos’s brilliantly executed theater-of-the-absurd Twilight Zone mind game. For two hours and 46 minutes, I watched it in a state of riveted amazement — and I promise that you will too. Each of the film’s three episodes, with the same cast members floating through them like figures out of a dream, is a puzzle the film hypnotically fills in, whether it’s Jesse Plemons as a dweeb whose boss (Willem Dafoe) makes quixotic demands that are a logical extension of corporate fascism; Plemons as a cop whose wife, played by Emma Stone, resurfaces as a subtly different person; or Stone as a distraught woman who has left her family to follow a kinky cult leader (Dafoe) in a tale that tracks our obsessive compulsion to belong. “Kinds of Kindness” wears its avant imagination lightly, yet it’s a puckishly unsettling vision of our brave new world of dominance and deception. Call it “Rich Things.”
1. Inside Out 2
In my 2015 review of “Inside Out,” I predicted that the Pixar film would “forever change the way people think about the way people think.” Sure enough, Pete Docter’s model of how emotions operate gave a generation of kids the most useful framework for managing their feelings since Freud. Seems all but impossible to improve on that, right? Turns out, by following the path taken by “Toy Story” — whose sequels grew up alongside Andy, rather than simply rehashing what fans liked about the first movie — “Inside Out 2” is able to offer a richer, more mature window into the human mind. Bursting with color (and comedy), this appealing expansion picks up with puberty, as Riley is beset by a fresh set of emotions, led by Anxiety, who’s depicted as a frazzled control freak. If the film had merely shown kids how to cope with feelings of panic and worry — by telling Anxiety to go sit in a chair — that would be quite the achievement. But screenwriters Dave Holstein and Meg LeFauve have come up with several more invaluable innovations, from a beautiful way to visualize one’s core identity to the scene where Riley is flooded by repressed memories. No wonder Pixar refers to its top storytellers as “the Brain Trust.”
2. The Seed of the Sacred Fig
Dissident director Mohammad Rasoulof was serving time in prison when he conceived of his most powerful film, a daring indictment of an oppressive regime that doubles as the year’s most enthralling thriller. Eschewing the polite, understated critiques his Iranian peers tend to weave into their work, Rasoulof is clearly furious, but constructively so, suggesting what happens when subjugated citizens reach their limit. Working in secret with a small cast (and sampling real footage of the Jina Revolution), he risked everything to dramatize the national struggle, as viewed at the level a single, seemingly comfortable family. The father works for the government, rubber-stamping unjust indictments. At home, he’s the only man in a household of women, and while his wife and two daughters are obliged to follow his rules, small acts of defiance echo the protests in the streets. It all builds to an explosive finale, in which this patriarchal system is shown to be unsustainable.
3. The Bikeriders
Like a stampede of wild horses, the Vandals Motorcycle Club travels as a pack. You can feel the rumble deep in your bones — low, macho and intimidating — long before the herd pulls into view, at which point, nervous bystanders tend to clear the streets, lest these rebels find cause to start a fight. Sure, they’re antiestablishment icons, but there’s a strict code of conduct that governs their actions … or at least there was, until culture took a turn and left these 20th-century cowboys in the dust. Steering by photographer Danny Lyon’s late-’60s book of black-and-white Midwestern biker portraits, director Jeff Nichols watches this social microcosm slowly implode upon itself, the way the gangster world did across the “Godfather” saga. If that comparison sounds lofty, think again: “The Bikeriders” resonates on multiple layers, interrogating American masculinity as Jodie Comer’s awestruck Kathy falls for one of these stallions. Observing the way Tom Hardy (offering a sensitive, helium-high take on Marlon Brando) and “Elvis” star Austin Butler (doing his best James Dean) treat their choppers, it’s hard to imagine how women fit into their gearhead love triangles: Woe be unto the wife who comes between a Vandal and his wheels.
4. Anora
No one would blame you for mistaking Sean Baker’s anarchic comedy — the first American film to win Cannes’ prestigious Palme d’Or since “The Tree of Life” — as a rowdy, “Uncut Gems”-esque fairy tale for our times. Even the title character, played by Mikey Madison, is convinced she’s living the 21st-century version of a Cinderella story: A third-generation Russian immigrant, she works at a Manhattan strip club, where she easily charms her prince, the oblivious son (Mark Eydelshteyn) of filthy rich oligarchs. She’s convinced this romance is real and clings to it even as the fantasy collapses around her. Through it all, Baker respects his sex-worker heroine, portraying her as more of an optimist than an opportunist (as the proposal scene makes clear). Still, there’s no world in which this couple could live happily ever after, making the film’s surprisingly intimate, down-to-earth ending all the more satisfying.
5. Dune: Part Two
There’s a moment in the original “Star Wars” when Luke Skywalker looks out on the desert horizon of his home planet and sees two suns setting in the distance. It’s a simple detail, but one that says so much about how his world is at once just like ours and unknowably different. Denis Villeneuve’s “Dune” is the first sci-fi franchise to make us tingle in the same way, and this three-hour follow-up brings it all together. In the first blockbuster back after last year’s industry-stopping labor strikes, we were transported to another world as only Hollywood can. The film delivers a formidable new adversary in Austin Butler’s Feyd-Rautha, blue Kool-Aid drinking tests of Timothée Chalamet’s chosen-oneness and the incredibly satisfying payoff of Paul Atreides’ sandworm-surfing lessons. Still, it’s the relatable human moments amid Villeneuve’s awe-inspiring vision that bring “Dune: Part Two” down to earth, so to speak. Frank Herbert purists are obsessed with telling you what’s missing, but the real feat here is how dramatically the film simplifies all that arcane plotting into clear story beats, making the mythology feel almost intuitive, the way witnessing a double sunset did half a century earlier.
6. A Different Man
You probably recognize Adam Pearson from “Under the Skin.” A condition called neurofibromatosis — which results in unusual tumors all over his face — has not prevented him from pursuing an acting career, which is also true for the character of Edward (played by Sebastian Stan, disguised beneath elaborate prosthetics), who’s convinced his appearance is what’s holding him back from greater success with work, romance and overall self-fulfillment. So Edward agrees to an experimental procedure, which renders him conventionally handsome, but no longer interesting to the people who’d paid attention to him before (namely, the playwright next door, played by Renate Reinsve). The lesser-seen of two radical sci-fi fables this year, both confronting issues of body image in the film industry, Aaron Schimberg’s grungy dark comedy shares a “be careful what you wish for” message with “The Substance,” but pushed all kinds of buttons about representation, identity and casting.
The film, which scripted history by becoming the first Indian movie to win the Grand Prix award at the Cannes in May, has been registering wins and nominations as Hollywood gears up for its annual awards season that culminates with Oscars.
New Delhi: Filmmaker Payal Kapadia’s All We Imagine As Light, a Mumbai-set story about three women and their friendship, on Monday received two nominations at the 82nd Golden Globes in Best Motion Picture Non-English Language and the Best Direction – Motion Picture categories.
The film, which scripted history by becoming the first Indian movie to win the Grand Prix award at the Cannes in May, has been registering wins and nominations as Hollywood gears up for its annual awards season that culminates with Oscars.
At the Golden Globes, All We Imagine As Light will compete with Emilia Perez (France), The Girl With the Needle (Poland), I’m Still Here (Brazil), The Seed of the Sacred Fig (US) and the Vermiglio (Italy) in the Best Non-English Language Motion Picture category.
In the Best Director category at the 82nd Golden Globes, Kapadia will compete with The Brutalist director Brady Corbet, Coralie Fargeat of , Edward Berger of ConclaveEmilia Perez director Jacques Audiard and Sean Baker for Anora.
“I’m deeply honoured by this nomination and grateful to the HFPA for this recognition. This is a celebration of everyone who worked so passionately on the film. To everyone in India, All We Imagine as Light is still in theaters—please go watch it and support us,” Kapadia said in a statement.
Kapadia’s feature debut has received a lot of international acclaim since it premiered at Cannes where it not only registered the second best award but was also one of the best reviewed movies.
The director, a graduate from the Film and Television Institute of India (FTII), has previously directed acclaimed short film Afternoon Clouds and docu-feature A Night of Knowing Nothing.
Though the movie was not selected as India’s official entry for the Academy Awards in the International Feature Film category, it is expected to fetch nominations at the Oscars in general categories. Kiran Rao’s Laapata Ladies will represent India in the category.
The movie was named the Best International Film by New York Film Critics Circle and won an award in the same category at the Gotham Awards recently.
All We Imagine As Light claimed the top spot at the Sight and Sound magazine’s annual list of 50 best movies of the year.
The Malayalam-Hindi feature is being distributed in the US by Janus Films and Sideshow. Rana Daggubati’s Spirit Media released the film across India in November.
Starring Kani Kusruti, Divya Prabha and Chhaya Kadam, Kapadia’s film explores love and friendship in the bustling city of Mumbai through three women, two Malayali nurses — Prabha and Anu — and their friend Parvati.
Rekha Recalls Lata Mangeshkar Called Her ‘Mumma’: ‘I Prayed To God For A Daughter Like Lata Didi’
Rekha, a celebrated actress, recently opened up about her cherished memories with the legendary singer Lata Mangeshkar. She shared an emotional anecdote highlighting the depth of their bond, recounting how Lata once affectionately called her “Mumma.” This touching exchange originated when Rekha expressed her heartfelt wish to have a daughter like Lata. Their relationship, as described by Rekha, went beyond professional admiration and reflected a unique familial affection that both cherished.
Rekha reminisced about the profound impression Lata left on her life, not only as a musical genius but as a warm and nurturing individual. Despite her unparalleled accomplishments, Lata’s humility and ability to connect personally made her stand out. Rekha vividly recalled Lata’s voice and its comforting resonance, emphasizing how that memory continues to live within her, symbolizing their enduring bond. To Rekha, Lata was more than just an artist—she was an embodiment of grace, talent, and kindness.
The anecdote underscores the mutual respect and admiration shared between two icons of Indian entertainment, offering a glimpse into their personal connection. Rekha’s words reflect the immense love and reverence she holds for Lata, whose legacy remains unparalleled in Indian music. Through her voice and persona, Lata touched countless lives, including Rekha’s, leaving behind an indelible mark.
The past week has been an epic one in B-town. But if you’ve missed catching up on them, then fret not. Here are the top 7 Bollywood Newsmakers of the Week.
Trigger Warning: This article contains mentions of death and death threats.
We are all set to start a new week. But before that, let’s take a look at some of the B-town biggies who made the news in the past week. A fan illegally entered the set of Salman Khan and threatened to call Lawrence Bishnoi. On the other hand, Deepika Padukone made her first public appearance at Diljit Dosanjh’s concert after welcoming her first child with Ranveer Singh. Read on!
Here are the top Bollywood Newsmakers of the Week:
1. Salman Khan faces new threat as intruder illegally enters his shooting site
While Salman Khan was shooting in Mumbai amid heavy security, a fan forcefully entered the location. When a fight broke out between him and the security personnel, he threatened to call Lawrence Bishnoi. The person was immediately taken into custody and was questioned at Shivaji Park police station.
2. Deepika Padukone makes first appearance after delivery
Deepika Padukone made her fans go gaga when she arrived on stage at Diljit Dosanjh’s concert in Bangalore. This was the first time the actress made a public appearance after delivering her daughter Dua in September 2024. The celebs also greeted each other with folded hands and had fun on stage.
3. Court finds nothing against cops after accused in Salman Khan firing case died in custody
Anuj Thapan, who was allegedly involved in a shooting near Salman Khan’s residence in Bandra, passed away while in police custody. While it was alleged that there was some police wrongdoing that resulted in the death of the accused, the Bombay High Court ruled otherwise.
As per PTI, a court order from October 25 revealed that a magistrate had submitted a report following a judicial inquiry under section 176 (1-A) of the CrPC. After reviewing the findings, the bench observed that there was no indication that Anuj Thapan’s death in custody resulted from police actions.
4. Ranbir Kapoor spills beans about Animal Park and Brahmastra Part 2
Ranbir Kapoor recently revealed that Animal will be made across three parts, adding that they would start with Animal Park by 2027. He also stated that Brahmastra Part 2 is currently in the writing stage and it will definitely star his wife, Alia Bhatt.
5. Saira Banu develops two clots in her calf after being diagnosed with pneumonia
Reports suggested that legendary actress Saira Banu, who is facing health issues, has developed two clots in her calf. As per a recent Instagram post by Vickey Lalwani, the senior star was hospitalized in October 2024 due to a severe pneumonia bout and has since developed two clots in her calf. It was also reported that she is being able to move around her home, but with difficulty.
Bollywood filmmaker Karan Johar’s mother, Hiroo Yash Johar, was recently hospitalized at Kokilaben Dhirubhai Ambani Hospital in Mumbai. However, it was reported that the 81-year-old celebrity is now out of danger and there is nothing to worry about.
Diljit Dosanjh’s Indore concert didn’t offer meat and alcohol to attendees after Bajrang Dal voiced protest against the above provisions.
A day after Bajrang Dal voiced protest against the scheduled sale of meat and liquor at Diljit Dosanjh’s Indore concert, the singer performed in the city on Sunday. A part of his ongoing Dil-Luminati Tour, the Indore gig didn’t served any alcohol or meat at the venue. An attendee informed us that there was “no non-veg, no alcohol” at Diljit’s Indore concert.
Bajrang Dal’s protest
Bajrang Dal on Saturday carried out protests in Indore against the Diljit Dosanjh’s concert in the city. Yash Bachani, a Vishwa Hindu Parishad (VHP) member, said that the Bajrang Dal could come out on the streets to protest against the concert and oppose serving meat and liquor.
“Bajrang Dal got information about a concert happening in the city where there would be open liquor, and meat would be served. We have come here to inspect the same and to ensure whether there are arrangements being made for women’s safety by the police administration. We are also alert about any Love Jihad incident happening here. We oppose the open liquor and serving of meat to protect the culture in the city. Bajrang Dal can come out on the streets to protest against the concert tomorrow. We will let you know about our decision,” Vishwa Hindu Parishad (VHP) member Yash Bachani told reporters.
Meanwhile, the Additional Deputy Commissioner of Police (DCP) of Zone 2 said that Indore police consider the matter related to the law and order situation seriously. “Indore police consider the matter of law and order situation, women’s security and drug abuse seriously. We have not permitted serving alcohol and its consumption in the open here. We are taking everything into cognizance…” Amrendra Singh, Additional Deputy Commissioner of Police (DCP) Zone 2 told reporters.
No alcohol in Pune concert
Earlier, the state excise department cancelled the permit for serving liquor at Punjabi singer and actor Diljit Dosanjh’s musical concert in the Kothrud area of Pune last month. The decision came after strong protests from the youth wing of the NCP party and senior BJP leader Chandrakant Patil, along with some local residents and organisations, against serving liquor at the event.
This followed the controversial Hyderabad concert, in which the Telangana government banned Diljit from singing songs with lyrics on alcohol. Diljit bypassed that hurdle creatively, replacing alcohol terms with ‘softer’ substitutes like Coca Cola. He also addressed this controversy at the concert and claimed that several of his hit songs don’t have mentions of alcohol at all.
“Every girl or woman – or for that matter, a man – should be free to decide how they would like to lead their lives,” the star tells Sky News.
Khan says society often pushes men to be breadwinners even when their instincts might be differentAamir Khan, often hailed as Bollywood’s Tom Cruise, has built a reputation not just as an actor, director and producer but as a true change-maker in Indian cinema.
Known for tackling pressing social issues, his films have long been a catalyst for shifting perspectives in Bollywood.
His latest project, The Lost Ladies, is no exception, with a comedic twist that’s earned a spot in the BAFTA race and been selected for the Oscars’ international category.
The film, directed by his ex-wife Kiran Rao, tells the story of two men who mistakenly bring home the wrong brides – a funny story underscored by powerful themes of patriarchy’s impact on both genders.
Khan’s humour and Rao’s directorial finesse craft a story that’s both entertaining and thought-provoking.
“Women have been working on themselves for quite a while and struggling with that,” says Khan. “Men have done nothing.”
“We’ve alluded to violence against women in the film,” adds director Rao. “The deeper themes of how patriarchy affects women are central to the story.”
‘Men are the big losers’
For Khan, the film is as much about men as it is women. He describes how societal expectations can strip men of their ability to connect emotionally.
“They can’t hold their son and give him a hug because it’s not such a manly thing to do,” says the actor.
“What men don’t realise is that what they are losing because of patriarchy is a big loss to a lot of men.”
The 59-year-old says society often pushes men to be breadwinners, even when their instincts might lead them toward homemaking.
“I think men are the big losers,” he adds, challenging patriarchal norms. “If they fail to fully develop themselves… they fail to develop their sensitive side.”
Khan believes change begins with emotional connection, saying you can “convince a person logically, but it doesn’t help – it’s when you emotionally convince someone that change begins”.
His work also raises questions about freedom of choice.
“Every girl or woman – or for that matter, a man – should be free to decide how they would like to lead their lives,” he tells Sky News.
Nana Patekar Turns Singer For Anil Sharma’s Vanvaas, Read To Know More!
The makers of the highly anticipated Vanvaas unveiled the trailer of the film at an event. Offering a poignant glimpse into an emotional journey that delves into the intricacies of human relationships, the trailer promises a tale of vulnerability, resilience, and the universal quest for belonging. While the trailer launch witnessed the presence of the iconic Nana Patekar alongside the talented Utkarsh Sharma and Simrat Kaur, it has indeed heightened excitement for the film’s release while it has also been revealed that Nana Patekar has sung a song in the film.
At the trailer launch event, the entire team came together, and the highlight of the evening was Nana Patekar singing on stage with singer Shaan. During the performance, Shaan revealed that Nana Patekar has lent his voice to a song in the film. This is undoubtedly an exciting aspect to look forward to in Vanvaas.
Directed, produced, and written by Anil Sharma, the film reimagines the concept of family, showing that true connections are built not just by blood but by love and acceptance.
A Zee Studios Worldwide release, Vanvaas hits the theatres on 20th December. Mark your calendars for this unforgettable story brought to life by Anil Sharma!
The film, a sequel to 2021’s Telugu blockbuster ‘Pushpa: The Rise’, was released in theatres across the country and in the overseas markets on December 4.
Hyderabad: Actor Allu Arjun starrer Pushpa 2 : The Rule has grossed over Rs 500 crore during the first three day, making it the first ever Indian film to achieve that feat, said Naveen Yerneni of Mythri Movie Makers, the producers of the flick on Saturday.
Addressing the “success meet” of the movie, Naveen said the film is doing extremely well with one lakh tickets being booked on BookMyShow.
The film, a sequel to 2021’s Telugu blockbuster Pushpa: The Rise, was released in theatres across the country and in the overseas markets on December 4.
Quentin Tarantino made headlines for defending “Joker: Folie à Deux” earlier this year against the onslaught of critical pans, and now another filmmaker is joining him by naming the maligned sequel one of the best movies of 2024. “Pink Flamingos” and “Hairspray” icon John Waters published his annual top 10 list on Vulture and “Joker: Folie à Deux” is in the sixth spot.
“Finally, a love story I can relate to,” Waters writes. “So insane, so well thought out, so well directed, so much smoking! It’s ‘Jailhouse Rock’ meets Busby Berkeley with a 9/11 ‘That’s Entertainment!’ ending that will make you shake your head in cinematic astonishment. Stupid critics. Gaga so good. Joker so right. Die, dumbbells, die!”
Waters’ list is topped by Kristen Stewart’s lesbian thriller “Love Lies Bleeding” and includes several Oscar contenders such as “The Brutalist,” “Emilia Perez,” “Hard Truths” and “Queer.” The “Joker” sequel is easily the most divisive film on the director’s list. The film earned mostly negative reviews and flopped at the box office with $58 million domestically and $206 million worldwide, a far cry from the 2019 original’s $1 billion gross.
During an October interview on the “The Bret Easton Ellis Podcast,” Tarantino raved about “Joker: Folie à Deux” and said Joaquin Phoenix “gives one of the best performances I’ve ever seen in my life.”
“The Joker directed the movie,” Tarantino said about the film’s helmer Todd Phillips. “The entire concept, even him spending the studio’s money — he’s spending it like the Joker would spend it, all right? And then his big surprise gift — haha! — the jack-in-the-box, when he offers you his hand for a handshake and you get a buzzer with 10,000 volts shooting you — is the comic book geeks. He’s saying fuck you to all of them. He’s saying fuck you to the movie audience. He’s saying fuck you to Hollywood. He’s saying fuck you to anybody who owns any stock at DC and Warner Brothers […] And Todd Phillips is the Joker. Un film de Joker, all right, is what it is. He is the Joker.”
These defenses of the “Joker” sequel are few and far between. Even actors who appeared in the movie have spoken out against it. Comedian Tim Dillon, who had a blink-and-you’ll-miss-it role in the movie as an Arkham Asylum security guard, went viral last month for trashing “Joker: Folie à Deux” as “the worst film that has ever been made.”
In the Salman Khan house firing case, the Bombay High Court finds no basis for allegations against police in the custodial death of Anuj Thapan, questioning why they would target an 18-year-old.
Picture Courtesy: Salman Khan/InstagramAnuj Thapan, who was allegedly involved in the April 14 shooting near Salman Khan’s residence in Bandra, passed away while in police custody. On Friday, the Bombay High Court concluded that there was no evidence to support claims of police wrongdoing related to his death.
As per PTI, a court order from October 25 revealed that a magistrate had submitted a report following a judicial inquiry under section 176 (1-A) of the CrPC. After reviewing the findings, the bench observed that there was no indication that Anuj Thapan’s death in custody resulted from police actions, as previously alleged.
After reviewing the report, the bench questioned the petitioner’s advocate, Nishant Rana, about the reasoning behind the claim that the police would target someone who was not even the main accused. They pointed out that the 18-year-old, who was not the shooter and had gone to the bathroom alone, posed no threat. The bench emphasized the need to consider the circumstances, acknowledging the mother’s emotions while also focusing on the situation at hand.
When the lawyer argued that the deceased was in good health, the judges responded by highlighting that physical strength doesn’t equate to mental strength. They noted that no one could fully understand the circumstances that may have led him to take such a drastic step.
The judges pointed out that many factors could contribute to such actions, including financial stress, such as the burden of lawyers’ fees, especially considering he was from outside Maharashtra. They emphasized that there are often unknown factors at play in such situations.
Justice Chavan informed Rana that the CCTV footage showed no indication of anyone accompanying the deceased to the toilet, ruling out that possibility. He further remarked that, under normal circumstances, the individual would have likely struggled or resisted if there had been any external force involved.
Justice Mohite-Dere advised not to be swayed by emotions, acknowledging that a mother will always have suspicions after losing her son. He emphasized the importance of addressing those emotions while recognizing the understandable anxiety and grief a mother experiences in such a tragic situation.
The judge further stated that they could not understand any reason why the police would target an 18-year-old in the Salman Khan house firing case who was not even the main accused.
Allu Arjun released a video on his social media, responding to the death of a fan at the premiere of Pushpa 2: The Rule. Here’s what he said.
Allu Arjun posted a video on X (formerly Twitter), responding to the death of a fan during the premiere of his latest film Pushpa 2: The Rule. When the actor visited Sandhya Theatre in Hyderabad on December 4 with his family to watch the film with fans, it resulted in a stampede, leaving one female fan dead and her son hospitalised.
Allu Arjun responds to fan’s death
Arjun posted a 3-minute-47-seconds long video talking about the fan’s death, captioning it, “Deeply heartbroken by the tragic incident at Sandhya Theatre. My heartfelt condolences go out to the grieving family during this unimaginably difficult time. I want to assure them they are not alone in this pain and will meet the family personally. While respecting their need for space to grieve, I stand committed to extend every possible assistance to help them navigate through this challenging journey.”
In the video, he says in Telugu that the massive turnout was ‘unexpected’ when he visited the theatre and clarifies that he only discovered the fan’s death the next morning. He said, “When we went to the premieres of Pushpa recently at RTC Crossroads, unexpectedly, there was a massive turnout. We found out the next morning that a family was injured in the crowd, and a mother of two children, Revathi, unfortunately, died.”
He stated that he, director Sukumar and the whole team of Pushpa were ‘shocked’ when they found out the news. “In the last 20 years, I have been to the theatres for almost every film; something like this has never happened. We were very disappointed and shocked, none of us feel like celebrating. We make films so people can enjoy the film in theatres, so to learn that something like this happened…I can’t put it in words.”
Arjun also revealed that he has donated ₹25 lakh to the family of the dead woman, promising to not just cover their medical expenses but to take care of whatever the children might need in the future as much as he can. He said, “Nothing we say or do can help with the loss. But from our side, we’re emotionally there for you no matter what you need. From my side, I want to donate ₹25 lakh as a gesture to show I am there for you, especially for the children. We will also cover any medical expenses; we understand it’s difficult for the family.”
In an alarming incident, the audience at the iconic Gaiety Galaxy theatre in Bandra, Mumbai, fell sick during the screening of Pushpa 2 on Thursday after an unidentified person sprayed a mysterious substance during the interval. The people inside the theatre experienced cough, itchy throat and vomiting post the film’s interval, and the show was halted for 15-20 minutes.
In an alarming incident, the audience at the iconic Gaiety Galaxy theatre in Bandra, Mumbai, fell sick during the screening of Pushpa 2 on Thursday after an unidentified person sprayed a mysterious substance during the interval. The Mumbai Police has now launched an investigation in the case.
The incident happened during the night show of Pushpa 2 at Gaiety Galaxy theatre, which is a favourite amongst the locals. According to ANI, the audience claimed that they experienced coughing, vomiting and discomfort during the second half of the film after someone allegedly sprayed some toxic substance inside the theatre.
#WATCH | Mumbai, Maharashtra: Police investigate Bandra’s Galaxy theatre after the audience claimed that the screening of ‘Pushpa 2: The Rule’ was halted for 15-20 minutes after the interval after an unidentified person sprayed a substance causing coughing, throat irritation and… pic.twitter.com/UuNWTBApR0
The show was then halted for 15-20 minutes as people struggled inside, and the doors were opened to let the toxic gas out. It was only after the effect of the spray subsided that the film was resumed.
“We came out during the interval. After going back in, it seemed that someone had sprayed something causing coughing among the audience,” one of the viewers inside the theatre told ANI.
“As soon as we went back after the interval, we started coughing. We went to the bathroom and vomited. The smell stayed for 10-15 minutes. The smell faded away after the doors were opened. The movie resumed after that,” another audience member said.
Indian creators and fans on YouTube didn’t just break the internet, but rebuilt it with their unique voice and brand of creativity, YouTube said in its India blog on Thursday, which revealed the top trending takeaways of the year.
New Delhi: The big fat Indian wedding of Radhika-Anant Ambani, cricket lovers’ festival IPL, gamer Ajju bhai — whose amusing commentary entertained audiences — and ‘moye moye’, a catchy melody by a Serbian artist that internet users widely used to take a funny take on adversities, grabbed spots in the chart of most-trending topics on YouTube in 2024.
Indian creators and fans on YouTube didn’t just break the internet, but rebuilt it with their unique voice and brand of creativity, YouTube said in its India blog on Thursday, which revealed the top trending takeaways of the year.
Videos featuring “Ambani” and “wedding” in their titles amassed over 6.5 billion views in India, as fans analysed every aspect of the event, including international performances, stunning outfits, and a guest list filled with celebrities, according to the blog.
“From armchair fashion critics to wedding planners offering their hot takes, this year, the after-party was online, and everyone had a VIP pass,” YouTube wrote.
Ajju bhai, known as Total Gaming, who commands an impressive subscriber count of 43.9 million, also grabbed a spot on the charts.
The song “moye moye,” which quickly gained popularity for its entertaining tone and catchy melody, has been featured in numerous videos, garnering over 4.5 billion views, it said.
The cricket fever in India did not fail to surprise, with 7 billion views generated by content related to the ICC Men’s T20 World Cup and the 2024 Indian Premier League.
At the opening night of the prestigious Red Sea International Film Festival in Saudi Arabia, actor Kareena Kapoor Khan made a stunning entrance on the red carpet in an Oscar de la Renta appliqued strapless gown.
The tonal orchid-inspired blooms beautifully wrap around the cotton-velvet gown, accentuating the column silhouette and complementing Kareena’s frame with elan. The actor completed her red carpet look with a sleek bun accessorised with a purple fishnet face fascinator. Styled by celebrity hairstylist Mike Desir, the fascinator added vintage glam to Kareena’s overall look.
Celebrating femininity, craftsmanship and timeless style, Kareena was styled by celebrity fashion stylist Rhea Kapoor along with Sanya Kapoor and Shereen. The blush tones on her flawless skin, berry lips and iconic winged eyeliner was creatively done by celebrity makeup artist Savleen Manchanda. Kareena’s opulent style was further enhanced with some sparkling chandelier earrings encrusted with diamonds and rubies.
Sharing her excitement about being a part of the Red Sea International Film Festival, Kareena expressed, “I think it is brilliant. I have just walked the red carpet. I think this [year] is larger, it has more movies. I am excited about that. Last year was a tribute to women in cinema. And this time there are films from so many different places. I am so looking forward to that.”
Kareena took to Instagram to take a series of images of her stylish look from the opening night and captioned it as: “Red Sea International Film Festival opening night.” The photographs were beautifully captured by photographer Apeksha Maker.
The Red Sea International Film Festival kicked off on December 5, 2024, and the opening night was attended by an array of personalities from across the globe. The red carpet was graced by Aamir Khan, Will Smith, Michelle Yeoh, Eva Longoria, Emily Blunt, Cynthia Erivo, Minnie Driver, Spike Lee, and Daniel Dae Kim, among others.
Nagarjuna, in a note, thanked the media for their “understanding and for giving us the space to cherish this beautiful moment”. See his post here.
Nagarjuna has shared new pictures from his son Naga Chaitanya and Sobhita Dhulipala’s wedding ceremony. Taking to X (formerly Twitter), Nagarjuna shared the photos. Chaitanya and Sobhita Dhulipala recently exchanged vows in an intimate wedding in the presence of close friends and family members at the iconic Annapurna Studios, Hyderabad.
New pics of Chaitanya, Sobhita
In the first photo, Chaitanya and Sobhita Dhulipala smiled as they looked at each other. Both of them wore traditional white outfits. Chaitanya was seen in a kurta and dhoti. Sobhita opted for a red and white saree. She also wore traditional jewellery. The next picture showed the newly wedded couple posing with their family members, including Nagarjuna.
Nagarjuna pens gratitude note
Sharing the photos, Nagarjuna expressed his gratitude with a note. He wrote, “My heart is overflowing with gratitude (folded hands emoji). To the media, thank you for your understanding and for giving us the space to cherish this beautiful moment. Your thoughtful respect and kind wishes have added to our joy.”
My heart is overflowing with gratitude. 🙏
To the media, thank you for your understanding and for giving us the space to cherish this beautiful moment. Your thoughtful respect and kind wishes have added to our joy.
“To our dear friends, family, and fans, your love and blessings have truly made this occasion unforgettable. My son’s wedding was not just a family celebration—it became a cherished memory because of the warmth and support you all shared with us. From the bottom of our hearts, the Akkineni family thanks you all for the countless blessings you have showered upon us,” he added.
About Chaitanya, Sobhita’s wedding
The wedding was a stunning display of Telugu traditions, with rituals performed under the guidance of elders. The festive atmosphere was enriched by heartfelt blessings from family and friends, who gathered to witness this significant moment. Apart from family and close friends, the event also saw the presence of many celebrities.