It’s been more than four years since Donald Trump first moved to expel TikTok from the US — and now, just days before a second Trump presidency begins, it just might happen.
President Joe Biden signed legislation last April that officially began the countdown that would force TikTok’s parent company, ByteDance, to divest from the US business. But even afterward, the atmosphere on the video powerhouse was mostly nonchalant, with a handful of stray jokes about “this app disappearing” slotted between the usual fare.
In the last week, though, the vibe has shifted — my favorite creators are posting links to their other social accounts, audiences are making highlight reels of the most viral moments on the app, and they’re saying goodbye to their “Chinese spy” and threatening to hand over their data to the Chinese government. A Chinese-owned app Xiaohongshu, known as RedNote, topped the App Store this week, driven by a wave of “TikTok refugees” trying to recreate the experience of the platform. It’s feeling a bit like a fever dream last day of school.
For many creatives online, this wouldn’t be the first time they’ve had to migrate to new spaces: reach, engagement, and visibility are constantly shifting even on the largest and most stable platforms. But the possibility that a social media site of this size would disappear — or slowly break down until it’s nonfunctional — is a new threat. For small creators especially, TikTok is like playing the lottery: you don’t need thousands of followers for your video to get big, and this unpredictability incentivized the average person to upload content.
It’s still unclear what will happen to TikTok after January 19th. I asked content creators what their game plan is. (Responses have been edited and condensed for clarity.)
Noelle Johansen, @astraeagoods (89K followers)
“At the peak, I was making approximately 70 percent of my sales through TikTok from December 2020 to January 2022. Now, it drives at most, 10 percent of my sales,” says Noelle Johansen, who sells slogan sweatshirts, accessories, stickers, and other products.
“At my peak with TikTok, I was able to reach so many customers with ease. Instagram and Twitter have always been a shot in the dark as to whether the content will be seen, but TikTok was very consistent in showing my followers and potential new customers my videos,” Johansen told The Verge in an email. “I’ve also made great friends from the artist community on TikTok, and it’s difficult to translate that community to other social media. Most apps function a lot differently than TikTok, and many people don’t have the bandwidth to keep up with all of the new socials and building platforms there.”
Going forward, Johansen says they’ll focus on X and Instagram for sales while working to grow an audience on Bluesky and Threads.
Kay Poyer, @ladymisskay_ (704K followers)
“I think the ease of use on TikTok opened an avenue for a lot of would-be creators,” Kay Poyer, a popular creator making humor and commentary content, says. “Right now we’re seeing a cleaving point, where many will choose to stop or be forced to adapt back to older platforms (which tend to be more difficult to build followings on and monetize).”
As for her own plans, Poyer says she’ll stay where the engagement is if TikTok becomes unavailable — smaller platforms like Bluesky or Neptune aren’t yet impactful enough.
“I’m seeing a big spike in subscribers to my Substack, The Quiet Part, as well as followers flooding to my Instagram and Twitter,” Poyer told The Verge. “Personally I have chosen to make my podcast, Meat Bus, the flagship of my content. We’re launching our video episodes sometime next month on YouTube.”
Bethany Brookshire, @beebrookshire (18K followers)
Bethany Brookshire, a science journalist and author, has been sharing videos about human anatomy on TikTok, Bluesky, Instagram, and YouTube. Across platforms, Brookshire has observed differences in audiences — YouTube, for example, “is not a place [to] build an audience,” she says, citing negative comments on her work.
“Sometimes I feel like the only ethical way to produce any content is to write it out in artisanal chalk on an organically sourced vegan stone”
“I find people on TikTok comment and engage a lot more, and most importantly, their comments are often touching or funny,” she says. “When I was doing pelvic anatomy, a lot of people with uteruses wrote in to tell me they felt seen, that they had a specific condition, and they even bonded with each other in the comments.”
Brookshire told The Verge in an email that sharing content anywhere can at times feel fraught. Between Nazi content on Substack, right-wing ass-kissing at Meta, and the national security concerns of TikTok, it doesn’t feel like any platform is perfectly ideal.
“Sometimes I feel like the only ethical way to produce any content is to write it out in artisanal chalk on an organically sourced vegan stone, which I then try to show to a single person with their consent before gently tossing it into the ocean to complete its circle of life,” Brookshire says. “But if I want to inform, and I want to educate, I need to be in the places people go.”
Woodstock Farm Sanctuary, @woodstocksanctuary (117K followers)
The Woodstock Farm Sanctuary in upstate New York uses TikTok to share information with new audiences — the group’s Instagram following is mostly people who are already animal rights activists, vegans, or sanctuary supporters.
“TikTok has allowed us to reach people who don’t even know what animal sanctuaries are,” social media coordinator Riki Higgins told The Verge in an email. “While we still primarily fundraise via Meta platforms, we seem to make the biggest education and advocacy impact when we post on TikTok.”
With a small social media and marketing team of two, Woodstock Farm Sanctuary (like other small businesses and organizations) must be strategic in how it uses its efforts. YouTube content can be more labor-intensive, Higgins says, and Instagram Reels is missing key features like 2x video speed and the ability to pause videos.
“TikTok users really, really don’t like Reels. They view it as the platform where jokes, trends, etc., go to die, where outdated content gets recycled, and especially younger users see it as an app only older audiences use,” Higgins says.
The sanctuary says it will meet audiences wherever they migrate in the case that TikTok becomes inaccessible.
Source : https://www.theverge.com/2025/1/17/24342982/tiktok-ban-creators-instagram-reels-youtube-twitch
